Min Palette
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Min Palette
The Min Palette, or ''El Amrah Palette'' is an ancient Egyptian cosmetic palette from El-Amrah, Egypt (for the Amratian Period), found in Naqada, tomb B62. It is held in the British Museum, no. 35501. Description The Min Palette is a flat slate palette, unadorned, with no iconographic scenes. Two topics are displayed on the palette. The ''Symbol of Min'', a compound-type hieroglyph arrangement, is centered at the top of the palette, and comprises 1/4 of the palette's front. The other motifs are opposed-facing bird heads on each top corner; the heads are small, with a thin neck, about a tenth the height of the palette, and the right head is damaged. A small suspension hole is centered on the palette's top. Min's emblem The ''Emblem of Min'' on the palette is a typographic ligature of two Egyptian hieroglyphs–R23 and S39. The later horizontal form of the Min symbol (hieroglyph), (consisting of two opposing-faced arrows), is shown in an archaic form. Centered verticall ...
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Mudstone Palette With Hieroglyphs In Relief
Mudstone, a type of mudrock, is a fine-grained sedimentary rock whose original constituents were clays or muds. Mudstone is distinguished from ''shale'' by its lack of fissility (parallel layering).Blatt, H., and R.J. Tracy, 1996, ''Petrology.'' New York, New York, W. H. Freeman, 2nd ed, 529 pp. The term ''mudstone'' is also used to describe carbonate rocks (limestone or dolomite) that are composed predominantly of carbonate mud. However, in most contexts, the term refers to siliciclastic mudstone, composed mostly of silicate minerals. The NASA Curiosity rover has found deposits of mudstone on Mars that contain organic substances such as propane, benzene and toluene. Definition There is not a single definition of mudstone that has gained general acceptance,Boggs 2006, p.143 though there is wide agreement that mudstones are fine-grained sedimentary rocks, composed mostly of silicate grains with a grain size less than . Individual grains this size are too small to be distinguished ...
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Min Symbol (hieroglyph)
Min or MIN may refer to: Places * Fujian, also called Mǐn, a province of China ** Min Kingdom (909–945), a state in Fujian * Min County, a county of Dingxi, Gansu province, China * Min River (Fujian) * Min River (Sichuan) * Mineola (Amtrak station), station code MIN People Personal names * Min (Korean name), Korean surname and given names * Min (surname) (闵/閔), a Chinese surname Individuals with the name * Min (Vietnamese singer) (born 1988) * Min (Korean singer) (born 1991), South Korean singer, songwriter and actress Lee Min-young * Min (treasurer), ancient Egyptian official * Min, Marquis of Jin (died 678 BC), Chinese monarch * Empress Myeongseong (1851–1895), informally Queen Min, empress of Joseon * Menes or Min (a spelling variant no longer accepted), an early Egyptian pharaoh * Min Hogg (born 1939), British journalist and magazine editor * Min, a character from '' Barney & Friends'' played by Pia Hamilton from 1992 to 1995 * Min Hael Cassidy, a character ...
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Amratian Culture
The Amratian culture, also called Naqada I, was an archaeological culture of prehistoric Upper Egypt. It lasted approximately from 4000 to 3500 BC. Overview The Amratian culture is named after the archaeological site of el-Amra, located around south of Badari in Upper Egypt. El-Amra was the first site where this culture group was found without being mingled with the later Gerzeh culture (Naqada II). However, this period is better attested at the Nagada site, thus it also is referred to as the Naqada I culture. Black-topped pottery continued to be produced, but white cross-line pottery, a type which has been decorated with close parallel white lines being crossed by another set of close parallel white lines, begins to be produced during this time. The Amratian falls between S.D. 30 and 39 in Flinders Petrie's sequence dating system. The Amratians possessed slaves and constructed rowboats of bundled papyrus in which they could sail the Nile. Trade between the Amratian culture ...
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The Writings Of Ancient Egypt
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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Min (god)
Min (Egyptian mnw) is an ancient Egyptian god whose cult originated in the predynastic period (4th millennium BCE). He was represented in many different forms, but was most often represented in male human form, shown with an erect penis which he holds in his right hand and an upheld left arm holding a flail. Myths and function Min's cult began and was centered around Coptos (Koptos) and Akhmim (Panopolis) of upper Egypt, where in his honour great festivals were held celebrating his "coming forth" with a public procession and presentation of offerings. His other associations include the eastern desert and links to the god Horus. Flinders Petrie excavated two large statues of Min at Qift which are now in the Ashmolean Museum and it is thought by some that they are pre-dynastic. Although not mentioned by name, a reference to "he whose arm is raised in the East" in the Pyramid Texts is thought to refer to Min. His importance grew in the Middle Kingdom when he became even mo ...
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Cosmetic Palette
Cosmetic palettes are archaeological Artifact (archaeology), artifacts, originally used in predynastic Egypt, predynastic ancient Egypt, Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BC, 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial. They were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat. Many of the palettes were found at Hierakonpolis, a centre of power in Predynastic Egypt, pre-dynastic Upper Egypt. After the unification of the country, the palettes ceased to be included in tomb assemblages. Notable palettes Notable decorative palettes are: * The Cosmetic palette in the form of a Nile tortoise * The Narmer Palette, often thought to depict the unification of Upper and Lower Egypt under the pharaoh Narmer, Egyptian Museum, Cairo * Libyan Palette, Egyptian Museum, ...
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List Of Ancient Egyptian Palettes
A list of a small subset of ancient Egyptian palettes, ranging in the Naqada periods, 4th millennium BC, probably mostly from ~3500 to 3000 BC; some palettes may be from the later period of the earliest 3rd millennium BC. These cosmetic palettes come in numerous shapes and sizes, and were often found in tombs or graves. They were preceded by a period of palettes called rhomboidal palettes, unadorned, and without the ''cosmetic mixing circle'' found on some of the later Naqada period palettes. Alphabetical individual listing, (abbreviated) *Battlefield Palette *''"Two-bird headspalette (Brooklyn)"'' *"Bird palette (Louvre no XXX)"(bird-resting, on its feet) *Double-Bird Palette, (''"Anchor Palette"'') *Bull Palette *El Ahaiwah Dog Palette *Four Dogs Palette, Giraffes Palette * Oxford Palette''Minor Hierakonpolis Dogs Palette'' *"Fish palette (Louvre dolphin type)" *New Kingdom: Fish-shaped palette-(Bulti-hieroglyph type); Adorned fish side/ with cosmetic side for daily use. ...
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Crook-staff (Luwian Hieroglyph)
The Luwian hieroglyphs include a representation of a crook staff, by convention named ''lituus'' (Latin for "crooked staff"). It is encoded as Unicode U+145AB (𔖫, ANATOLIAN HIEROGLYPH A378). It is comparable to the crook-staff hieroglyph or ''heqa-sceptre'' (Gardiner's list S38, S39) used in Egypt. See also *Anatolian hieroglyphs Anatolian hieroglyphs are an indigenous logographic script native to central Anatolia, consisting of some 500 signs. They were once commonly known as Hittite hieroglyphs, but the language they encode proved to be Luwian, not Hittite, and the ter ... Luwian language Anatolian hieroglyphs {{Hieroglyph-stub ...
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Egyptian Hieroglyphs
Egyptian hieroglyphs (, ) were the formal writing system used in Ancient Egypt, used for writing the Egyptian language. Hieroglyphs combined logographic, syllabic and alphabetic elements, with some 1,000 distinct characters.There were about 1,000 graphemes in the Old Kingdom period, reduced to around 750 to 850 in the classical language of the Middle Kingdom, but inflated to the order of some 5,000 signs in the Ptolemaic period. Antonio Loprieno, ''Ancient Egyptian: A Linguistic Introduction'' (Cambridge: Cambridge UP, 1995), p. 12. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Through the Phoenician alphabet's major child systems (the Greek and Aramaic scripts), the Egyptian hieroglyphic script is ancestral to the majority of scripts in modern use, most prominently the Latin and Cyr ...
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Confronted-animals
Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The "anti-confronted animals" is the opposing motif, with the animals back to back. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork. In ancient art, confronted-animal motifs often involve the Master of Animals, a central human figure between two confronted animals, often grasping them, and are probably part of a unified socio- cultural motif. A related motif in ancient art is known as the Mistress of Animals. It is thought that the iconography sometimes has ritual and religious associations; for example, the Lion Gate of Mycenae has a column between the protective, surmounted and confronted lionesses standing with two feet on the ground and two on the same base ...
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