|
Missamma (soundtrack)
''Missamma'' is the soundtrack of the 1955 Indian Telugu-language film of the same name directed by L. V. Prasad. Composed by S. Rajeswara Rao, the soundtrack contains 11 songs with lyrics by Pingali. The film was written by Chakrapani, who co-produced it with B. Nagi Reddi for Vijaya Productions. N. T. Rama Rao and Savitri played the lead roles the Telugu version, with Akkineni Nageswara Rao, Jamuna, S. V. Ranga Rao, Rushyendramani, Relangi and Ramana Reddy in supporting roles. Until Bhanumathi Ramakrishna was replaced by Savitri as the female lead, she was planned to provide vocals for her character in the film. After Ramakrishna left, P. Leela was chosen as Savitri's playback singer. Unlike their previous films, Vijaya Productions preferred A. M. Rajah over Ghantasala to sing for Rama Rao in the Telugu version. Chakrapani chose P. Susheela to sing the remaining two songs featuring Jamuna, and Venkata Ramaiah sang two uncredited songs. The soundtrack album was rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it as "the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharaharapriya
Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the Katapayadi formula. ''Kharaharapriya'' has a distinct melody and brings out the ''Karuna'' rasam, invoking pathos in the listeners. The ''Kafi thaat'' of Hindustani music is the equivalent of ''Kharaharapriya''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its Western equivalent is the Dorian mode. Etymology There are many theories behind the etymology of the name ''Kharaharapriya''. One of the most popular beliefs is that the ragam was initially called Samaganam and when Ravana was trapped by Shiva, under the kailash hill trying to lift it, it is believed that, to appease the lord, Ravana sang many hymns in praise of the lord, but his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abheri
Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ''Melakarta'' raga system. ''Bhimpalasi'' (or ''Bheempalas'') and ''Dhanashree'' of Hindustani music sounds close to ''Abheri''.''Ragas in Carnatic music'' by S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana Abheri is an ''audava-sampoorna'' raga. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : The ''swaras'' in this scale are ''Chathusruthi Rishabham, Sadharana Gandharam, Suddha Madhyamam, Chathusruthi Dhaivatham'' and ''Kaisiki Nishadham''. There are some differing views on swaras in the scale of Abheri. It is considered a ''Bhashanga'' rag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Indian Express
''The New Indian Express'' is an Indian English-language broadsheet daily newspaper published by the Chennai-based Express Publications. It was founded in 1932 as ''The Indian Express'', under the ownership of Chennai-based P. Varadarajulu Naidu. In 1991, following the death of owner Ramnath Goenka, his family split the group into two companies. Initially, the two groups shared the ''Indian Express'' title, as well as editorial and other resources. But on 13 August 1999, the northern editions, headquartered in Mumbai, retained the ''Indian Express'' moniker, while the southern editions became ''The New Indian Express''. Santwana Bhattacharya was appointed Editor-in-Chief on July 1st, 2022, replacing G.S. Vasu. History ''Indian Express'' was first published on September 5, 1932, in Madras (now Chennai) by an Ayurvedic doctor and Indian National Congress member P Varadarajulu Naidu, publishing from the same press where he ran the ''Tamil Nadu'' Tamil weekly. But soon, on accoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakthrough Role
A breakthrough role, also known as a breakout role, is a term in the film industry to describe the performance of an actor or actress which contributed significantly to the development of their career and beginning of critical recognition. The similar term "big break" indicates the occurrence for the performer and not the role itself. Such a moment in an actor's career may often occur some time after they begin acting, as their roles become more substantial. A breakthrough role is often a significant increase in importance in the actor's part in the film, such as moving up from a minor character to one of the main cast or a "high impact" role in a film which has mainstream success and results in the actor's widespread recognition and popularity. A breakthrough performance has also been defined as one which "attracts the attention of film critics, or receives rave reviews and is subsequently nominated for many major film awards". Most notable performers throughout the film and tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donga Ramudu (1955 Film)
''Donga Ramudu'' () is a 1955 Indian Telugu-language drama film co-written and directed by K. V. Reddy. It stars Akkineni Nageswara Rao, Savitri, Jamuna, and Jaggayya with music composed by Pendyala. The film was produced by D. Madhusudhana Rao under the Annapurna Pictures banner. ''Donga Ramudu'' is the debut production of ''Annapurna Pictures.'' Released on October 1, 1955, the film became a super hit. ''Donga Ramudu'' established Annapurna Pictures as a top banner. The film was archived in the curriculum of the Film and Television Institute of India. ''Donga Ramudu'' was dubbed in Tamil as ''Thiruttu Raman'' (1956) and was commercially successful. It was later remade in Hindi as ''Man-Mauji'' (1962) and again in Tamil as '' Vasanthi'' (1988). Plot A young boy Ramudu frequently gets into trouble with his mischievous behavior. He dotes upon his sister Lakshmi. One day when his destitute mother Subbamma is ailing and needs expensive medications, he steals the medicine and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanna Talli
''Kanna Talli'' () is a 1953 Indian Telugu-language drama film, produced and directed by K. S. Prakash Rao under the Prakash Studios banner. It stars Akkineni Nageswara Rao, G. Varalakshmi with music composed by Pendyala Nageshwara Rao. The film is the debut of Telugu popular singer P. Suseela and actress Rajasulochana into the film industry. ''Kanna Talli'' bears some resemblance to Mehboob Khan's Aurat (1940) but is a totally different story than the former. The film was simultaneously shot in Tamil as ''Petra Thai''. Dialogues were penned by S. A. Subbaraman. Plot The film begins with the wealthy couple Chalapathi & Shantamma who lead a happy family life with two sons Ramu & Shankar. Chalapathi is the one that spendthrifts for his vanity. Therefore, he bankrupt and absconds leaving behind his family. During that plight, Shantamma rides out courageously and fosters the children. Behold of her struggle the elder one Ramu aims to carve his brother as a civilized person. Ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aluri Chakrapani
Chakrapani (born Aluri Venkata Subbarao; 5 August 1908 – 24 September 1975) was an Indian film producer, screenwriter, and director known for his works predominantly in Telugu cinema. He won two Filmfare Awards for Telugu films. He was also notable for his association with Vijaya Vauhini Studios, one of the largest studios in Asia at that time. Chakrapani was also a partner of Vijaya Productions along with B. Nagi Reddy and founder of ''Chandamama'' children magazine. Early life Chakrapani was born in Ithanagar village near Tenali, Guntur, Andhra Pradesh, India, in a middle class agricultural family. He learnt Hindi under the tutelage of the well-known author Vraj Nandan Sharma. Later, he taught himself Tamil, Sanskrit and English and soon mastered both the languages. Literary career Bengali literature Chakrapani contracted Tuberculosis in 1932 and had to stay at Madanapalle sanatorium for medical treatment. He learned Bengali during that time from another inmate recuperati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Signal Processing
Audio signal processing is a subfield of signal processing that is concerned with the electronic manipulation of audio signals. Audio signals are electronic representations of sound waves—longitudinal waves which travel through air, consisting of compressions and rarefactions. The energy contained in audio signals is typically measured in decibels. As audio signals may be represented in either digital or analog format, processing may occur in either domain. Analog processors operate directly on the electrical signal, while digital processors operate mathematically on its digital representation. History The motivation for audio signal processing began at the beginning of the 20th century with inventions like the telephone, phonograph, and radio that allowed for the transmission and storage of audio signals. Audio processing was necessary for early radio broadcasting, as there were many problems with studio-to-transmitter links. The theory of signal processing and its appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> The New Indian Express")
