Moanin' (Live)
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Moanin' (Live)
''Art Blakey and the Jazz Messengers'', also called ''Moanin, is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958 and released on Blue Note later that year. Background This was Blakey's first album for Blue Note in several years, after a period of recording for a number of different labels, and marked both a homecoming and a fresh start. Originally the LP was self-titled, but the instant popularity of the bluesy opening track, "Moanin'," composed by pianist Bobby Timmons, led to its becoming known by that title. Composition The rest of the originals are by saxophonist Benny Golson (who was not with the Jazz Messengers for long, this being the only U.S. album on which he is featured). "Are You Real?" is a propulsive 32-bar piece with a four-bar tag, featuring two-part writing for Golson and trumpeter Lee Morgan. "Along Came Betty" is a more lyrical, long-lined piece, almost serving as the album's ballad. "The Drum Thunder Suite" is a feature fo ...
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Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ...
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Moanin' (song)
"Moanin'" is a composition by Bobby Timmons, first recorded by Art Blakey's band the Jazz Messengers for the album of the same titleSeymour, Gene (2005), in Kirchner, Bill (ed.), ''The Oxford Companion to Jazz'', p. 380. Oxford University Press. that was released by Blue Note Records. Composition "Moanin has a call and response melody. One account of its creation was given by Benny Golson, the tenor saxophonist in Blakey's band: Timmons had the opening eight bars, which he often played between tunes, but formed the complete song only after Golson encouraged him to add a bridge. It is played in F minor. Recordings and reception "Moanin was first recorded, by Art Blakey's band the Jazz Messengers, on October 30, 1958. It has been recorded numerous times and has become a jazz standard.Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentornpr music.Accessed July 31, 2013. Gary Giddins stated that the song "set the music world on its ear" and that it was "part of ...
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Bill Henderson (performer)
William Randall Henderson (March 19, 1926 – April 3, 2016) was an American jazz singer and actor in television and film. Biography Henderson was born in Chicago, Illinois. Henderson began his professional music career in 1952, performing in Chicago with Ramsey Lewis, and began recording as a leader after a move to New York in 1958. He subsequently recorded with jazz pianist Horace Silver on a vocal version of Silver's " Señor Blues" which was a jukebox hit (in the mid-1950s), and remains one of jazz label Blue Note's top-selling singles. Additionally, Henderson performed and recorded with Oscar Peterson ('' Bill Henderson with the Oscar Peterson Trio''), Jimmy Smith, Count Basie, Yusef Lateef, and Eddie Harris. He was under contract to the Vee Jay label between 1958 and 1961, who recorded his first album as leader, ''Bill Henderson Sings'' (1958), which features trumpeter Booker Little among the sidemen. Beginning in the mid-1970s, he frequently appeared on television in sup ...
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Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells. Early life Melvin Howard Tormé was born in Chicago, Illinois, to William David Torme, a Jewish immigrant from Poland, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant. He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs ''The Romance of Helen Trent'' and ''Jack Armstrong, the All-American Boy''. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit for ...
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Lambert, Hendricks & Ross
Lambert, Hendricks & Ross were an American vocalese trio formed by jazz vocalists Dave Lambert (American jazz vocalist), Dave Lambert, Jon Hendricks and Annie Ross. From 1962 to 1964, Ross was replaced by vocalist Yolande Bavan. History The group formed in 1957 and recorded their first album ''Sing a Song of Basie'' for ABC-Paramount Records. The album featured versions of Count Basie standards and was successful enough that the Count Basie Orchestra collaborated with them on ''Sing Along With Basie'' (1959). ''Sing a Song of Basie'' was awarded a Grammy Hall of Fame Award in 1998. Beginning in 1959, the trio recorded three LPs with Columbia Records. They recorded a version of Ross's 1952 song "Twisted (Annie Ross song), Twisted", featuring her lyrics set to a Wardell Gray melody. Their ''High Flying'' album won a Grammy Award for Best Performance by a Vocal Group in 1962. Lambert, Hendricks & Ross were voted Best Vocal Group in the ''Down Beat'' Readers Poll from 1959 to 1963. ...
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Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his singin ...
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Vocalese
Vocalese is a style of jazz singing in which words are added to an instrumental soloist's improvisation. Definition Vocalese uses recognizable lyrics that are sung to pre-existing instrumental solos, as opposed to scat singing, which uses nonsense words such as "bap ba dee dot bwee dee" in solos. In the "first wave" of vocalese creation, that sometimes took the form of a tribute to the original instrumentalist. The word "vocalese" is a play on the musical term " vocalise"; the suffix "-ese" is meant to indicate a sort of language. The term was attributed by Jon Hendricks to the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, '' Sing a Song of Basie''. Most vocalese lyrics are entirely syllabic, as opposed to melismatic. That may lead to the use of many words sung quickly in a given phrase, especially in the case of bebop. Notable vocalese performers Vocalise's best-known practitioners and popularisers are Lambert, Hendricks and Ross, cons ...
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Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's ''Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's ''Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ca ...
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Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song, with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. Chart performance It "became a modest hit during the show's run, making the pop charts with a Margaret Whiting (Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Other recordings The song has subsequently been recorded by a host of artists, including: *In 1955, Billie Holiday included it on her ''Music for Torching'' LP. *In 1956, Judy Garland included it on her '' Judy'' LP, as well her 1961 live album, ''Judy at Carnegie Hall''. *In 1956, Fran Warren included it on her album ''Mood Indigo''. *In 1958, Art Blakey & The Jazz Messengers recorded it for their album released in 1959, ''Moanin’''. *In 1959, Connie Francis included it on ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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New Orleans
New Orleans ( , ,New Orleans
Merriam-Webster.
; french: La Nouvelle-Orléans , es, Nueva Orleans) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, it is the List of municipalities in Louisiana, most populous city in Louisiana and the twelfth-most populous city in the southeastern United States. Serving as a List of ports in the United States, major port, New Orleans is considered an economic and commercial hub for the broader Gulf Coast of the United States, Gulf Coast region of the United States. New Orleans is world-renowned for its Music of New Orleans, distinctive music, Louisiana Creole cuisine, Creole cuisine, New Orleans English, uniq ...
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Blues March
"Blues March" is a composition by Benny Golson. It was first recorded for Blue Mitchell's Riverside album '' Big 6'' on July 2 and 3, 1958,Yanow, Scot"Blue Mitchell: Big 6" AllMusic. Retrieved December 21, 2013. and has become a jazz standard.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' D liner notes p. 3. Mosaic. Composition and recording The composition is in 4/4 time.Feather, Leonard In ''Moanin' '' iner notes Blue Note. It was influenced by New Orleans marching bands, and "starts in long meter form and transforms back into regular time." Its straightforward harmony and separate sections make it ideal for improvisation. In the view of Leonard Feather, "the theme, with its slight bugle-call orientation, has a period quality that ties the work together". Although some sources state that its first recorded version is the well known one by Art Blakey's band on his album ''Moanin'''Edelstein, Paul"Art Farmer/Benny Golson: Blues ...
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