Mona Lisa (Prado's Version)
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Mona Lisa (Prado's Version)
The Prado ''Mona Lisa'' is a painting by the workshop of Leonardo da Vinci and depicts the same subject and composition as Leonardo's better known ''Mona Lisa'' at the Louvre, Paris. The Prado ''Mona Lisa'' has been in the collection of the Museo del Prado in Madrid, Spain since 1819, but was considered for decades a relatively unimportant copy. Following its restoration in 2012, however, the Prado's ''Mona Lisa'' has come to be understood as the earliest known studio copy of Leonardo's masterpiece. Although there are dozens of surviving copies of the ''Mona Lisa'' from the 16th and 17th centuries, the Prado's ''Mona Lisa'' may have been painted simultaneously by a student of Leonardo in the same studio where he painted his own ''Mona Lisa'', so it is said to be the copy with the most historical value. Among the pupils of Leonardo, Salaì or Francesco Melzi are the most plausible authors of the Prado's version, though other experts argue that the painting could have been exe ...
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Leonardeschi
The Leonardeschi were the large group of artists who worked in the studio of, or under the influence of, Leonardo da Vinci. They were artists of Italian Renaissance painting, although his influence extended to many countries within Europe. As a teenager, Leonardo was enrolled as an apprentice in the studio of Andrea del Verrocchio in Florence by his father, Ser Piero di Antonio di Ser Piero di Ser Guido da Vinci, a wealthy notary. In 1472, Leonardo joined the Guild of St Luke and eventually, he qualified as a master by this important guild. Leonardo left the studio of del Verrocchio in late 1477 as an independent artist, working on commissions. Leonardo continued to live in the same quarters as del Verrocchio, however, and they collaborated on some projects. Leonardo's father enabled him to set up his own studio. In 1482, Leonardo visited Milan where he stayed with Giovanni Ambrogio de Predis, Evangelista de Predis, and their four brothers, all of whom were artists of different ...
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Copy Of La Gioconda - Leonardo Da Vinci's Apprentice
Copy may refer to: * Copying or the product of copying (including the plural "copies"); the duplication of information or an artifact ** Cut, copy and paste, a method of reproducing text or other data in computing ** File copying **Photocopying, a process which makes paper copies of documents and other visual images **Fax, a telecommunications technology used to transfer facsimile copies of documents, especially over the telephone network ** Facsimile, a copy or reproduction that is as true to the original source as possible ** Replica, a copy closely resembling the original concerning its shape and appearance **Term of art in U.S. copyright law meaning a material object in which a work of authorship has been embodied, such as a book * Copy (command), a shell command on DOS and Windows systems *Copy (publishing), written content in publications, in contrast to photographs or other elements of layout. **The output of journalists and authors, ready for copy editing and typesetting * ...
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The Art Newspaper
''The Art Newspaper'' is a monthly print publication, with daily updates online, founded in 1990 and based in London and New York City. It covers news of the visual arts as they are affected by international politics and economics, developments in law, tax, the art market, the environment and official cultural policy. Details ''The Art Newspaper'' is published by The Art Newspaper SA and is based on an original concept by the Turin publisher, Umberto Allemandi, who founded the first monthly newspaper, ', in 1983. It covers news of the visual arts as they are affected by international politics and economics, developments in law, tax, the art market, the environment and official cultural policy. The publication is fed by a network of sister editions, with around fifty correspondents in over thirty countries. In addition to London and New York City, the network has editorial offices in Turin, Paris, Moscow, Beijing and Tel Aviv. ''The Art Newspaper'' produces daily papers during th ...
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Salvator Mundi (Leonardo)
''Salvator Mundi'' () is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to . Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in a major exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's claimed just after selling the work that most leading scholars consider it to be an original work by Leonardo, but this attribution has been disputed by other leading specialists, some of whom propose that he only contributed certain elements; and others who believe that the extensive damage prevents a definitive attribution. The painting depicts Christ in an anachronistic blue Renaissance dress, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signaling his role as ''Salvator Mundi'' and representing the 'celestial sphere' of the heavens. Approximately thirty co ...
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Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily con ..., located in central Madrid. It is widely considered to house one of the world's finest collections of Art of Europe, European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by ...
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Lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of ''Toxicodendron vernicifluum'' or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look. Asian lacquer is sometimes painted with pictures, inlaid with shell and other materials, or carved, as well as dusted with gold and given other further decorative treatments. In modern techniques, lacquer means a range of clear or pigmented coatings that dry by solvent evaporation to produce a hard, durable finish. The finish can be of any sheen level from ultra matte to high gloss, and it can be further polished as required. Lacquer finishes ...
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Lapis Lazuli
Lapis lazuli (; ), or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines,David Bomford and Ashok Roy, ''A Closer Look- Colour'' (2009), National Gallery Company, London, () in Shortugai, and in other mines in Badakhshan province in northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley civilisation. Lapis was highly valued by the Indus Valley Civilisation (7570–1900 BC). Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun (1341–1323 BC). By the end of the Middle Ages, lapis lazuli began to be exported to Europe, where it was ground into powder and made into ultramarine, the finest and most expensive of all blue pigments. Ultra ...
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Hernando De Los Llanos
Hernando de los Llanos (active in the 16th century) was a Spanish painter active primarily around Cuenca for the duration of his career. Little is known about his life or training, though he appears to have been familiar with the models of Leonardo da Vinci and Domenico Ghirlandaio. He worked for a time in Valencia in collaboration with Fernando Yáñez de la Almedina. Hernando los Llanos can be considered to be one of Leonardeschi, at the beginning of 16th century he and Yáñez traveled to Florence and collaborated with Leonardo for his '' The Battle of Anghiari'' fresco. Collaboration was fruitful enough, while de los Llanos continued his artistic association on returning home to Spain. He and Yáñez produced several copies after works of Leonardo da Vinci, including: * ''Adoration of the Magi''. Oil on panel, 194 x 227 cm, Cathedral of Valencia. * ''Resurrection of Christ'' (includes elements from the ''Battle of Anghiari''). Oil on panel, 194 x 227 cm, Cat ...
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Fernando Yáñez De La Almedina
Fernando (or Hernando) Yáñez de la Almedina, born in Almedina, Spain in ''c''. 1475 and died in Valencia, Kingdom of Spain in 1536, was a Spanish painter. He was one of the most important early Renaissance painters in Spain. Of supposed ''morisco'' origin, he travelled to Italy to study fine art, and in the process became familiar with the work of Leonardo da Vinci. After returning to Spain, he collaborated with Hernando de los Llanos Hernando de los Llanos (active in the 16th century) was a Spanish painter active primarily around Cuenca for the duration of his career. Little is known about his life or training, though he appears to have been familiar with the models of ... on many works.Richard B. Wernham''The New Cambridge Modern History'' page 169. References In Spanish * Pedro Miguel Ibáñez Martínez, Fernando Yáñez de Almedina' (Universidad de Castilla La Mancha, 1 January 1999) * Museo Nacional del Prado"Fernando Yáñez de la Almedina" Year ...
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La Belle Ferronnière
''La Belle Ferronnière'' () is a portrait of a lady, usually attributed to Leonardo da Vinci, in the Louvre. It is also known as ''Portrait of an Unknown Woman.'' The painting's title, applied as early as the seventeenth century, identifying the sitter as the wife or daughter of an ironmonger (a ), was said to be discreetly alluding to a reputed mistress of Francis I of France, married to a certain Le Ferron. Later she was identified as Lucretia Crivelli, a married lady-in-waiting to Duchess Beatrice of Milan, who became another of the Duke's mistresses. Leonardo's ''Lady with an Ermine'' has also been known by this name. This was once believed to be a portrait of Cecilia Gallerani, one of the mistresses of Ludovico Sforza, Duke of Milan. The narrative and the title were applied to ''Lady with an Ermine'' when it was in Princess Czartoryski's collection, and became confused with ''La Belle Ferronnière'' by the presence in this image also of a jewel worn on a delicate chain ac ...
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Lady With An Ermine
The ''Lady with an Ermine'' ; pl, Dama z gronostajem). It is sometimes known as the ''Portrait of Cecilia Gallerani'', the ''Portrait of an Unknown Woman'', the ''Lady with a Ferret'', or the ''Lady with a Marten''., group=n is a portrait painting widely attributed to the Italian Renaissance artist Leonardo da Vinci. Dated to , the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being '' Ginevra de' Benci'', ''La Belle Ferronnière'' and the ''Mona Lisa''. ''Lady with an Ermine'' is now housed at the Czartoryski Museum in Kraków, and is one of Poland's national treasures. It is part of the Princes Czartoryski Collection, which was sold for €100 million (5% of the estimated market value of the entire coll ...
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Juglans Regia
''Juglans regia'', the Persian walnut, English walnut, Carpathian walnut, Madeira walnut, or especially in Great Britain, common walnut, is an Old World walnut tree species native to the region stretching from the Balkans eastward to the Himalayas and southwest China. It is widely cultivated across Europe. It is the origin of cultivated varieties which produce the edible walnut, consumed around the world. China is the major commercial producer of walnuts. Description ''Juglans regia'' is a large deciduous tree, attaining heights of , and a trunk up to 2 m (6 ft) in diameter, commonly with a short trunk and broad crown. The bark is smooth, olive-brown when young and silvery-grey on older branches, and features scattered broad fissures with a rougher texture. Like all walnuts, the pith of the twigs contains air spaces; this chambered pith is brownish in color. The leaves are alternately arranged, 25–40 cm (10 to 16 in) long, odd-pinnate with 5–9 leaflets, paire ...
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