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Modest Petrovich Mussorgsky
Modest Petrovich Mussorgsky ( rus, link=no, Модест Петрович Мусоргский, Modest Petrovich Musorgsky , mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj, Ru-Modest Petrovich Mussorgsky version.ogg; – ) was a Russian composer, one of the group known as " The Five". He was an innovator of Russian music in the Romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music. Many of his works were inspired by Russian history, Russian folklore, and other national themes. Such works include the opera ''Boris Godunov'', the orchestral tone poem ''Night on Bald Mountain'' and the piano suite ''Pictures at an Exhibition''. For many years, Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have posthumously come into their own in their original forms, and some of the original scores are now also avai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Stasov
Vladimir Vasilievich Stasov (also Stassov; rus, Влади́мир Васи́льевич Ста́сов; 14 January Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> O.S._2_January.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January">Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January/small> 1824 – 23 October .S. 10 October/small> 1906), was a Russian critic of music and art. Born into a wealthy, noble family Stasov became a prominent figure in mid-19th-century Russian culture. He discovered a large number of its greatest talents, inspired many of their works and fought their battles in numerous articles and letters to the press. As such, he carried on a lifelong debate with Russian novelist and playwright Ivan Turgenev, who considered Stasov "our great all-Russian critic." He wanted Russian art to liberate itself from what he saw as Europe's hold. By copying the west, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministry Of Culture (Russia)
The Ministry of Culture of the Russian Federation () is a ministry of the Government of Russia responsible for state policy in cultural spheres such as art, cinematography, archives, copyright, cultural heritage, and censorship. Olga Lyubimova has been Minister of Culture since 21 January 2020. Structure The current Ministry of Culture was formed on May 2, 2008 from the Ministry for Culture and Mass Media (Министерство культуры и массовых коммуникаций Российской Федерации). In the past, the Ministry of Culture operated between 1953 to 2004, while between March and September 1992 the ministry was known as the Ministry for Culture and Tourism (Министерство культуры и туризма Российской Федерации). The Federal Service for Supervision over Cultural Heritage Protection (Федеральная служба по надзору за соблюдением законодател ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Latin
Late Latin ( la, Latinitas serior) is the scholarly name for the form of Literary Latin of late antiquity.Roberts (1996), p. 537. English dictionary definitions of Late Latin date this period from the , and continuing into the 7th century in the Iberian Peninsula. This somewhat ambiguously defined version of Latin was used between the eras of Classical Latin and Medieval Latin. Scholars do not agree exactly when Classical Latin should end or Medieval Latin should begin. Being a written language, Late Latin is not the same as Vulgar Latin. The latter served as ancestor of the Romance languages. Although Late Latin reflects an upsurge of the use of Vulgar Latin vocabulary and constructs, it remains largely classical in its overall features, depending on the author who uses it. Some Late Latin writings are more literary and classical, but others are more inclined to the vernacular. Also, Late Latin is not identical to Christian patristic Latin, used in the theological writings of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sibilant
Sibilants are fricative consonants of higher amplitude and pitch, made by directing a stream of air with the tongue towards the teeth. Examples of sibilants are the consonants at the beginning of the English words ''sip'', ''zip'', ''ship'', and ''genre''. The symbols in the International Phonetic Alphabet used to denote the sibilant sounds in these words are, respectively, . Sibilants have a characteristically intense sound, which accounts for their paralinguistic use in getting one's attention (e.g. calling someone using "psst!" or quieting someone using "shhhh!"). In the hissing sibilants and , the back of the tongue forms a narrow channel (is '' grooved'') to focus the stream of air more intensely, resulting in a high pitch. With the hushing sibilants (occasionally termed ''shibilants''), such as English , , , and , the tongue is flatter, and the resulting pitch lower. A broader category is stridents, which include more fricatives than sibilants such as uvulars. Because al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavic Languages
The Slavic languages, also known as the Slavonic languages, are Indo-European languages spoken primarily by the Slavic peoples and their descendants. They are thought to descend from a proto-language called Proto-Slavic, spoken during the Early Middle Ages, which in turn is thought to have descended from the earlier Proto-Balto-Slavic language, linking the Slavic languages to the Baltic languages in a Balto-Slavic group within the Indo-European family. The Slavic languages are conventionally (that is, also on the basis of extralinguistic features) divided into three subgroups: East, South, and West, which together constitute more than 20 languages. Of these, 10 have at least one million speakers and official status as the national languages of the countries in which they are predominantly spoken: Russian, Belarusian and Ukrainian (of the East group), Polish, Czech and Slovak (of the West group) and Bulgarian and Macedonian (eastern dialects of the South group), and Serbo-C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice (phonetics)
Voice or voicing is a term used in phonetics and phonology to characterize speech sounds (usually consonants). Speech sounds can be described as either voiceless (otherwise known as ''unvoiced'') or voiced. The term, however, is used to refer to two separate concepts: *Voicing can refer to the ''articulatory process'' in which the vocal folds vibrate, its primary use in phonetics to describe phones, which are particular speech sounds. *It can also refer to a classification of speech sounds that tend to be associated with vocal cord vibration but may not actually be voiced at the articulatory level. That is the term's primary use in phonology: to describe phonemes; while in phonetics its primary use is to describe phones. For example, voicing accounts for the difference between the pair of sounds associated with the English letters "s" and "z". The two sounds are transcribed as and to distinguish them from the English letters, which have several possible pronunciations, depe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intervocalic Consonant
In phonetics and phonology, an intervocalic consonant is a consonant that occurs between two vowels. Intervocalic consonants are often associated with lenition, a phonetic process that causes consonants to weaken and eventually disappear entirely. An example of such a change in English is ''intervocalic alveolar flapping'', a process (especially in North American English and Australian English) that, impressionistically speaking, turns ''t'' into ''d'', causing (e.g.) ''metal'' and ''batter'' to sound like ''medal'' and ''badder'', respectively. (More precisely, both /t/ and /d/ are pronounced with the alveolar tap Alveolus (; pl. alveoli, adj. alveolar) is a general anatomical term for a concave cavity or pit. Uses in anatomy and zoology * Pulmonary alveolus, an air sac in the lungs ** Alveolar cell or pneumocyte ** Alveolar duct ** Alveolar macrophage * M ... .) In North American English the weakening is variable across word boundaries, so that the /t/ of "see you tomorrow" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tikhon Khrennikov
Tikhon Nikolayevich Khrennikov (russian: Тихон Николаевич Хренников; – 14 August 2007) was a Russian and Soviet composer, pianist, and General Secretary of the Union of Soviet Composers (1948–1991), who was also known for his political activities. He wrote three symphonies, four piano concertos, two violin concertos, two cello concertos, operas, operettas, ballets, chamber music, incidental music and film music. During the 1930s, Khrennikov was already being hailed as a leading Soviet composer. In 1948, Andrei Zhdanov, the leader of the anti-formalism campaign, nominated Khrennikov as Secretary of the Union of Soviet Composers. He held this influential post until the collapse of the Soviet Union in 1991. Biography Early years Tikhon Khrennikov was the youngest of ten children, born into a family of horse traders in the town of Yelets, Oryol Governorate, Russian Empire (now in Lipetsk Oblast in central Russia). He learned guitar and mandolin from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Golovanov
Nikolai Semyonovich Golovanov (russian: Никола́й Семёнович Голова́нов, Nikoláy Semyónovich Golovánov) ( Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> o.s._9.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">o.s. 9">Adoption of the Gregorian calendar#Adoption in Eastern Europe">o.s. 9/nowiki> 21 January 1891 – 28 August 1953), PAU, was a Soviet conductor and composer, who was married to the soprano Antonina Nezhdanova. He conducted the premiere performances of a number of works, among them Nikolai Myaskovsky's Sixth Symphony in May 1924. Golovanov held some of the highest musical positions in the USSR, including an extensive association with the Bolshoi Opera. In her autobiography, Galina Vishnevskaya terms him the theater's chief conductor, and tells of his dismissal from the Bolshoi and his death - which she attributed to the humiliation of the experience of losing this po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feodor Chaliapin
Feodor Ivanovich Chaliapin ( rus, Фёдор Ива́нович Шаля́пин, Fyodor Ivanovich Shalyapin, ˈfʲɵdər ɪˈvanəvʲɪtɕ ʂɐˈlʲapʲɪn}; April 12, 1938) was a Russian opera singer. Possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form. During the first phase of his career, Chaliapin endured direct competition from three other great basses: the powerful (1869–1942), the more lyrical (1871–1948), and Dmitri Buchtoyarov (1866–1918), whose voice was intermediate between those of Sibiriakov and Kastorsky. The fact that Chaliapin is far and away the best remembered of this magnificent quartet of rival basses is a testament to the power of his personality, the acuteness of his musical interpretations, and the vividness of his performances. Spelling note He himself spelled his surname, French-style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
