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Mis-Shapes
"Mis-Shapes" is a song written and released by Sheffield band Pulp from their 1995 album '' Different Class''. Lyrically inspired by Cocker's experiences socializing in Sheffield as an outcast, the song features lyrics that call for misfits to unite and take over. This lyrical theme would make Cocker uncomfortable with Pulp's growing popularity with "townies" after the song's release. "Mis-Shapes" was released as a double-A sided single with "Sorted for E's & Wizz", the second single from ''Different Class'' after "Common People." Like its predecessor, the single reached number two in the UK charts and has since seen critical acclaim. Background "Mis-Shapes" was written as an ode to the outcasts that Pulp as a band identified with. Drummer Nick Banks summed up the song's message, stating, "What an opener, a call to arms, a rallying cry, now is the time to storm the barricades. If you've ever been bullied, called a weirdo, hit, spat at for being, looking, or feeling different... ...
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Sorted For E's & Wizz
"Sorted for E's & Wizz" is a song written and performed by the English band Pulp for their 1995 album '' Different Class''. Based lyrically on a phrase that lead singer Jarvis Cocker overheard at a rave, the song features lyrics examining the hollow and artificial nature of drug culture. Because of its subject matter, the song sparked controversy in the UK, where several tabloids attacked the song. "Sorted for E's & Wizz" was released as a double A-side single with "Mis-Shapes" in September 1995, and reached No. 2 in the UK Singles Chart as well as No. 6 in Ireland. It was Pulp's second successive No. 2 UK hit in that year. Since its release, the song has seen critical acclaim. Background "Sorted for E's & Wizz" was first performed at the Glastonbury Festival in 1995, where Pulp frontman Jarvis Cocker explained his inspiration. '"Sorted for E's and Wizz" is a phrase a girl that I met in Sheffield once told me...and she went to see The Stone Roses at Spike Island and I said 'wha ...
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Different Class
''Different Class'' (released in Japan as ''Common People'') is the fifth studio album by English rock band Pulp, released on 30 October 1995 by Island Records. The album was a critical and commercial success, entering the UK Albums Chart at number one and winning the 1996 Mercury Music Prize. It has been certified four times platinum, and had sold 1.33 million copies in the United Kingdom as of 2020. In 2013, ''NME'' ranked the album at number six in its list of the 500 greatest albums of all time. Background and release The album was released in the UK at the height of Britpop. It followed from the success of their breakthrough album '' His 'n' Hers'' the previous year. Two of the singles on the album ā€“ "Common People" (which reached number two on the UK Singles Chart) and " Disco 2000" (which reached number seven) ā€“ were especially notable, and helped propel Pulp to nationwide fame. A "deluxe edition" of ''Different Class'' was released on 11 September 2006. It contains a ...
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Hits (Pulp Album)
''Hits'' is a greatest hits collection by the English rock band Pulp (band), Pulp, released in November 2002. Background As a collection, ''Hits'' only covers Pulp's singles from the early 1990s when they hit the mainstream, although the band had existed in one form or another since 1978. ''Hits'' includes all of Pulp's A-sides released from "Babies (song), Babies" in 1992 to "Bad Cover Version" in 2002, with the exception of "Mis-Shapes" from ''Different Class'', apparently because, by the time the compilation was released, the band could no longer stand the song. In its place is "Underwear", an album track from ''Different Class''. The tracklisting is ordered chronologically by release date, with the exception of Pulp's last single "Bad Cover Version", which instead appears between "The Trees (Pulp song), The Trees" and "Sunrise (Pulp song), Sunrise" (the latter two tracks having originally been released together as a double A-side single). Two other singles, "Common People ...
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Disco 2000 (song)
"Disco 2000" is a song by British band Pulp, released on the band's 1995 album, '' Different Class''. Featuring a disco-inspired musical performance, the song was based on Pulp singer Jarvis Cocker's childhood memories of his friend Deborah Bone, who he had "fancied" in his youth but could never impress. "Disco 2000" was released as a single on 27 November 1995, the third from ''Different Class''. The single reached number seven in the UK and charted in several others. The single release was accompanied by a music video directed by Pedro Romhanyi, which was based on the story told on the single's sleeve artwork. The song has since become one of Pulp's most famous tracks and has seen critical acclaim. Background and lyrics "Disco 2000" tells the story of a narrator falling for a childhood friend called Deborah, who is more popular than he is and wondering what it would be like to meet again when they are older. Pulp frontman Jarvis Cocker based the lyrics on a girl he knew as a ...
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Pulp (band)
Pulp are an English rock band formed in Sheffield in 1978. Their best-known line-up from their heyday (1992ā€“1997) consisted of Jarvis Cocker (vocals, guitar, keyboards), Russell Senior (guitar, violin), Candida Doyle (keyboards), Nick Banks (drums, percussion), Steve Mackey (bass) and Mark Webber (guitar, keyboards). Throughout the 1980s the band struggled to find success, but gained prominence in the UK in the mid-1990s with the release of the albums '' His 'n' Hers'' in 1994 and particularly '' Different Class'' in 1995, which reached the number one spot in the UK Albums Chart. The album spawned four top ten singles, including "Common People" and "Sorted for E's & Wizz", both of which reached number two in the UK Singles Chart. Pulp's musical style during this period consisted of disco-influenced pop-rock coupled with references to British culture in their lyrics in the form of a "kitchen sink drama"-style. Cocker and the band became reluctant figureheads of the Britpop move ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Time Out (magazine)
''Time Out'' is a global magazine published by Time Out Group. ''Time Out'' started as a London-only publication in 1968 and has expanded its editorial recommendations to 328 cities in 58 countries worldwide. In 2012, the London edition became a free publication, with a weekly readership of over 307,000. ''Time Out''s global market presence includes partnerships with Nokia and mobile apps for iOS and Android (operating system), Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the renamed International Consumer Media Brand of the Year in 2013 and 2014. History ''Time Out'' was first published in 1968 as a London listings magazine by Tony Elliott (publisher), Tony Elliott, who used his birthday money to produce a one-sheet pamphlet, with Bob Harris (radio presenter), Bob Harris as co-editor. The first product was titled ''Where It's At'', before being inspired by Dave Brubeck's album ''Time Out ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950sā€“1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Double A-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The t ...
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