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Miles Davis At Carnegie Hall
''Miles Davis at Carnegie Hall'' is a live album by American jazz musician Miles Davis. Subtitled ''The Legendary Performances of May 19, 1961'', it was released by Columbia Records as CL 1812 in monaural and CS 8612 as "electronically re-channeled for stereo." This live performance features Davis with his regular quintet and also accompanied by Gil Evans and his 21-piece orchestra. The orchestra is heard on several selections drawn from '' Miles Ahead'' as well as a complete reading of the adagio movement from ''Concierto de Aranjuez'' as recorded on ''Sketches of Spain''. The concert begins with the orchestra playing the Gil Evans introduction to " So What", which is performed by the quintet, and then segues directly into the only recording of an Evans arrangement of "Spring is Here". Track listing of the original LP #" So What" (Miles Davis) – 12:04 #"Spring Is Here" ( Lorenz Hart, Richard Rodgers) – 3:58 #"No Blues" (Davis) – 10:55 #" Oleo" ( Sonny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Ahead (album)
''Miles Ahead'' is an album by Miles Davis that was released in October 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the ''Birth of the Cool'' sessions. Along with their subsequent collaborations ''Porgy and Bess'' (1959) and ''Sketches of Spain'' (1960), ''Miles Ahead'' is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout. Background Evans combined the ten pieces that make up the album into a suite, each flowing into the next without interruption; the only exception to this rule was on the title track since it was placed last on side A (this has been corrected on the CD versions). Davis is the only soloist on ''Miles Ahead'', which features a large ensemble consisting of sixteen woodwind and brass players. Art Taylor played drums on the sessions and the then current Miles Davis Quintet member Paul Chambers was the bassist. A fifth rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walkin'
''Walkin'' (PRLP 7076) is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954 (''Miles Davis All-Star Sextet'' and Side One of ''Miles Davis Quintet'', dropping "I'll Remember April" from Side Two (which had been on the 12" LP ''Blue Haze'', released the previous year, itself a collection of tunes from previous 10" LPs) and replacing it with the previously unreleased "Love Me or Leave Me" recorded at the same session. Here credited to the "Miles Davis All-Stars", the songs were recorded on 3 April and 29 April 1954 by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio. The earlier session was a quintet with David Schildkraut on alto saxophone, and produced the three tracks on side two. Schildkraut is the only musician not credited on the cover, and is otherwise almost unknown. Two of these tracks were originally released on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Meaning Of The Blues
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Morey
Lawrence L. Morey (March 26, 1905 – May 8, 1971) was an American lyricist and screenwriter. He co-wrote some of the most successful songs in Disney films of the 1930s and 1940s, including "Heigh-Ho", "Some Day My Prince Will Come", and "Whistle While You Work", and was also responsible for adapting Felix Salten's book ''Bambi, A Life in the Woods'' into the 1942 Disney film ''Bambi''. Career He was born in Los Angeles, California. Larry was born with a skeletal limb abnormality. His left arm was not fully formed and caused his mother to reject him at birth, saying "he would never amount to anything." She abandoned him to the care of his father, George T. Morey, a traveling musical ventriloquist. When he was only six years old, his father left him in a boarding house in Los Angeles and went on the road performing throughout California. Larry attended UCLA, then went to work for Warner Brothers and Paramount, for whom he wrote the lyrics to "The World Owes Me a Living", compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Churchill
Frank Edwin Churchill (October 20, 1901 – May 14, 1942) was an American film composer and songwriter. He wrote most of the music for films directed by Walt Disney, such as ''Snow White and the Seven Dwarfs'', ''Dumbo'', ''Bambi'', '' The Adventures of Ichabod and Mr. Toad'', and ''Peter Pan''. Life and career Churchill was born on October 20, 1901 in Rumford, Maine, the son of Clara E. (Curtis) and Andrew J. Churchill. Churchill began his career playing piano in cinemas at the age of 15 in Ventura, California. After dropping out of medical studies at UCLA to pursue a career in music, he became an accompanist at the Los Angeles radio station KNX (AM) in 1924. He joined Disney studios in 1930, and scored many animated shorts - his song for ''The Three Little Pigs'', "Who's Afraid of the Big Bad Wolf", was a huge commercial success. In 1937, he was chosen to score Disney's first full-length animated feature, ''Snow White and the Seven Dwarfs'' with Paul Smith and Leigh Harli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Someday My Prince Will Come
"Someday My Prince Will Come" is a song from Walt Disney's 1937 animated movie ''Snow White and the Seven Dwarfs''. It was written by Larry Morey (lyrics) & Frank Churchill (music), and performed by Adriana Caselotti (Snow White's voice in the movie). It was also featured in the 1979 stage adaptation of the 1937 animated musical movie. In AFI's 100 Years...100 Songs, it was ranked the 19th greatest film song of all time. Production Conception Adriana Caselotti was cast in the 1937 film ''Snow White and the Seven Dwarfs'' after interrupting a phone conversation her father – a voice coach – was having on the phone with a talent scout. The scout was casting the upcoming film and noted that a previous candidate had sounded like a 30-year-old so was let go; Caselotti picked up the extension and recommended herself. Only 18 at the time, Disney thought she sounded like a 14-year-old, which is what he wanted, and he offered her the part. She worked on the film for a nominal f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleo (song)
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. Since then it has become a jazz standard, and has been played by numerous jazz artists, including Miles Davis, John Coltrane, and Bill Evans. Form "Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm". Recordings The first version of the song, featuring Rollins, was recorded by Miles Davis and Sonny Rollins in 1954 on the record '' Miles Davis with Sonny Rollins.'' With John Coltrane instead of Rollins on saxophone, it has been recorded again in 1956 on '' Relaxin'.'' A live version from 1958, also with Coltrane, appears on two separate Davis albums: '' 1958 Miles,'' which was released in late 1958, and '' Jazz at the Plaza'' (1973). Another Davis live version from 1961 appears on ''In Person Friday and Saturday Nights at the Blackhawk, Complete.'' Other artists who have made notable recordings of the piece include Michael B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spring Is Here
"Spring is Here" is a 1938 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical ''I Married an Angel'' (1938), where it was introduced by Dennis King and Vivienne Segal. Rodgers and Hart had previously written a song entitled "Spring is Here in Person," which served as the title song for a 1929 Broadway production (filmed in 1930 - see ''Spring is Here (film)''). Theatrical producer Josh Logan, a longtime associate of Rodgers & Hart, would opine that "the most touching f Hart's lyricsare those about unrequited love ith the 1938 song'Spring is Here' eingone of the greatest examples". Hart had had a romantic interest in ''I Married an Angel'' leading lady Vivienne Segal who turned down more than one marriage proposal from him. Logan believed that Hart's lyrics for "Spring is Here" evoked the composer's disappointment over Segal's failure to reciprocate his interest. Notable recordings * Chet Baker – ''Deep in a Dream'' (2002, posthumous, pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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