Mirage (medley Group)
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Mirage (medley Group)
Mirage were a British dance/pop group active in the 1980s and specializing in medleys. They scored a string of hit singles and albums, and achieved particular success in 1987-8 with the "Jack Mix" series. History Mirage had its origins in Enigma, a 1981 project created by Shakatak producer Nigel Wright to cash in on the success of Dutch medley group Stars on 45. Enigma's "Ain't No Stopping", a medley of disco hits played by session musicians, was released while "Stars on 45" was still climbing the charts. "Ain't No Stopping" peaked at number 11 on the UK Singles Chart and was followed up with "I Love Music", which peaked at number 25. Although the medley craze faded quickly, Wright continued to produce medleys, first under the name Mojo, before settling on Mirage. The first Mirage medley to make an impact was the 1984 release "Give Me the Night", a medley of George Benson songs sung by Leroy Osbourne (of Sade) under the guise of Roy Gayle. Other single-artist medleys follow ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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Jack Your Body
"Jack Your Body" is a house music song by Steve "Silk" Hurley, originally released as a single in 1986. It was featured on the album ''Hold on to Your Dream'', released in 1987, under the alias J.M. Silk. History One of the landmark records in the history of house music, "Jack Your Body" was composed and produced by Hurley. The title refers to jacking, an ecstatic dance style that emerged within the Chicago house scene since the early to mid 1980s. The song climbed to number twenty-five on the Dance Club Songs, U.S. ''Billboard'' Hot Dance Music/Club Play chart, reaching number thirty-seven for the Dance Club Songs, U.S. Maxi-Singles Sales category. Despite its only moderate success in the U.S. chart, the song became a major hit on the UK Singles Chart, reaching number one for two weeks in January and February 1987. It was the UK's first house music number one, and paved the way for the acid house sound popular during the late 1980s. "Jack Your Body" was also the first UK numb ...
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English House Music Groups
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ...
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Gonna Make You Sweat (Everybody Dance Now)
"Gonna Make You Sweat (Everybody Dance Now)" is a hit song by C+C Music Factory. It was released in late 1990 as the debut and lead single from their first album, '' Gonna Make You Sweat'' (1990). The song is sung by singer Martha Wash and rapper Freedom Williams. It charted internationally and achieved great success in the United States, Austria, Germany, and Sweden, where it reached number one on the charts. Background and writing Robert Clivillés wrote and produced an instrumental track that was to become "Gonna Make You Sweat".The Depressing Story of America's Favorite Pump-Up Jam
(October ...
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Get Down On It
"Get Down on It" is a 1981 song by American band Kool & the Gang. It was originally released on their '' Something Special'' album in 1981. The single was certified Gold by the RIAA. Track listing Charts The song hit the top 10 of the US Pop and R&B charts in ''Billboard'' in early 1982. It entered the UK charts in December 1981 and reached number three, their highest-charting hit in the UK at that time. It spent a total of 12 weeks on the British play list. Ten years later, it was re-released in the UK charts – on the Mercury label – but only charted for a week (at number 69). Weekly charts Year-end charts Charts for Eiffel 65 remix Certifications Cover versions Peter Andre version "Get Down on It" was re-recorded and released as the third overall single from English-Australian singer Peter Andre's second studio album, ''Natural''. The single features the band Past to Present and reached No. 5 in Australia and No. 1 in New Zealand, achieving Platin ...
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Into The Groove
"Into the Groove" is a song by recorded by American singer Madonna, and featured on the 1985 film ''Desperately Seeking Susan''. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man whom she was attracted to. Its instrumentation features synthesizers and drum machines, with Madonna's voice beings double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, '' Like a Virgin'' (1984), and remixed for her compilations ''You Can Dance'' (1987), and ''The Immaculate Collection'' (1990). Not wanting to draw more attention away from the ''Like a Virgin'' album a ...
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Let's Groove
"Let's Groove" is a song by American band Earth, Wind & Fire, released as the first single from their eleventh studio album, ''Raise!'' (1981). It is written by Maurice White and Wayne Vaughn, and produced by White. The song was a commercial success, and was the band's highest-charting single in various territories. It peaked inside the top 20 in countries including the United States, New Zealand, United Kingdom, Canada and other component charts in America. In 1979 and the early 1980s, there was a severe backlash against disco music. In spite of this, the band decided to revive the disco sound that was included on their previous works and later records. Musically, "Let's Groove" is post-disco, pop and funk which includes instrumentation of synthesizers and keyboards along with live electric guitars. Overview "Let's Groove" was produced by Maurice White for Kalimba Productions. With a duration of five minutes and thirty nine seconds, the song has a tempo of 126 beats per minute. ...
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Give Me The Night (George Benson Song)
"Give Me the Night" is a song recorded by American jazz and R&B musician George Benson, which he released from his 1980 studio album of the same title. It was written and composed by Heatwave's keyboard player Rod Temperton and produced by Quincy Jones. Patti Austin provides the backing and scat vocals that are heard throughout, and one of Benson's fellow jazz guitarists, Lee Ritenour, also performs on the selection. The song was a commercial success, and was Benson's first single to hit number one on the US ''Billboard'' Soul Singles chart. It also peaked at number four on the US ''Billboard'' Hot 100 chart, making it his most successful pop entry. It also peaked at number two on the ''Billboard'' Hot Disco Singles chart and at number seven in the UK Singles Chart, where it ties with "In Your Eyes" as his highest charting single. Track listing ;Warner Bros. WBS 49505 (US, 7") #"Give Me the Night" #"Dinorah, Dinorah" ;Qwest/Warner Bros. K 17673 (UK, 7") #"Give Me the N ...
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British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ...
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Music Recording Sales Certification
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achi ...
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UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ...
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Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ...
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