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Mitridate, Re Di Ponto
''Mitridate, re di Ponto'' ('' Mithridates, King of Pontus''), K. 87 (74a), is an opera seria in three acts by the young Wolfgang Amadeus Mozart. The libretto is by , after Giuseppe Parini's Italian translation of Jean Racine's play ''Mithridate''. Mozart wrote ''Mitridate'' while touring Italy in 1770. The musicologist Daniel E. Freeman has demonstrated that it was composed with close reference to the opera ''La Nitteti'' by Josef Mysliveček. The latter was the opera being prepared for production in Bologna when Mozart met Mysliveček for the first time with his father in March 1770. Mysliveček visited the Mozarts frequently in Bologna during the summer of 1770 while Wolfgang was working on ''Mitridate''. Mozart gained expertise in composition from his older friend and also incorporated some of his musical motifs into his own operatic setting. The opera was first performed at the Teatro Regio Ducale, Milan, on 26 December 1770 (at the Milan Carnival). It was a success, perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutti
''Tutti'' is an Italian word literally meaning ''all'' or ''together'' and is used as a musical term, for the whole orchestra as opposed to the soloist. It is applied similarly to choral music, where the whole section or choir is called to sing. Music examination boards may instruct candidates to "play in tuttis", indicating that the candidate should play both the solo and the tutti sections. An orchestrator may specify that a section leader (e.g., the principal violinist) plays alone, while the rest of the section is silent for the duration of the solo passage, by writing ''solo'' in the music at the point where it begins and ''tutti'' at the point where the rest of the section should resume playing. In organ music, it indicates that the full organ should be used: all stops and all couplers. Some organ consoles offer a toe stud or piston to toggle the tutti: pressing once activates all stops (although it does not physically move the stop knobs), and pressing again reverts to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithridates VI Eupator
Mithridates or Mithradates VI Eupator ( grc-gre, Μιθραδάτης; 135–63 BC) was ruler of the Kingdom of Pontus in northern Anatolia from 120 to 63 BC, and one of the Roman Republic's most formidable and determined opponents. He was an effective, ambitious and ruthless ruler who sought to dominate Asia Minor and the Black Sea region, waging several hard-fought but ultimately unsuccessful wars (the Mithridatic Wars) to break Roman dominion over Asia and the Hellenic world. He has been called the greatest ruler of the Kingdom of Pontus. He cultivated an immunity to poisons by regularly ingesting sub-lethal doses; this practice, now called mithridatism, is named after him. After his death he became known as Mithridates the Great. Etymology ''Mithridates'' is the Greek attestation of the Persian name ''Mihrdāt'', meaning "given by Mithra", the name of the ancient Iranian sun god. The name itself is derived from Old Iranian ''Miθra-dāta-''. Ancestry, family and ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gasparo Bassano
Gaspare (also ''Gaspero'', ''Gasperino'' and ''Gasparro'') is an Italian male given name, the literal translation of the English name Casper and Jasper (French Gaspard, Scandinavian Kasper and Jesper). The name is rare in contemporary times, but was common enough in the past such that it is the root of a number of Italian surnames, such as '' De Gasperi'', '' Gasperini'', '' Gasparini'', and '' Gasparri''. It may refer to: Given name *Gasparo Angiolini *Gaspare Ambrosini *Gasparo Berti *Gaspare Colosimo *Gasparo Contarini *Gaspare Finali (1829–1949), Italian academic and politician *Gasparo Gozzi *Gaspare DiGregorio * Gaspare "Gap" Mangione *Gaspare Messina *Gaspare Pacchierotti *Gasparo da Salò *Gaspare Spontini *Gasparo Tagliacozzi Surname *Oronzo Vito Gasparo Oronzo Vito Gasparo (1903–1969), was an American artist often known for surreal townscape painting, design, and crafts. Background Oronzo Vito Gasparo was born in Rutigliano, Bari, Italy in 1903, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Cicognani
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharnaces II Of Pontus
Pharnaces II of Pontus ( grc-gre, Φαρνάκης; about 97–47 BC) was the king of the Bosporan Kingdom and Kingdom of Pontus until his death. He was a monarch of Persian and Greek ancestry. He was the youngest child born to King Mithridates VI of Pontus from his first wife, his sister Queen Laodice. He was born and raised in the Kingdom of Pontus and was the namesake of his late double great grandfather Pharnaces I of Pontus. After his father was defeated by the Romans in the Third Mithridatic War (73–63 BC) and died in 63 BC, the Romans annexed the western part of Pontus, merged it with the former Kingdom of Bithynia and formed the Roman province of Bithynia and Pontus. The eastern part of Pontus remained under the rule of Pharnaces as a client kingdom until his death. Rebellion against his father Pharnaces II was raised as his father's successor and treated with distinction. However, we know little of his youth from ancient writers and find him first mentioned after Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonia Bernasconi
Antonia Bernasconi (1741–1803) was a German operatic soprano, appearing in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince of Württemberg; after Wagele's death his widow married Andrea Bernasconi, ''Kapellmeister'' of the court at Munich and composer. Antonia received early music lessons from her stepfather, and she sang in Munich and other German cities. From 1765 she took part in operas in Vienna; her first appearance in a major role was at the Burgtheater in December 1767, in '' Alceste'', which Gluck had written expressly for her."Bernasconi, Antonia" ''''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Benedetti (soprano)
Pietro Benedetti, MSC (19 May 1867 – 7 September 1930) was an Italian prelate of the Catholic Church who was a leader of the Missionaries of the Sacred Heart and also worked in the diplomatic service of the Holy See in Mexico, Cuba, and Puerto Rico for several years. Biography Pietro Benedetti was born on 19 May 1867 in Falvaterra, Italy. He joined the Missionaries of the Sacred Heart in 1883 and was ordained a priest on 21 December 1889. He taught for a decade in Barcelona, developing a personal relationship with the Catalan poet Jacint Verdaguer. He translated Verdaguer's poems and published them in his parish bulletin during the First World War. His Italian translation of a collection of Verdaguer's poems was published in 1921. He moved to Rome in 1901. On 31 October 1908, he was named vice director and in 1909 director of the ''Acta Apostolicae Sedis''. Beginning in 1910 he was a member of a commission on revising catechism instruction in response to Pope Pius X's decree ''Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiphares
{{no footnotes, date=November 2018 Xiphares ( grc, Ξιφάρης; c. 85 – 65 BC) was, according to Appian, a Pontic prince who was the son of King Mithridates VI of Pontus from his concubine and later wife Stratonice of Pontus. During the Mithridatic Wars, Stratonice turned over Mithridates' stronghold at Coenum, which had been entrusted to her protection, to the Roman forces under Pompey Gnaeus Pompeius Magnus (; 29 September 106 BC – 28 September 48 BC), known in English as Pompey or Pompey the Great, was a leading Roman general and statesman. He played a significant role in the transformation of .... In revenge, Mithridates had Xiphares killed, leaving his corpse unburied. References * A. Duggan, ''He Died Old, Mithridates Eupator, King of Pontus'' (1974) 80s BC births 65 BC deaths Iranian people of Greek descent 1st-century BC Iranian people Ancient Persian people Mithridatic dynasty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Muschietti
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
