Minuet WoO 10, No. 2 (Beethoven)
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Minuet WoO 10, No. 2 (Beethoven)
Ludwig van Beethoven's Minuet in G major, WoO 10, No. 2 is a composition originally written for orchestra, but was lost and only an arrangement for piano could be found. It has become very popular. Structure The minuet is in incipient ternary form, A-A-B-A, a type of song form as differentiated from other, such as the binary song form in the format A-B, the ternary A-B-A, or the rondo, A-B-A-C-A or an alternate form but with the "A" theme repeating after each new theme in the sequence of themes. In terms of A-B-A sections, the three parts are: #Moderato # Trio #Moderato The Moderato section features a melody, marked legato (to play in a smooth, even style without noticeable breaks between the notes). Quarter notes occupy most of the left hand in this A section, which is made up of two periods. The first four-measure (a) phrase is in the tonic of G Major; the second four-measure (b) phrase modulates from the tonic to the dominant of D Major. This period, the main theme of the piece ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ...
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Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is ofte ...
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Trio (music)
In music, a trio (from the Italian) is any of the following: * a composition for three performers or three musical parts * in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) * an ensemble of three instruments or voices performing trio compositions. Composition A trio is a composition for three performers or musical parts. Works include Baroque trio sonatas, choral works for three parts, and works for three instruments such as string trios. In the 17th and early 18th century, musical genre trio sonata two melodic instruments are accompanied by a basso continuo, making three parts in all. Because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), performances of trio sonatas typically involve more musicians. Howev ...
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Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ...
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Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver ( British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth note ...
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The Music Man
''The Music Man'' is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love with him. He risks being caught to win her heart. In 1957, the show became a hit on Broadway, winning five Tony Awards, including Best Musical, and running for 1,375 performances. The cast album won the first Grammy Award for Best Musical Theater Album and spent 245 weeks on the Billboard charts. The show's success led to Broadway and West End revivals, a popular 1962 film adaptation an ...
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Fawlty Towers
''Fawlty Towers'' is a British television sitcom written by John Cleese and Connie Booth, broadcast on BBC2 in 1975 and 1979. Two series of six episodes each were made. The show was ranked first on a list of the 100 Greatest British Television Programmes drawn up by the British Film Institute in 2000 and, in 2019, it was named the greatest ever British TV sitcom by a panel of comedy experts compiled by the '' Radio Times''.Mattha Busby, 9 April 2019"Fawlty Towers named greatest ever British TV sitcom" ''The Guardian'', Retrieved 24 May 2019 The series is set in Fawlty Towers, a fictional hotel in the seaside town of Torquay on the English Riviera. The plots centre on the tense, rude and put-upon owner Basil Fawlty (Cleese), his bossy wife Sybil ( Prunella Scales), the sensible chambermaid Polly (Booth) who often is the peacemaker and voice of reason, and the hapless and English-challenged Spanish waiter Manuel ( Andrew Sachs). They show their attempts to run the hotel amid ...
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Shirley Temple
Shirley Temple Black (born Shirley Jane Temple;While Temple occasionally used "Jane" as a middle name, her birth certificate reads "Shirley Temple". Her birth certificate was altered to prolong her babyhood shortly after she signed with Fox in 1934; her birth year was advanced from 1928 to 1929. Even her baby book was revised to support the 1929 date. She confirmed her true age when she was 21 (Burdick 5; Edwards 23''n'', 43''n''). April 23, 1928 – February 10, 2014) was an American actress, singer, dancer, and diplomat who was Hollywood's number one box-office draw as a child actress from 1934 to 1938. Later, she was named United States ambassador to Ghana and Czechoslovakia, and also served as Chief of Protocol of the United States. Temple began her film career at the age of three in 1931. Two years later, she achieved international fame in '' Bright Eyes'', a feature film produced specially for her talents. She received a special Juvenile Academy Award in February 19 ...
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The Littlest Rebel
''The Littlest Rebel'' is a 1935 American musical drama film directed by David Butler. The screenplay by Edwin J. Burke was adapted from a play of the same name by Edward Peple. Cast * Shirley Temple as Virgie Cary * John Boles as Herbert Cary * Jack Holt as Colonel Morrison * Karen Morley as Mrs. Cary * Guinn Williams as Sergeant Dudley * Frank McGlynn Sr. as President Abraham Lincoln * Bill Robinson as Uncle Billy * Willie Best as James Henry *Bessie Lyle as Mammy Rosabelle * Hannah Washington as Sally Ann * Karl Hackett as John Hay (uncredited) * Jack Mower as Yankee Lt. Hart (uncredited) Production The slingshot scene was written into the movie by screenwriter Edwin Burke after he learned of Temple's natural ability to use the slingshot. She was perfectly on target and needed only one take for the scene. Temple made international headlines when in the context of trying to keep noisy doves on the prison set (which the director explained did not belong in war) she as ...
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A Car-Tune Portrait
''A Car-Tune Portrait'' is a cartoon in the Color Classics series produced by Fleischer Studios. Released on June 26, 1937, the cartoon gives an imaginative take on Franz Liszt's Hungarian Rhapsody No. 2. Plot After the brief opening credits set to an orchestrated version of the Minuet in G by Ludwig van Beethoven, the cartoon introduces a lion who is dressed as a musical conductor and attempts to keep his orchestra of animal musicians in order as they half-play and half-fight their way through the piece. Memorable moments include a dachshund playing the xylophone with his back legs while the rest of him sleeps, a group of monkeys using a flute as a pea-shooter to fire at their fellow musicians, and a horse trombonist who attempts to swat a fly with his trombone, but only succeeding in hitting the dog trumpeter in front of him. In keeping with the building frenzy of Liszt's rhapsody, the animals become more and more violent, playing pranks on each other and generally wreaki ...
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