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Mittageisen
"Mittageisen" is a song by English rock band Siouxsie and the Banshees. It originally appeared on the band's 1978 debut album ''The Scream'' as "Metal Postcard (Mittageisen)"; the track was re-recorded in 1979, this time with the lyrics sung in German, and released as a single in West Germany with " Love in a Void" on the b-side. That September the song was given a UK release by record label Polydor as a double A-side single. Content and sleeve The title "Mittageisen" is a word play based on the German words "''Mittagessen''" (literally: "noon meal", i.e. lunch) and ''Eisen'' ("iron"). The title was inspired by antinazi German artist John Heartfield's photocollage ''Hurrah, die Butter ist Alle!'' ("Hurray, the Butter is Finished!"), which was also used as the single's cover art. Heartfield's photocollage was initially used on the front page of the German magazine ''Arbeiter-Illustrierte-Zeitung'' (''Workers Illustrated Journal''), published on 19 December 1935. The artist was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Downside Up
''Downside Up'' is a four-disc box set collecting B-sides and bonus material from the catalogue of Siouxsie and the Banshees. Also included (on disc four) is '' The Thorn'' EP, originally released in 1984. Most of these songs (only present on these CDs) were classics of the band's live repertoire like "Pulled to Bits", "Eve White/Eve Black", "Red Over White", "I Promise", "Something Blue", "El Día de los Muertos" and "B Side Ourselves". The box set was also released on iTunes. Reception ''The Times'' wrote in its review of ''Downside Up'': "Standouts include the spiky 'Drop Dead/Celebration', the sinister 'Eve White/Eve Black' and the chopped up industrial funk of 'Tattoo'". The reviewer rated the band as one of "the most audacious and uncompromising musical adventurers of the post-punk era".Williamson, Nigel"Siouxsie & the Banshees" ''Downside Up'' review (subscription required ''The Times''. 27 November 2004. ''Stylus'' rated it A saying: "It’s a wonderfully eclectic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scream (album)
''The Scream'' is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. The album is considered a landmark recording: its innovative combination of angular guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre. ''The Scream'' was met with widespread acclaim and was hailed by critics as an original musical development in rock music. It has been cited as a key influence on a number of succeeding post-punk, noise rock and alternative rock acts, including Joy Division, Killing Joke, the Cure, Big Black, Sonic Youth, the Jesus and Mary Chain, Faith No More and Massive Attack. Background In late 1977 and early 1978, Siouxsie and the Banshees received major press coverage but failed to secure a recording deal. A fan undertook a graffiti campaign in London, spraying the walls of the major record companies with the words "Sign the Banshees: do it now" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Heartfield
John Heartfield (born Helmut Herzfeld; 19 June 1891 – 26 April 1968) was a 20th century German visual artist who pioneered the use of art as a political weapon. Some of his most famous photomontages were anti-Nazi and anti-fascist statements. Heartfield also created book jackets for book authors, such as Upton Sinclair, as well as stage sets for contemporary playwrights, such as Bertolt Brecht and Erwin Piscator. Biography Early life, education and work John Heartfield was born Helmut Herzfeld on 19 June 1891 in Berlin-Schmargendorf, Berlin under the German Empire. His father was Franz Herzfeld, a socialist writer, and his mother was Alice (née Stolzenburg), a textile worker and political activist. In 1899, Helmut, his brother Wieland, and sisters, Lotte and Hertha, were abandoned in the woods by their parents after Franz Herzfeld, was accused of blasphemy. His family had to flee to Switzerland. Later, they were deported to Austria. When their parents disappeared in 1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siouxsie Sioux
Susan Janet Ballion (born 27 May 1957), known professionally as Siouxsie Sioux, is an English singer, songwriter, musician and record producer. She was the lead singer of the rock band Siouxsie and the Banshees (1976–1996). They released 11 studio albums, and had several UK Top 20 singles including " Hong Kong Garden", "Happy House" and " Peek-a-Boo", plus a US ''Billboard'' Top 25 hit, " Kiss Them for Me". Siouxsie also formed a second group, the Creatures (1981–2005). With the Creatures she recorded four studio albums and the hit single " Right Now". After disbanding the Creatures in the mid-2000s, she has continued as a solo artist, only using the name Siouxsie, and released the album '' Mantaray'' to critical acclaim in 2007. AllMusic named Siouxsie as "one of the most influential British singers of the rock era". Her songs have been covered by Jeff Buckley, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siouxsie And The Banshees
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album ''The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love In A Void (song)
"Love In a Void" is a song by the English rock band Siouxsie and the Banshees, written by singer Siouxsie Sioux, bassist Steven Severin, drummer Kenny Morris and guitarist Peter Fenton. Originally included as the b-side to the 1979 single "Mittageisen" in West Germany, it was later released as a double A-side single in September of the same year. It was also included on the band's 1981 ten track UK Gold certified compilation album '' Once Upon a Time: The Singles''. In 2006, the song was covered by metal band Darkthrone on the ep ''Too Old Too Cold'' in 2006. "Love in a Void" was also heavily sampled by rapper Akala in a version retitled "Love in my Eyes" on the album ''Freedom Lasso'' in 2007. The Banshees' studio version of "Love in a Void" was featured on the soundtrack of the 2016 film ''20th Century Women''. Siouxsie and the Banshees' biographer Brian Johns wrote that "Love in a Void" was "their old stage favourite" back in the late 1970s. Composition and recording Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Fenton (guitarist)
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album ''The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy House
"Happy House" is a song written by Siouxsie Sioux and Steven Severin and recorded by their band Siouxsie and the Banshees. It was released as a single in March 1980 by record label Polydor, then later included on the band's third album, ''Kaleidoscope''. "Happy House" was the group's first record made with guitarist John McGeoch and drummer Budgie. Background and recording "Happy House" and the ''Kaleidoscope'' album marked a change in musical direction for Siouxsie and the Banshees due to the arrival of two new musicians: drummer Budgie, previously of the Slits, and guitarist John McGeoch, previously of Magazine. Budgie, who was interested in African polyrhythms, used a reggae vibe on the song, while McGeoch played both atmospheric and edgy guitars. Siouxsie stated that the band almost invented a new sound with this single: It was "Banshees – phase two". When asked if "Happy House" was a cynical song, Siouxsie replied: "It is sarcastic. In a way, like television, all the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playground Twist
"Playground Twist" is a song by English post-punk band Siouxsie and the Banshees. It was released in 1979 as the sole single from the band's second album, '' Join Hands'' (1979). Production The track was produced by the band's manager Nils Stevenson and Mike Stavrou, a recording engineer on T. Rex's final album, ''Dandy in the Underworld'' (1977) Critical reception ''NMEs Roy Carr hailed the single and wrote: "If Ingmar Bergman produced records, they might sound like this. The listener is immediately engulfed in a maelstrom of whirling sound punctuated by the ominous tolling of church bells, phased guitars, thundering percussion, a surreal alto sax and the wail of Siouxsie's voice. It demands to be played repeatedly at the threshold-of-pain volume to elicit its full nightmarish quality". Music video The music video for "Playground Twist" shows the band performing on an indoor climbing frame with several children running from one end to another, climbing on the surrounding equi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
