Momoko Hirata
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Momoko Hirata
is a Japanese principal dancer for the Birmingham Royal Ballet. She attended the Reiko Yamamoto Ballet School before enrolling in the Royal Ballet School in the London, England. She won the 2001 Prix de Lausanne and joined the Birmingham Royal Ballet in 2003. She was promoted to First Artist in 2005, Soloist in 2008, and First Soloist in 2010. She briefly danced with the Barcelona Ballet as a principal dancer in 2012, before returning to the Birmingham Royal Ballet where she was promoted to Principal in 2013. Early life and training Born in 1985 in Gunma Prefecture, Japan, Hirata began training in classical ballet at the Reiko Yamamoto Ballet School. She attended the Royal Ballet School and in 2001 she won the Prix de Lausanne. She danced the Princess Aurora variation from '' The Sleeping Beauty''. Career In 2003, Hirata joined the Birmingham Royal Ballet. She was promoted to First Artist in 2005 and to Soloist in 2008. In 2010, she was further promoted to First Soloist. In 20 ...
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Principal Dancer
A principal dancer (often shortened to principal) is a dancer at the highest rank within a professional dance company, particularly a ballet company. A principal may be male or female. The position is similar to that of '' soloist''; however, principals regularly perform not only solos, but also pas de deux. Principal dancers can be hired into a dance company or can also be a company dancer that is a corps de ballet dancer that gets promoted from within the company. That process can take multiple performance seasons or even years to achieve based on skill level and company interest. It is a coveted position in the company and the most prominent position a dancer can receive. The term is used mostly in ballet but can be used in other forms as well, such as modern dance. They are usually the star of the ballet. The term ''senior principal dancer'' is sometimes used as well. Synonyms and origin The Italian derived term ''prima ballerina'' (female dancers) (''primo ballerino'' ...
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The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over ''The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its si ...
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Dante Sonata
''Après une lecture du Dante: Fantasia quasi Sonata'' (French for ''After a Reading of Dante: Fantasia quasi Sonata''; also known as the Dante Sonata) is a piano sonata in one movement, completed by Hungarian composer Franz Liszt in 1849. It was first published in 1856 as part of the second volume of his ''Années de pèlerinage'' (''Years of Pilgrimage''). This work of program music was inspired by the reading of Victor Hugo's poem “Après un lecture du Dante” (1836). Background The ''Dante'' Sonata was originally a small piece entitled ''Fragment after Dante'', consisting of two thematically related movements, which Liszt composed in the late 1830s. He gave the first public performance in Vienna in November 1839. When he settled in Weimar in 1849, he revised the work along with others in the volume, and gave it its present title derived from Victor Hugo's own work of the same name. It was published in 1858 as part of ''Années de pèlerinage''. Composition The piece ...
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Enigma Variations (ballet)
''Enigma Variations (My Friends Pictured Within)'' is a one-act ballet by Frederick Ashton, to the music of the '' Variations on an Original Theme'' (''Enigma Variations''), Op. 36, by Edward Elgar. The work was first given by the Royal Ballet at the Royal Opera House, Covent Garden, London, on 25 October 1968. It has been revived in every subsequent decade. Background Elgar's variations portray, in his words, "My friends pictured within", celebrating, and in some cases caricaturing, members of his circle. He commented to one of them, Troyte Griffith, years after the premiere that if the variations had been written by a Russian rather than an Englishman they would long ago have been turned into a ballet. It was not until six years after the composer's death that an attempt was made to do so, by the choreographer Frank Staff for Ballet Rambert in 1940.Percival, John. "Ashton and the quality of friendship", ''The Times'', 26 October 1968, p. 9 Staff's ballet focused on the mood ...
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Western Symphony
''Western Symphony'' is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to American folk tunes arranged by Hershy Kay. It premiered on September 7, 1954 at the City Center of Music and Drama in New York. The ballet was originally presented in practice clothes without scenery. Scenery by John Boyt and costumes by Karinska were added in 1955. Lighting was originally by Jean Rosenthal and subsequently Mark Stanley. Set in the Western United States, the ballet features cowboys and dance hall girls (or saloon girls). Setting The ballet follows no plot but presents several short stories throughout the ballet (similar to ''Serenade'') outside a saloon. It is almost a satire on classical ballet with imitations of ''Giselle'' and ''Swan Lake'' (second movement). The ballet originally had four movements: Allegro The Allegro is for four cowboys, eight girls (divided into two groups of four) and a lead couple. The lengthy Allegro goes for about ...
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Serenade (ballet)
''Serenade'' is a ballet by George Balanchine to Tchaikovsky's 1880 '' Serenade for Strings in C'', Op. 48. Serenade is credited as being George Balanchine's first full-length ballet in America. Using the students of his newly formed School of American Ballet, Balanchine choreographed this ballet for an American audience that had not been widely exposed to ballet before.Bird, "Principles of Choreography as Exemplified in the Works of George Balanchine" (1980). Master's Theses. 1851 Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where '' Mozartiana'' had been danced the previous day. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immig ...
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Agon (ballet)
''Agon'' is a 22-minute ballet for twelve dancers with music by Igor Stravinsky. It was choreographed by George Balanchine. Stravinsky began composition in December 1953 but was interrupted the next year; he resumed work in 1956 and concluded on April 27, 1957. The music was premiered in Los Angeles at UCLA's Royce Hall on June 17, 1957, conducted by Robert Craft. Stravinsky himself conducted the sessions for the work's first recording the following day on June 18, 1957. ''Agon'' was first performed on stage by the New York City Ballet at the City Center of Music and Drama on December 1, 1957. The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical idiom to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs ...
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Apollo (ballet)
''Apollo'' (originally ''Apollon musagète'' and variously known as ''Apollo musagetes'', ''Apolo Musageta'', and ''Apollo, Leader of the Muses'') is a neoclassical ballet in two ''tableaux'' composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C. The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical antiquity a ...
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Polyhymnia
Polyhymnia (; el, Πολυύμνια, lit=the one of many hymns), alternatively Polymnia (Πολύμνια), was, in Greek mythology, the Muse of sacred poetry, sacred hymn, dance and eloquence, as well as agriculture and pantomime. Etymology Polyhymnia name comes from the Greek words "poly", meaning "many", and "hymnos", which means "praise". Appearance Polymnia is depicted as very serious, pensive and meditative, and often holding a finger to her mouth, dressed in a long cloak and veil and resting her elbow on a pillar. Polyhymnia is also sometimes credited as being the Muse of geometry and meditation. In ''Bibliotheca historica'', Diodorus Siculus wrote, "Polyhymnia, because by her great (polle) praises (humnesis) she brings distinction to writers whose works have won for them immortal fame...". Family As one of the Muses, Polyhymnia was the daughter of Zeus and the Titaness Mnemosyne. She was also described as the mother of Triptolemus by Cheimarrhoos, son of Are ...
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The Herald (Plymouth)
''The Herald'' is a Reach plc newspaper serving Plymouth. Its website and social media were rebranded as ''Plymouth Live'' in 2018. Its editor is Edd Moore. Print and online presence The newspaper's average circulation was 6,430 in the first six months of 2022, made up of 5,072 paid-for single issues and 1,358 paid subscriptions. ''The Herald'' is published six days a week, Monday to Saturday, and has a single edition. It is owned by Reach plc, formerly known as Trinity Mirror. Its sister titles include the ''Express & Echo'' in Exeter, the ''Herald Express'' in Torquay and the ''Western Morning News''. Over 80% of the local adult population in the Plymouth region were said to use ''The Herald's'' website in 2013. In 2018, ''The Herald's'' website was rebranded as ''Plymouth Live'' by Reach plc. Its sister websites are ''Devon Live'' and ''Cornwall Live''. ''Plymouth Live'' is active on social media, regularly posting breaking news, pictures and videos on its Facebook, ...
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Romeo And Juliet (MacMillan)
Choreographer Sir Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's ''Romeo and Juliet'' premiered at the Royal Opera House, Covent Garden on 9 February 1965. Background Kenneth MacMillan had previously choreographed the balcony scene for Lynn Seymour and Christopher Gable to dance in September 1964 for Canadian Television. This scene provided an essential part of the ballet's overall structure. Seymour stated that the balcony scene pas de deux only took three rehearsals to fully choreograph. This experience made him seem a good candidate to choreograph the entire ballet for Covent Garden, when the Soviet Union refused to allow Leonid Lavrovsky's classic production to tour to London. MacMillan prepared his version with the blessing of Frederick Ashton. MacMillan only had five months to choreograph the full ballet as The Royal Ballet hoped to perform Romeo and Juliet in its upcoming American tour. He, Seymour, and Gable planned the ballet around the characters ...
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Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of ballet or music, MacMillan was determined from an early age to become a dancer. The director of Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his work for bal ...
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