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Mildenhall Treasure
The Mildenhall Treasure is a large hoard of 34 masterpieces of Roman silver tableware from the fourth century AD, and by far the most valuable Roman objects artistically and by weight of bullion in Britain. It was found at West Row, near Mildenhall, Suffolk, in 1942. It consists of over thirty items and includes the Great Dish which weighs over . The collection is on view in the British Museum because of its immense importance and value, and replicas are on show in the local museum at Mildenhall. History of discovery The hoard was discovered while ploughing in January 1942 by Gordon Butcher, who removed it from the ground with help from Sydney Ford, for whom he was working at the time. Many details of the discovery remained uncertain, not least because it took place in wartime. Apparently they did not at first recognise the objects for what they were, though Ford collected ancient objects. Ford cleaned the pieces and displayed them in his house, using some of them as daily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mildenhall Treasure
The Mildenhall Treasure is a large hoard of 34 masterpieces of Roman silver tableware from the fourth century AD, and by far the most valuable Roman objects artistically and by weight of bullion in Britain. It was found at West Row, near Mildenhall, Suffolk, in 1942. It consists of over thirty items and includes the Great Dish which weighs over . The collection is on view in the British Museum because of its immense importance and value, and replicas are on show in the local museum at Mildenhall. History of discovery The hoard was discovered while ploughing in January 1942 by Gordon Butcher, who removed it from the ground with help from Sydney Ford, for whom he was working at the time. Many details of the discovery remained uncertain, not least because it took place in wartime. Apparently they did not at first recognise the objects for what they were, though Ford collected ancient objects. Ford cleaned the pieces and displayed them in his house, using some of them as daily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oceanus
In Greek mythology, Oceanus (; grc-gre, , Ancient Greek pronunciation: , also Ὠγενός , Ὤγενος , or Ὠγήν ) was a Titan son of Uranus and Gaia, the husband of his sister the Titan Tethys, and the father of the river gods and the Oceanids, as well as being the great river which encircled the entire world. Etymology According to M. L. West, the etymology of Oceanus is "obscure" and "cannot be explained from Greek". The use by Pherecydes of Syros of the form "Ogenos" (''Ὠγενός'') for the name lends support for the name being a loanword. However, according to West, no "very convincing" foreign models have been found. A Semitic derivation has been suggested by several scholars, while R. S. P. Beekes has suggested a loanword from the Aegean Pre-Greek non-Indo-European substrate. Nevertheless, Michael Janda sees possible Indo-European connections. Genealogy Oceanus was the eldest of the Titan offspring of Uranus (Sky) and Gaia (Earth). Hesiod lists hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niello
Niello is a black mixture, usually of sulphur, copper, silver, and lead, used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens, and flows or is pushed into the engraved lines in the metal. It hardens and blackens when cool, and the niello on the flat surface is polished off to show the filled lines in black, contrasting with the polished metal (usually silver) around it. It may also be used with other metalworking techniques to cover larger areas, as seen in the sky in the diptych illustrated here. The metal where niello is to be placed is often roughened to provide a key. In many cases, especially in objects that have been buried underground, where the niello is now lost, the roughened surface indicates that it was once there. Statistical consideration Niello was used on a variety of objects including sword hilts, chalices, plates, horns, adornment for horses, jewellery such as bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum Mildenhall Bacchic Dish A
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maenad
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan-pipes
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory. Name The pan flute is named after Pan, the Greek god of nature and shepherds often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in parallel one next to the other, and bound them together to make a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; grc, wikt:Πάν, Πάν, Pán) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in Romanticism, the Romantic movement of western Europe and also in the 20th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silenus
In Greek mythology, Silenus (; grc, Σειληνός, Seilēnós, ) was a companion and tutor to the wine Greek god, god Dionysus. He is typically older than the satyrs of the Dionysian retinue (''thiasos''), and sometimes considerably older, in which case he may be referred to as a Papposilenus. The plural ''sileni'' refers to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction. Silenus presides over other Daimon, daemones and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures. Evolution The original Silenus resembled a folkloric man of the forest, with the ears of a horse and sometimes also the tail and legs of a horse. The later sileni were drunken followers of Dionysus, usually bald and fat with thick lips and squat noses, and having the legs of a huma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiasos
In Greek mythology and religion, the ''thiasus'' ( el, θίασος, thíasos), was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "India", which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus' ''Dionysiaca''. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, or lions, or alternatively elephants or centaurs. The ''thiasos'' of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, ''thiasoi'' (plural; el, θίασοι) were religious organizations whose existence was protected by law. Dionysian ''thiasos'' The most significant members of the thiasus were the human female devotees, the maenads, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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