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Mitsuhiro Yoshimura
Mitsuhiro Yoshimura (born 1973, Kanagawa, Japan) is, primarily, a Japanese musician who is, as of 2008, active in the field of electroacoustic improvisation (eai) and, in particular, the Onkyokei (onkyo) style. He also runs the label (h)ear rings and, since 2006, has been the editor and publisher of the free paper Santa which he works on with Taku Sugimoto and Toshiya Tsunoda. Music Yoshimura's music makes use of auditory feedback which he creates using a microphone (to pick up the noise in the room of performance), a small mixing console (used to carry the signal and to record performances), an equalizer (to adjust the frequencies sent to the output - the equaliser is set up prior to, and is left untouched throughout, the performance) and a set of headphones (which project the sound back into the room - no other amplification is used). This process of sound creation is somewhat similar to that of Toshimaru Nakamura who uses a mixing console with its output connected to its inp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanagawa
is a Prefectures of Japan, prefecture of Japan located in the Kantō region of Honshu. Kanagawa Prefecture is the List of Japanese prefectures by population, second-most populous prefecture of Japan at 9,221,129 (1 April 2022) and third-densest at . Its geographic area of makes it fifth-smallest. Kanagawa Prefecture borders Tokyo to the north, Yamanashi Prefecture to the northwest and Shizuoka Prefecture to the west. Yokohama is the capital and largest city of Kanagawa Prefecture and the List of cities in Japan, second-largest city in Japan, with other major cities including Kawasaki, Kanagawa, Kawasaki, Sagamihara, and Fujisawa, Kanagawa, Fujisawa. Kanagawa Prefecture is located on Japan's eastern Pacific coast on Tokyo Bay and Sagami Bay, separated by the Miura Peninsula, across from Chiba Prefecture on the Bōsō Peninsula. Kanagawa Prefecture is part of the Greater Tokyo Area, the most populous metropolitan area in the world, with Yokohama and many of its cities being ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshimaru Nakamura
Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo. He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar, and started working on circuit bending. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the ' no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback." Todd S. Jenkins (2004). ''Free jazz and free improvisation'', p.250. . "His principal tool is his 'no-input' mixing board used to create feedback and tiny electronic sounds that are amplified tremendously." Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns." Nakamura founded the ensemble A Paragon of Beauty in 1992. He has recorded solo albums, worked as a session musician, and collaborated with artists including Sachiko M ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4′33″
''4′33″'' (pronounced "four minutes, thirty-three seconds" or just "four thirty-three") is a three- movement composition by American experimental composer John Cage. It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly misperceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, ''4′33″'' being the total length of the first public performance. Conceived around 1947–48, while the composer was working on ''Sonatas and Interludes'', ''4′33″'' became for Cage the epitome of his idea that any auditory experience may constitute music. It was also a reflection of the influence of Zen Buddhism, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amoebic (label)
An amoeba (; less commonly spelled ameba or amœba; plural ''am(o)ebas'' or ''am(o)ebae'' ), often called an amoeboid, is a type of cell or unicellular organism with the ability to alter its shape, primarily by extending and retracting pseudopods. Amoebae do not form a single taxonomic group; instead, they are found in every major lineage of eukaryotic organisms. Amoeboid cells occur not only among the protozoa, but also in fungi, algae, and animals. Microbiologists often use the terms "amoeboid" and "amoeba" interchangeably for any organism that exhibits amoeboid movement. In older classification systems, most amoebae were placed in the class or subphylum Sarcodina, a grouping of single-celled organisms that possess pseudopods or move by protoplasmic flow. However, molecular phylogenetic studies have shown that Sarcodina is not a monophyletic group whose members share common descent. Consequently, amoeboid organisms are no longer classified together in one group.Jan Pawlowski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
29092000
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filament (band)
Filament is a musical group from Japan that consists of Otomo Yoshihide and Sachiko M, two of the major exponents of the electroacoustic improvisation style of music. The two played as a duo for the first time on November 5, 1995 in London, but it was not until 1997 that they began to play often together and Filament became one of their main projects. At first their work together was branded as A-102, then they used both Filament and A-102, and occasionally simply "duo," with no specific project name. Since their United States and France concert tour of May 1998, they have used the name Filament exclusively. Discography * ''29092000'' (2001) * '' Filament 2: Secret Recordings'' (1999) (With Günter Müller) * ''Filament 1 The word filament, which is descended from Latin ''filum'' meaning " thread", is used in English for a variety of thread-like structures, including: Astronomy * Galaxy filament, the largest known cosmic structures in the universe * Solar filament ...'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sachiko M
Sachiko Matsubara (Japanese: 松原 幸子; born 1973), better known by her stage name Sachiko M, is a Japanese musician. Her first solo album, ''Sine Wave Solo'', was released in 1999. Working in collaboration with Ami Yoshida under the name Cosmos in 2002, Sachiko released the two disc album Astro Twin/Cosmos (2) which was awarded the Golden Nica prize in Ars Electronica, 2003. She released ''Good Morning Good Night'', a collaborative album with Otomo Yoshihide and Toshimaru Nakamura, in 2004. Selected Discography * ''Filament 1'' (1998) with Otomo Yoshihide * ''Un'' (1998) with Toshimaru Nakamura * ''Four Focuses'' (1999) with Martin Tétreault, Yasuhiro Otani, and Otomo Yoshihide * ''Filament 2 (Secret Recordings 2)'' (1999) with Günter Müller and Otomo Yoshihide * ''Sine Wave Solo'' (1999) * ''Do'' (2001) with Toshimaru Nakamura * ''Tears'' with Ami Yoshida as Cosmos (2002) * ''Les Hautes Solitudes - A Philippe Garrel Film: Imaginary Soundtrack'' (2002) with Otomo Yoshihi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleatoric Music
Aleatoric music (also aleatory music or chance music; from the Latin word ''alea'', meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities. The term became known to European composers through lectures by acoustician Werner Meyer-Eppler at the Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms ''Aleatorik'' (noun) and ''aleatorisch'' (adjective), his translator created a new English word, "aleatoric" (rather than using the existing English adjective "aleatory"), which quickly became fashiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
