Mind Made Up
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Mind Made Up
''Mind Made Up'' is the ninth studio album by English post-punk band A Certain Ratio. Released in 2008 through French Le Maquis record label, it is the band's first album since 1997's ''Change the Station'', following a series of re-issues of past material. The band sought to capture a live sound during the recording of the album. The album was reissued by on 2 June 2010 through LTM Recordings with two extra tracks. Critical reception The album generally received positive reviews. AllMusic critic Ned Raggett thought that ''Mind Made Up'' "found the group in creative health while approaching 30 years of work and beyond". Raggett also wrote that the record "feels more like them keeping on rather than trying to stake out a space in a crowded musical landscape." Martin Longley of BBC stated: "These songs reinforce a formula, but it's ACR's very own formula, and one that still remains highly distinctive." Writing for ''Exclaim!'', Michael Edwards described the release as "another sol ...
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A Certain Ratio
A Certain Ratio (abbreviated as ACR) are an English post-punk band formed in 1977 in Flixton, Greater Manchester by Peter Terrell (guitar, electronics) and Simon Topping (vocals, trumpet), with additional members Jez Kerr (bass, vocals), Martin Moscrop (trumpet, guitar), Donald Johnson (drums), and Martha Tilson (vocals) joining soon after. Among the first white indie groups to draw heavy influence from funk as well as disco and Latin percussion, the band were among the first to debut on Tony Wilson's Factory Records in 1979 with "All Night Party," produced by Martin Hannett. During ACR's early years with Factory, they scored seven Top Ten U.K. independent releases, highlighted by "Flight" and "Waterline," and released five albums beginning with ''The Graveyard and the Ballroom'' (1979). Following late 1980s and early 1990s phases with major-label A&M and Rob Gretton's independent Robs Records, ACR were intermittently active. They returned to the studio for the 2008 album ''M ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Change The Station
''Change the Station'' is an album by English band A Certain Ratio, released under the acronym ACR in January 1997. Released on Rob's Records label, it was the band's first album after a five-year hiatus, since 1992's ''Up in Downsville''. The album finds the band working from a dance-pop and ambient music foundation, with elements from Madchester funk and ambient house. The record also features vocals from singers Denise Johnson and Lorna Bailey. Critical reception AllMusic senior critic Stephen Thomas Erlewine thought that the record "finds A Certain Ratio in top form." Erlewine also praised Johnson and Bailey's vocals, writing that their "soulful singing gives the songs dimension, helping make ''Change the Station'' a genuine return to form." Track listing # "Listen to the Sound" – 4:59 # "Some Day" – 6:15 # "Your on Your Own" – 4:54 # "Waiting for You" – 6:00 # "Yeah Boy" – 6:59 # "Sister Brother" – 5:11 # "Desire" – 6:05 # "Samba 123" – 5:27 # "Pole" ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Clash (magazine)
''Clash'' is a music and fashion magazine and website based in the United Kingdom. It is published four times a year by Music Republic Ltd, whose predecessor Clash Music Ltd went into liquidation. The magazine won the Best New Magazine award in 2004 at the PPA Magazine Awards and has won other awards in England and Scotland. Most notably, it won Magazine of the Year at the 2011 Record of the Day Awards. History ''Clash'' was founded by John O'Rourke, Simon Harper, Iain Carnegie and Jon-Paul Kitching. It emerged from the long-running Dundee, Scotland-based free-listings magazine ''Vibe''. Re-launching as ''Clash Magazine'' in 2004, it won Best New Magazine award at the PPA Magazine Awards and Music Magazine of the Year at the Record of the Day Awards in 2005 and 2011 respectively. At the turn of 2011, ''Clash'' took on an entirely new look, ditching its previous glossy feel and music-led design for an altogether more artistically-led approach. In 2013 it launched a Smartphone c ...
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LTM Recordings
LTM Recordings (originally les temps modernes) is a British independent record label founded in 1983, and best known for reissues of artists and music from 1978 to the present day, as well as modern classical and avant-garde composition. The label is based in Norfolk, England, and is curated by James Nice. Particularly notable are reissues of catalogue originally released by Factory Records, Les Disques du Crépuscule, Compact Organisation and Sarah Records. Nice has also reactivated the Factory Benelux and Crépuscule labels, for reissues and new releases. LTM has also released audiobooks with archive recordings by major figures in 20th Century avant-garde art, including ''Futurism & Dada Reviewed'', ''Voices of Dada'', ''Surrealism Reviewed'', ''Musica Futurista: The Art of Noises'', ''Bauhaus Reviewed'' and ''Cocteau Satie and Les Six''. History James Nice started LTM as a cassette label, 'Les Temps Moderne', which became a record label proper in 1984. LTM went into hiber ...
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The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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