Minnerede
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Minnerede
The Minnerede is a form of late medieval rhyming speech. In contrast to the shorter Minnelieder in canzonal form, it was not sung but spoken. Most of the texts have only a few hundred verses, the Minnereden, which is assigned to around 600 texts in German studies,  but also extensive texts (so-called large forms) such as 'Die Minneburg', 'Die Minnelehre' by , 'The Hunt' by Hadamar von Laber and 'Mörin' by counted. The rhyming couplet verse is predominant, but there are also some strophic minnereden. Many Minnereden are reflections on courtly love (German: Minne) held in first-person form or narratives of allegorical events and dreams, the focus of which is the unfulfilled desire of the Minnenden. Background The oldest surviving testimony is Hartmann von Aue's booklet ' (also called complaint or lawsuit booklet, around 1200). The heyday of the Minnereden - both in terms of production and reception - was in the 14th and 15th centuries. Most of the texts have been handed down ...
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KDM Cod
KDM or Kdm may refer to: * Korean domestic market, Korea's economic market system * KDE Display Manager, a graphical login interface for Unix-like operating systems * Knowledge Discovery Metamodel, specification for architecture-driven modernization * ''Kongelige Danske Marine'' (His/Her Danish Majesty's Ship), ship prefix of the Royal Danish Navy * '' Kingdom Death: Monster'', a cooperative board game created by Adam Poots * Martin KDM Plover, target drone conversion of the PTV-N-2 Gorgon IV missile * KDM Shipping, a holding company based from Cyprus * Social Democratic Harmony Party, or ''Parti Kesejahteraan Demokratik Masyarakat'', a Sabah-based local political party of Malaysia Malaysia ( ; ) is a country in Southeast Asia. The federation, federal constitutional monarchy consists of States and federal territories of Malaysia, thirteen states and three federal territories, separated by the South China Sea into two r .... See also

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Late Middle Ages
The Late Middle Ages or Late Medieval Period was the Periodization, period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Europe, the Renaissance). Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and Plague (disease), plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it had been before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict, the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was temporarily shattered by the Western Schism. Collectively, those events are sometimes called the Crisis of the Late Middle Ages. D ...
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Minnesang
(; "love song") was a tradition of lyric- and song-writing in Germany and Austria that flourished in the Middle High German period. This period of medieval German literature began in the 12th century and continued into the 14th. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The name derives from ''minne'', the Middle High German Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High ... word for love, as that was ''Minnesang'''s main subject. The ''Minnesänger'' were similar to the Occitan language, Provençal troubadours and northern French language, French ''trouvères'' in that they wrote love poetry in the tradition of courtly love in the High Middle Ages. Social status In the absence of reliable ...
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Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-centu ...
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Hadamar III Of Laber
Hadamar III of Laber (c. 1300 – 1360) was one of the Lords of Laber (now Laaber) in the Upper Palatinate, and an important courtly poet (Minnesänger). Background He is famous mainly for his allegorical poem "Die Jagd" (the hunt), written in Middle High German.Eberhard Dünninger: ''Reinmar von Brennberg und Hadamar von Laaber (13. und 14. Jh.) – Liederdichter der späthöfischen Zeit.'' In: Sigfrid Färber, Bedeutende Oberpfälzer. Regensburg: Pustet 1981. References

{{Authority control 14th-century German nobility Minnesingers 14th-century German poets People from Regensburg (district) ...
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Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Hartmann Von Aue
Hartmann von Aue, also known as Hartmann von Ouwe, (born ''c.'' 1160–70, died ''c.'' 1210–20) was a German knight and poet. With his works including ''Erec'', '' Iwein'', ''Gregorius'', and ''Der arme Heinrich'', he introduced the Arthurian romance into German literature and, with Wolfram von Eschenbach and Gottfried von Strassburg, was one of the three great epic poets of Middle High German literature. Life Hartmann belonged to the lower nobility of Swabia, where he was born. After receiving a monastic education, he became retainer (''Dienstmann'') of a nobleman whose domain, Aue, has been identified with Obernau on the River Neckar. He also took part in the Crusade of 1197. The date of his death is as uncertain as that of his birth; he is mentioned in Gottfried von Strassburg's ''Tristan'' (c. 1210) as still alive, and in the '' Crône'' of Heinrich von dem Türlin, written about 1220, he is mourned for as dead. Works Hartmann produced four narrative poems which are of i ...
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Peter Suchenwirt
Peter Suchenwirt (c. 1320 – 1395) was an Austrian poet and herald. (Suchenwirt was the Medieval name for heralds of the Austrian dukes.) He called himself "Knappe von den Wappen" which is a lower position as to the herald, with the duty to blazon and explain the arms of the nobles. Suchenwirt was the most outstanding representative of the so-called arms poetry (de: Heroldsdichtung). Since 1372 he lived in the Vienna court of the Austrian dukes. In 1377, he joined the campaign of duke Albrecht III to Prussia. His poems are full of heraldic blazon, documenting his proficiency in heraldic terminology. Suchenwirt collected the material for his poems from the primary sources. For this reason he travelled a lot to the eminent personalities of his age. He was an outstanding observer, so his historical and cultural data proved to be authentic. He went to the location to give a laudation if he learnt about the death of an important person, or appeared there at the first anni ...
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Hans Folz
Hans Folz ( 1437 – January 1513) was a German author of the late medieval or early Renaissance period. Folz was born in Worms. He was made a citizen of the city of Nuremberg, Germany in 1459 and master barber of the city in 1486. Folz was a reformer of the meistersangs, adding 27 new tones to those that had been allowed by the twelve "Alten Meister" (old masters) up to that point. His ''Meisterlieder'' (a type of song), of which he wrote about a thousand, were mostly devoted to religious questions. He also wrote twelve '' Fastnachtsspiele'' (short plays that made light of people in medieval society, for instance farmers, priests, and the bourgeoisie) in the same style as Hans Rosenplüt, but with more subtle language. Folz has been labelled as an anti-semite by Andrew Gow, who called him "a thorough-going Jew-hater" for his work ''Ein Spil von dem Herzogen von Burgund'' (''A Story of the Dukes of Burgund''). According to Albert Wimmer's ''Anthology of Medieval German Literatu ...
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