Missa L'homme Armé (Ockeghem)
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Missa L'homme Armé (Ockeghem)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * ''Missa L'homme armé (Busnois), Missa L'homme armé'' (Antoine Busnois) * ''Missa L'homme armé (Dufay), Missa L'homme armé'' (Guillaume Dufay) * ''Missa L'homme armé (Regis), Missa L'homme armé'' (Johannes Regis) (two: one lost) * ''Missa L'homme armé (Ockeghem), Missa L'homme armé'' (Johannes Ockeghem) * ''Missa L'homme armé (Faugues), Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * ''Missa L'homme armé (Tinctoris), Missa L'homme armé'' (Johannes Tinctoris) * ''Missa L'homme armé (Caron), Missa L'homme armé'' (Firminus Caron) * ''Missa L'homme armé (Anonymous), Missa L'homme armé'' (Cycle of six masses, f ...
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Ordinary Of The Mass
The ordinary, in Roman Catholic and other Western Christian liturgies, refers to the part of the Mass or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted to the ''proper'', which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, or to the ''common'' which contains those parts that are common to an entire category of saints such as apostles or martyrs. The ordinary of both the Eucharist and the canonical hours does, however, admit minor variations following the seasons (such as the omission of "Alleluia" in Lent and its addition in Eastertide). These two are the only liturgical celebrations in which a distinction is made between an ordinary and other parts. It is not made in the liturgy of the other sacraments or of blessings and other rites. In connection with liturgy, the te ...
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