Mikrophonie (Stockhausen)
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Mikrophonie (Stockhausen)
''Mikrophonie'' is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which "normally inaudible vibrations ... are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible". Together with Stockhausen's immediately preceding work ''Mixtur'', for five orchestra groups, four sine-wave generators, four ring modulators, they form a triptych of live-electronic works, where electronic transformations are accomplished during the performance (as opposed to studio-produced electronic music on tape). Similar to a group of three of the composer's works from the previous decade, ''Gruppen'', ''Zeitmaße'', and ''Gesang der Jünglinge'', there is one work each for orchestral, chamber, and vocal forces. Derivation of the term Stockhausen uses the t ...
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Shotgun Microphone
A microphone, colloquially called a mic or mike (), is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers for recording voice, speech recognition, VoIP, and for other purposes such as ultrasonic sensors or knock sensors. Several types of microphone are used today, which employ different methods to convert the air pressure variations of a sound wave to an electrical signal. The most common are the dynamic microphone, which uses a coil of wire suspended in a magnetic field; the condenser microphone, which uses the vibrating diaphragm as a capacitor plate; and the contact microphone, which uses a crystal of piezoelectric material. Microphones typically need ...
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Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to ...
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Johannes Fritsch
Johannes Georg Fritsch (27 July 1941 – 29 April 2010) was a German composer. At the age of seven, Fritsch found a violin in the attic of his uncle's house in Bensheim-Auerbach, Germany, and began lessons with a village music teacher named Knapp. When he was ten, his family moved to Cologne, and he began studying with the principal violist in the Gürzenich Orchestra. He studied music, sociology, and philosophy from 1961 to 1965 at the University and the Staatliche Musikhochschule in Cologne with, amongst others, Bernd Alois Zimmermann and Gottfried Michael Koenig. In the following years he applied himself to the most varied musical activities. Amongst other things he played viola in the Stockhausen-Ensemble from 1964 to 1970, and took part in the German exhibition at Expo '70, the World's Fair in Osaka in 1970. Although he had begun to compose at the age of 17, Fritsch regards as his first real composition the ''Duett für Bratsche'' (Duet for Viola), for viola and tape, wh ...
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Christoph Caskel
Christoph Caskel (born 12 January 1932) is a German percussionist and teacher. Life Born in Greifswald, Caskel began learning percussion at an early age, taking lessons at the age of five with a military musician and as a schoolboy with a percussionist from the Berlin State Opera. He studied percussion formally from 1949 to 1953 with Wenzel Pricha at the Staatliche Hochschule für Musik in Cologne. During these years, he began taking an interest in contemporary music under the influence of another lecturer at the Hochschule, the cellist Maurits Frank. After completing his conservatory training, he studied musicology from 1953 to 1955 at the University of Cologne. By the beginning of the 1960s Caskel had become known internationally as a performer of chamber music and solo works by contemporary composers, taking part in the premieres of important works such as Karlheinz Stockhausen's '' Zyklus '' (1959) and ''Kontakte'' (1960), Helmut Lachenmann’s ''Intérieur'' (1966), and Maur ...
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Aloys And Alfons Kontarsky
Aloys (14 May 1931 – 22 August 2017) and Alfons (9 October 1932 – 5 May 2010) Kontarsky were German duo-pianist brothers who were associated with a number of important world premieres of contemporary works. They had an international reputation for performing modern music for two pianists, although they also performed the standard repertoire and they sometimes played separately. They were occasionally joined by their younger brother Bernhard in performances of pieces for three pianos. After suffering a stroke in 1983, Aloys retired from performing. Biography The Kontarsky brothers were both born in Iserlohn. Aloys received early tuition from Franz Hanemann. He later studied at Cologne and Hamburg with Else Schmitz-Gohr, and with Eduard Erdmann in Hamburg. Their first public concert was in 1949, in which they played Stravinsky's Concerto for Two Pianos. In 1955 they formed their piano duo "Klavierduo Kontarsky" and performed regularly from 1959 until Aloys became paralyzed ...
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Samuel Pisar
Samuel Pisar (March 18, 1929 – July 27, 2015) was a Polish-American lawyer, author, and a Holocaust survivor. Early life Pisar was born in Białystok, Poland, to Jewish parents David and Helaina (née Suchowolska) Pisar. His father established the region's first taxi service. His parents and younger sister Frieda were murdered in the Holocaust. Pisar was sent to Majdanek, Bliżyn, Auschwitz, Sachsenhausen, Oranienburg, Dachau and ultimately to the Engelberg Tunnel near Leonberg. At the end of the war, he escaped during a death march; after making a break into the forest, he found refuge in a US tank. He is the only Holocaust survivor of the 900 children of his Polish school. After the liberation, Pisar spent a year and a half in the American occupation zone of Germany, engaging in black marketeering with fellow survivors. He was rescued by an aunt living in Paris. An uncle sent him to Melbourne, Australia, where he resumed his studies. He attended George Taylor and Staff Sc ...
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WDR Integrationsgipfel 2016 - 1745 - Eröffnung Abendveranstaltung Und Verleihung Bundesverdienstkreuz-5134
WDR may refer to: * Waddell & Reed (stock ticker: WDR), an American asset management and financial planning company * Walt Disney Records, an American record label of the Disney Music Group * WDR neuron, a type of neuron involved in pain signalling * (German: 'West German Broadcasting'), a German public-broadcasting institution * Wet dress rehearsal, system tests of a fully integrated space launch vehicle * Wide dynamic range, a synonym of high dynamic range and HDR * Willo Davis Roberts (1928–2004), American writer * World Development Report The World Development Report (WDR) is an annual report published since 1978 by the International Bank for Reconstruction and Development (IBRD) or World Bank. Each WDR provides in-depth analysis of a specific aspect of economic development. Past ...
, an annual report published since 1978 by the World Bank {{disambiguation ...
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Carré (Stockhausen)
''Carré'' (Square) for four orchestras and four choirs (1959–60) is a composition by the German composer Karlheinz Stockhausen, and is Work Number 10 in the composer's catalog of works. History ''Carré'' was commissioned by the Norddeutscher Rundfunk (NDR) in Hamburg. The essential ideas occurred to Stockhausen in November–December 1958 while on a tour of the United States where, during hours spent each day flying from one location to another, he experienced the slowest temporal rates of change of his life. The work was composed in 1959–60, in collaboration with Stockhausen's assistant Cornelius Cardew, and was premiered on 28 October 1960 in the Festival Hall of the Planten un Blomen Park in Hamburg, as part of the NDR's concert series ', with the NDR Chor und NDR Sinfonieorchester, conducted by Mauricio Kagel (orchestra I), Stockhausen (orchestra II), Andrzej Markowski (orchestra III), and Michael Gielen (orchestra IV). The score is dedicated to the former director of ''D ...
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Helmut Heißenbüttel
Helmut Heißenbüttel (21 June 1921 – 19 September 1996) was a German novelist and poet. Among Heißenbüttel's works are ''Das Textbuch'' (''The Textbook'') and ''Marlowe's Ende'' (''Marlowe's End''). He received the important Georg Büchner Prize in 1969. His other awards include the Bundesverdienstkreuz Erster Klasse (1979) and the Austrian State Prize for European Literature (1990). Heißenbüttel was born in Wilhelmshaven, Germany. During the Second World War World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ..., he was badly wounded at the Eastern Front so that his left arm had to be amputated. He married Ida Warnholtz in 1954 (one son, three daughters). Heißenbüttel died of pneumonia at a hospital in Glückstadt. His dying words were "wie ein Schokoladen-Milchshake nur knac ...
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Fibonacci Series
In mathematics, the Fibonacci numbers, commonly denoted , form a sequence, the Fibonacci sequence, in which each number is the sum of the two preceding ones. The sequence commonly starts from 0 and 1, although some authors start the sequence from 1 and 1 or sometimes (as did Fibonacci) from 1 and 2. Starting from 0 and 1, the first few values in the sequence are: :0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144. The Fibonacci numbers were first described in Indian mathematics, as early as 200 BC in work by Pingala on enumerating possible patterns of Sanskrit poetry formed from syllables of two lengths. They are named after the Italian mathematician Leonardo of Pisa, later known as Fibonacci, who introduced the sequence to Western European mathematics in his 1202 book ''Liber Abaci''. Fibonacci numbers appear unexpectedly often in mathematics, so much so that there is an entire journal dedicated to their study, the ''Fibonacci Quarterly''. Applications of Fibonacci numbers include co ...
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Ring Modulation
In electronics, ring modulation is a signal processing function, an implementation of frequency mixing, in which two signals are combined to yield an output signal. One signal, called the carrier, is typically a sine wave or another simple waveform; the other signal is typically more complicated and is called the input or the modulator signal. A ring modulator is an electronic device for ring modulation. A ring modulator may be used in music synthesizers and as an effects unit. The name derives from the fact that the analog circuit of diodes originally used to implement this technique takes the shape of a ring: a diode ring. The circuit is similar to a bridge rectifier, except that instead of the diodes facing left or right, they face clockwise or counterclockwise. Ring modulation is quite similar to amplitude modulation, with the difference that in the latter the modulator is shifted to be positive before being multiplied with the carrier, while in the former the unshifted ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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