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Modena Codex
The Modena Codex (''Modena, Biblioteca Estense, α.m.5,24''; often referred to with the siglum Mod A) is an early fifteenth-century Italian manuscript of medieval music. The manuscript is one of the most important sources of the ''ars subtilior'' style of music. It is held in the Biblioteca Estense library in Modena. The precise origin of Mod A is controversial, with Pavia/Milan, Pisa and Bologna all being proposed. Firm evidence of ownership of the book by the Biblioteca Estense only occurs in the early nineteenth century, although a 1495 catalogue of the Este family library in Ferrara might refer to it. It was rediscovered by the philologist Antonio Cappelli in 1868. Excluding flyleaves and modern additions, Mod A comprises 51 parchment folios divided into five gatherings. The first and last gatherings are decorated in a simpler style from the central gatherings and mostly contain the works of Matteo da Perugia, while the middle three gatherings contain works by a more varied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siglum
Scribal abbreviations or sigla (singular: siglum) are abbreviations used by ancient and medieval scribes writing in various languages, including Latin, Greek, Old English and Old Norse. In modern manuscript editing (substantive and mechanical) sigla are the symbols used to indicate the source manuscript (e.g. variations in text between different such manuscripts) and to identify the copyists of a work. History Abbreviated writing, using sigla, arose partly from the limitations of the workable nature of the materials (stone, metal, parchment, etc.) employed in record-making and partly from their availability. Thus, lapidaries Lapidary (from the Latin ) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A la ..., engravers, and copyists made the most of the available writing space. Scribal abbreviations were inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egidius (Chantilly Codex Composer)
Egidius, sometimes Magister Egidius, (c. 1350-1400?) is an ''ars subtilior'' composer found in the ''Chantilly Codex'' and the ''Modena Codex.'' Works attributed to "Egidius" in the ''Chantilly Codex'' comprise the ballades ''Roses et lis'' and ''Courtois et sage,'' dedicated to Pope Clement VII in Avignon. He is potentially identifiable with Egidius de Murino Egidius de Francia (; also Egidius de Murino or Magister Frater Egidius) was a French music theorist of medieval music, known for the short treatise ''De motettis componendis''. He possibly was an Augustinian friar, as in a miniature illuminatio ..., a composer and music theorist active at the same time.Garber, Benjamin"Egidius de Murino" from Medieval France: An Encyclopedia. William Kibler, ed. Garland 1995. p.316. Egidius de Aurelia (Egidius of Orleans), composer of "Alma Polis" and "Axe poli cum artica" is thought to be a different composer. References {{DEFAULTSORT:Egidius, Magister Ars subtilior composers Bel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egardus
Egardus (; also Engardus or Johannes Echgaerd) was a European Medieval composer of ''ars subtilior''. Almost no information survives about his life, and only three of his works are known. A certain "Johannes Ecghaerd", who held chaplaincies in Bruges and Diksmuide, may be a possible match for Egardus. The extant works—a canon and two Glorias—appear to be less complex than music by mid-century composers, possibly because they date from either very early or very late in Egardus' career. Biography Little is known with certainty about his life. The enigma of his biography stems from a difficulty in knowing whether he was Flemish or Italian. A northern origin is suggested by his name, a copy of one of his works in a Flemish manuscript, and a possible citation of his music by Thomas Fabri. But with only one other exception, all of his works are found in Northern Italian manuscripts, and that exception, a Polish manuscript, has strong Italian connections. The most important bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conradus De Pistoria
Conradus de Pistoria (also Coradus, de Pistoia, de Pistoja) (fl. early 15th century) was an Italian composer of the late medieval era and early Renaissance, active in Florence and elsewhere in northern Italy. He is listed in the standard histories of music for the period, including the ''New Oxford History of Music: Ars Nova and the Renaissance, 1300–1540'', and the ''New Grove''. Conradus was an Italian representative of the manneristic school of composers known as the ''ars subtilior'', closely associated with the courts of the schismatic popes during the period of the Avignon Papacy.Ursula Günther, "Conradus de Pistoria". Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/18061 (accessed 18 December 2011). Life and career Next to nothing is known about his life, but for a few inferences, and one archival reference. Probably he was associated with Antipope Alexander V and Antipope John XXIII. Conradus's two known w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapels in Rome and later and most importantly at Padua Cathedral. Life He was the son of a priest (also named Johannes Ciconia) and a woman of high social standing. Since at least three other men around Liège had that name as well, this has created biographical confusion, first solved by David Fallows in 1975. A Johannes Ciconia, probably the composer's father, worked in Avignon in 1350 as a clerk for the wife of Pope Clement VI's nephew. Another Johannes Ciconia is recorded in Liège in 1385 as a , generally identifying a person of young age; scholars agree that this is the composer himself. Papal records suggest that Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Da Bologna
Bartolomeo da Bologna ( fl. 1405 – 1427) was an Italian composer of the transitional period between the late medieval style of the Trecento and the early Renaissance. Life Little is known with certainty about his life, but he was probably from Bologna or nearby, and seems to have spent part of his life in Ferrara. He was a Benedictine, and may have been the prior of San Nicolò in Ferrara; in addition he was the organist there in 1407, and he is documented in that cathedral at the beginning of 1427. He also seems to have been connected with the chapel of John XXIII in Bologna, since one of his ballades (''Arte psalentes'') is probably addressed to the singers in his choir. (He is frequently referred to in manuscripts with the Latin form of his name, "Bartolomeus de Bononia") Music Bartolomeo is one of only a few native Italian composers of the early 15th century of whom works have survived with reliable attribution; many of the musicians in Italy during the 15th century w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolino Da Padova
Bartolino da Padova (also "Magister Frater Bartolinus de Padua") (fl. c. 1365 – c. 1405) was an Italian composer of the late 14th century. He is a representative of the stylistic period known as the ''Trecento'', sometimes known as the "Italian '' ars nova''", the transitional period between medieval and Renaissance music in Italy. Life Next to nothing is known for certain about his life, but some information can be inferred from his music. He was probably from Padua, and he was a Carmelite, because a picture of him appears in the ''Squarcialupi Codex'' in which he is wearing the garb of that order. Most likely he was in the employ of the Carrara family, since references to them appear in his music. There is a possibility he spent some time in Florence around 1389–1390. References to the Visconti family in his music have been variously interpreted: some scholars have suggested that he was away from Padua, and may have been working in support of Gian Galeazzo Visconti during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume De Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaquemin De Senleches
Jacob Senleches ( fl. 1382/1383 – 1395) (also Jacob de Senlechos .e. Senleches'' and Jacopinus Senlesses) was a Franco-Flemish composer and harpist of the late Middle Ages. He composed in a style commonly known as the ''ars subtilior''. Life and career It has been suggested that Jacob Senleches was born in Senleches (or Sanlesches) in Cambrai, today France. In 1382, Senleches seems to have been present at the court of Eleanor of Aragon, Queen of Castile (d. September 1382), possibly in her service. In ''Fuions de ci,'' he laments Eleanor's death and resolves to seek his fortune either "en Aragon, en France ou en Bretaingne". Afterwards, he is found in the service of Pedro de Luna, Cardinal of Aragon (later Antipope Benedict XIII, 1394–1423), as a harpist. There is a treasury document assigning payments to one "Jaquemin de Sanleches, juglar de harpe" from the royal household in Navarra dated August 21, 1383. The payment was made so that Jacquemin could return to "his master", P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippus De Caserta
Philippus de Caserta, (; also Philipoctus, Filipotto, or Filipoctus) was a medieval music theorist and composer associated with the style known as ''ars subtilior''. Life and career Philippus' name indicates that he came from Caserta near Naples. He is generally thought to have worked at the Papal court at Avignon in the 1370s as his ballade, ''Par les bons Gedeons'', praises antipope Clement VII. However, it has been suggested that Philippus never left Italy, that he wrote the above ballade at Fondi near Caserta, where Clement was elected Pope, and that he worked at the francophile court of Gian Galeazzo Visconti.Yolanda Plumley and Iain Fenlon''Early Music History'' vol. 18: ''Studies in Medieval and Early Modern Music'', Cambridge University Press, 2001, , pp.334-346. Music Most of his surviving works are ballades, although a Credo was recently discovered, and a rondeau has been attributed to him. His ballade ''En attendant souffrir'' was written for Bernabò Visconti, confir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Zachara Da Teramo
Antonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; c.1350/1360 – between May 19, 1413 and mid-September 1416) was an Italian composer, singer, and papal secretary of the late Trecento and early 15th century. He was one of the most active Italian composers around 1400, and his style bridged the periods of the Trecento, ''ars subtilior'', and beginnings of the musical Renaissance. Life Antonio was probably from Teramo, in northern Abruzzo (Kingdom of Naples), not far from the Adriatic coast.Fallows, ''Grove online''. The possibility that two different composers, "Antonio da Teramo" and "Zacara da Teramo", were conflated into one person was removed by research into the composer's life by Agostino Ziino. (Another composer with a similar name, Nicolaus Zacharie, was of the following generation of composers). Antonio's nickname "Zaccara" (or "Zachara"; often regularized in modern editions as "Zacara") proba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
