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Mills Blue Rhythm Band
The Mills Blue Rhythm Band was an American big band active during the 1930s. The band was formed in New York City, United States, in 1930 by drummer Willie Lynch as the Blue Rhythm Band, and then briefly operated as the Coconut Grove Orchestra. Irving Mills became its manager in 1931 and it subsequently assumed the name Mills Blue Rhythm Band. Compere Jimmy Ferguson (Baron Lee) replaced Lynch. Another brief leader, reeds player Bingie Madison, left at the time of the final name change. Over its lifetime, the group was known as the "Blue Rhythm Band", "Blue Ribbon Band", "Blue Rhythm Boys", "The Blue Racketeers", "Earl Jackson's Musical Champions", "Earl Jackson and his Orchestra", "Duke Wilson and his Ten Blackberries", "King Carter's Royal Orchestra", "Mills Music Masters", "Harlem Hot Shots". It accompanied Louis Armstrong on some record sides. The Mills Blue Rhythm Band were based at Cotton Club (New York City), The Cotton Club in Harlem. They worked steadily through the 1930s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Washington (trombonist)
George Washington (born October 18, 1907) was an American jazz trombonist. Early life and education Washington was born in Brunswick, Georgia, and raised in Jacksonville, Florida. He began playing trombone at age ten, and attended Edward Waters College in the early-1920s. Career Washington relocated to Philadelphia in 1925 and played with J.W. Pepper before moving to New York City shortly thereafter. In New York, Washington studied under Walter Damrosch at the New York Conservatory, playing with various ensembles in the late 1920s. In 1931, he began playing with Don Redman, and gigged with Benny Carter in 1932 and Spike Hughes in 1933. In the mid-1930s, he played and arranged for the Mills Blue Rhythm Band and worked with Red Allen and Fletcher Henderson. From 1937 to 1943, he played in Louis Armstrong's orchestra. After his tenure with Armstrong he moved to the West Coast, and played with Horace Henderson, Carter again, and Count Basie. From 1947 he led his own ensemble, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Hayes
Edgar Junius Hayes (May 23, 1902 – June 28, 1979) was an American jazz pianist and bandleader. Born in Lexington, Kentucky, United States, Hayes attended Wilberforce University, where he graduated with a degree in music in the early 1920s. In 1922, he toured with Fess Williams, and formed his own group, the Blue Grass Buddies, in Ohio in 1924. In 1925, he played with Lois Deppe, and later in the decade led the groups Eight Black Pirates and the Symphonic Harmonists. From 1931 to 1936, Hayes played in and arranged for the Mills Blue Rhythm Band. From 1937 to 1941, Hayes again led his own orchestra; Kenny Clarke was among his sidemen. His most popular recording was a version of the song " Stardust" and the original recording of "In the Mood" which was later covered by Glenn Miller, both songs were recorded in 1938. He moved to California in 1942, and led a quartet there for most of the decade. Following this he played solo, continuing to perform live into the 1970s. Hayes re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domino Records (1924)
Domino Records was an American record label, in existence from 1924 to 1933. Domino Records, a United States-based label, was in business from 1924 to 1933, producing standard 10-inch lateral cut 78s. The label was formed as Domino Record Company, a subsidiary of Plaza Music Company, headquartered in New York City. The first issues appeared on the market in April or May 1924, and were announced to the trade press June of that year. Initially the records were pressed on red shellac, as an alternative to Regal and Banner which were standard black. For its first year Domino was priced more cheaply than either Banner or Regal, but in 1925 the prices of the latter two was dropped to 35 cents in order to be equal to Domino. In 1927 Domino records were switched to black shellac towards the latter part of the year. At Plaza's takeover by the American Record Corporation, its trademarks passed to that company, and Domino was one of the labels that were weeded out at the time, produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARC Records
American Record Corporation (ARC), also referred to as American Record Company, American Recording Corporation, or ARC Records, was an American record company. Overview ARC was created in January 1929 by Louis G. Sylvester, president of Scranton Button Works ('Scranton'), founded 1885. Scranton owned a pressing plant that manufactured disks for many companies, including Columbia labels and Emerson Records, the latter which it also owned. It then purchased Cameo Record Corporation, which owned the Cameo, Lincoln and Romeo labels), and six labels owned by the Plaza Music Company ( Conqueror, Banner, Domino, Jewel, Oriole, and Regal). for $1 each, including liabilities. Pathé-Perfect Phonograph and Radio Corporation, which owned Actuelle, Pathé, and Perfect, was also purchased. 'American Record Corporation' was incorporated in Delaware on July 25, 1929, as a subsidiary of Consolidated Film Industries, Inc. ("CFI"). Louis G. Sylvester became the president of the new compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Records
The Victor Talking Machine Company was an American recording company and phonograph manufacturer that operated independently from 1901 until 1929, when it was acquired by the Radio Corporation of America and subsequently operated as a subsidiary called RCA Victor. Headquartered in Camden, New Jersey, it was the largest and most prestigious firm of its kind in the world, probably best known for its use of the iconic "His Master's Voice" trademark and the production, marketing, and design of the popular "Victrola" line of phonographs. After its merger with RCA in 1929, the company continued to make phonographs, records, radios and other products. History In 1896, Emile Berliner—inventor of the gramophone and disc record—contracted machinist Eldridge R. Johnson to manufacture his inventions.Gelatt, Roland, ''The Fabulous Phonograph: 1877–1977'', MacMillan, New York, 1954. Name There are different accounts as to how the "Victor" name came about. RCA historian Fred Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cab Calloway
Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached the '' Billboard'' charts in five consecutive decades (1930s–1970s). Calloway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton Club (New York City)
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Black Past (retrieved September 9, 2014). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall,Iain Cameron Williams, Chapter 15, ''Underneath A Harlem Moon: The Harlem to Paris Years of Adelaide Hall'', Continuum, 2002. Ethel Waters, Cab Calloway, Bessie Smith, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery Choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Lena Horne, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bingie Madison
Bingie Madison (October 12, 1901 – July 1978) was an American jazz clarinetist and tenor saxophonist. Madison began his career as a pianist, based in Des Moines, Iowa, and then touring Canada and California in 1921. He played with Bobby Brown (1922–25) and Bernie Davis in the 1920s as a pianist, then switched to reeds permanently, playing with Cliff Jackson, Lew Henry, Elmer Snowden, Sam Wooding, Lucky Millinder, and Billy Fowler in the late 1920s and early 1930s. He briefly led a group at the Broadway Danceland in 1930, but left when it was renamed the Mills Blue Rhythm Band the following year, In 1932, he joined Luis Russell's orchestra, remaining there until 1940 (including during its period as Louis Armstrong's backing band). In the 1940s, he played with Edgar Hayes, Ovie Alston, Alberto Socarras, and Hank Duncan. Madison led his own groups into the 1960s but never recorded a session as a leader, although there are a handful of sides fronted by Clarence Williams (reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guinness Publishing
''Guinness World Records'', known from its inception in 1955 until 1999 as ''The Guinness Book of Records'' and in previous United States editions as ''The Guinness Book of World Records'', is a reference book published annually, listing world records both of human achievements and the extremes of the natural world. The brainchild of Sir Hugh Beaver, the book was co-founded by twin brothers Norris and Ross McWhirter in Fleet Street, London, in August 1955. The first edition topped the best-seller list in the United Kingdom by Christmas 1955. The following year the book was launched internationally, and as of the 2022 edition, it is now in its 67th year of publication, published in 100 countries and 23 languages, and maintains over 53,000 records in its database. The international franchise has extended beyond print to include television series and museums. The popularity of the franchise has resulted in ''Guinness World Records'' becoming the primary international authority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Larkin (writer)
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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