Minolta DiMAGE 7
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Minolta Dimage 7
The Minolta Dimage 7, 7i, 7Hi series is a "pro-sumer" line of digital electronic viewfinder cameras from Minolta. These are also known as bridge digital cameras. They are capable of capturing images in the 5-megapixel range. The Dimage 7 was announced 11 February 2001. The line uses a 2588 × 1960 pixel sensor coupled with a permanently attached optical 28–200 mm (35 mm equivalent) f/2.8W – f/3.5T zoom lens with a macro switch (16 elements in 13 groups, includes two AD glass elements and two aspheric elements) The Dimage 7/7i/7Hi series cameras were powered with four AA batteries, which discharged quickly; the 7-series was replaced by the DiMAGE A1 The Minolta DiMAGE A1 is a 5 megapixel bridge digital camera with electronic viewfinder manufactured by Minolta. It was introduced in July 2003, replacing the Minolta Dimage 7 series. It was the first Minolta product to incorporate the Anti-S ... in July 2003. Specifications References External links Co ...
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Minolta Dimage 7i Left Side
was a Japanese manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as . It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima". In 2003, Minolta merged with Konica to form Konica Minolta. On 19 January 2006, Konica Minolta announced that it was leaving the camera and photo business, and that it would sell a portion of its SLR camera business to Sony as part of its move to pull completely out of the business of selling cameras and photographic film. History Milestones *1928: establishes Nichi-Doku Shashinki Shōten ("Japanese-German photo company," the precursor of Minolta Co., Ltd.). *1929: Marketed the company's first camera, the "Nifcarette" (ニフカレッテ). *1937: The Minolta Flex is Japan's second twin- ...
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Motion JPEG
Motion JPEG (M-JPEG or MJPEG) is a video compression format in which each video frame or interlaced field of a digital video sequence is compressed separately as a JPEG image. Originally developed for multimedia PC applications, Motion JPEG enjoys broad client support: most major web browsers and players provide native support, and plug-ins are available for the rest. Software and devices using the M-JPEG standard include web browsers, media players, game consoles, digital cameras, IP cameras, webcams, streaming servers, video cameras, and non-linear video editors. History Motion JPEG was originally developed for multimedia PC applications. Early implementations of MJPEG were generally implemented in Hardware. C-Cube was an early proponent with their CL550 JPEG codec been used in several hardware implementations. It was announced that the NeXTdimension from NeXT would ship with an onboard CL550 to implement MJPEG. This was however later shelved and wasn't included in ...
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TTL Flash
In photography, through-the-lens metering (TTL metering) refers to a feature of cameras whereby the intensity of light reflected from the scene is measured through the lens; as opposed to using a separate metering window or external hand-held light meter. In some cameras various TTL metering modes can be selected. This information can then be used to set the optimal film or image sensor exposure ( average luminance), it can also be used to control the amount of light emitted by a flash unit connected to the camera. Description Through-the-lens metering is most often associated with single-lens reflex (SLR) cameras. In most film and digital SLRs, the light sensor(s) for exposure metering are incorporated into the pentaprism or pentamirror, the mechanism by which a SLR allows the viewfinder to see directly through the lens. As the mirror is flipped up, no light can reach there during exposure, the necessary amount of exposure needs to be determined before the actual exposure. Consequ ...
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Flash (photography)
A flash is a device used in photography that produces a brief burst of light (typically lasting 1/1000 to 1/200 of a second) at a color temperature of about 5500  K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. ''Flash'' refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically. Flash units are commonly built directly into a camera. Some cameras allow separate flash units to be mounted via a standardized accessory mount bracket (a ''hot shoe''). In professional studio equipment, flashes may be large, standalone units, or studio strobes, powered by special battery packs or connected to mains power. They are either synchronized with the camera using a flas ...
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Exposure Compensation
Exposure compensation is a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image. Factors considered may include unusual lighting distribution, variations within a camera system, filters, non-standard processing, or intended underexposure or overexposure. Cinematographers may also apply exposure compensation for changes in shutter angle or film speed (as exposure index), among other factors. Many digital cameras have a display setting and possibly a physical dial whereby the photographer can set the camera to either over or under expose the subject by up to three f-stops (f-numbers) in 1/3 stop intervals. Each number on the scale (1,2,3) represents one f-stop, decreasing the exposure by one f-stop will halve the amount of light reaching the sensor. The dots in between the numbers represent 1/3 of an f-stop.Exposure Compensation"By Geoff Lawrence"/ref ...
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Bulb (photography)
The Bulb setting (abbreviated B) on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button. The Bulb setting is distinct from shutter's Time (T) setting, which is an alternate-action mode where the shutter opens when the shutter-release button is pressed and released once, and closes when the button is actuated again. History Decades before the first flashbulbs, some box cameras and many view cameras and folding cameras came with a detachable pneumatic shutter release with a rubber bulb on the end; "Bulb" refers to the rubber shutter release bulb. Though mechanically timed exposures could also be triggered by squeezing the shutter release bulb, "Bulb" exposures then had the same momentary action as camera shutters have today, as per this description from Sears Roebuck's 1909 ''Cameras Photographic Supplies'': Around 1894 in Germany, the momentary-action setting on camera shutters made by C. A. S ...
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Exposure (photography)
In photography, exposure is the amount of light per unit area (the image plane's illuminance times the exposure time) reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with photometric quantities) and measured in , is given by :H_\mathrm = E_\mathrmt, where *''E'' ...
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Autofocus
An autofocus (or AF) optical system uses a sensor, a control system and a motor to focus on an automatically or manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication. Autofocus methods are distinguished as active, passive or hybrid types. Autofocus systems rely on one or more sensors to determine correct focus. Some AF systems rely on a single sensor, while others use an array of sensors. Most modern SLR cameras use through-the-lens optical sensors, with a separate sensor array providing light metering, although the latter can be programmed to prioritize its metering to the same area as one or more of the AF sensors. Through-the-lens optical autofocusing is usually speedier and more precise than manual focus with an ordinary viewfinder, although more precise manual focus can be achieved with special accessories such as focusing magnifiers. Autofocus accuracy ...
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Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ...
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Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ...
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Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane. An optical system typically has many openings or structures that limit the ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the ray cone angle and brightness at the image point. In some contexts, especially in photography and astronomy, ''aperture'' refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope, the aperture ...
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Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane. An optical system typically has many openings or structures that limit the ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the ray cone angle and brightness at the image point. In some contexts, especially in photography and astronomy, ''aperture'' refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope, the aperture ...
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