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Mikaël
''Michael'' (also known as ''Mikaël'', ''Chained: The Story of the Third Sex'', and ''Heart's Desire'') is a 1924 German silent drama film directed by Carl Theodor Dreyer, director of other notable silents such as ''The Passion of Joan of Arc'' (1928), ''Master of the House'' (1925), and ''Leaves from Satan's Book'' (1921). The film stars Walter Slezak as the titular Michael, the young assistant and model to the artist Claude Zoret (Benjamin Christensen). Along with ''Different From the Others'' (1919) and ''Sex in Chains'' (1928), ''Michael'' is widely considered a landmark in gay silent cinema. The film is based on Herman Bang's 1902 novel ''Mikaël''. It is the second screen adaptation of the book, the first being '' The Wings'', made eight years prior by director Mauritz Stiller. ''Michael'', however, follows Bang's storyline much more closely than the earlier film version did. Plot A famous painter named Claude Zoret falls in love with one of his models, Michael, and for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wings (film)
''The Wings'' ( sv, Vingarne) is a 1916 Swedish silent film directed by Mauritz Stiller, starring Nils Asther, Egil Eide, Lars Hanson, Lili Bech, and Julius Hälsig, and was based on Herman Bang's 1902 novel '' Mikaël'', which was the same source Carl Theodor Dreyer used for his 1924 film ''Michael''. Besides being an early gay-themed film, it is also notable for its innovative use of a framing story and telling the plot primarily through the use of flashbacks. Plot The story is that of a conniving countess (played by Lili Bech) coming between a gay sculptor, Claude Zoret (Egil Eide), and his bisexual model and lover, Mikaël (Lars Hanson), ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. Preservation status The film is largely lost Lost may refer to getting lost, or to: Geography *Lost, Aberdeenshire, a hamlet in Scotland * Lake Okeechobee Scenic Trail, or LOST, a hiking and cycling trail in Florida, US H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Theodor Dreyer
Carl Theodor Dreyer (; 3 February 1889 – 20 March 1968), commonly known as Carl Th. Dreyer, was a Danish film director and screenwriter. Widely considered one of the greatest filmmakers of all time, his movies are noted for their emotional austerity and slow, stately pacing, frequent themes of social intolerance, the inseparability of fate and death, and the power of evil in earthly life. His 1928 movie ''The Passion of Joan of Arc'' is considered to be one of the greatest movies of all time, renowned for its cinematography and use of close-ups. It frequently appears on Sight & Sound's lists of the greatest films ever made, and in 2012's poll it was voted the 9th-best film ever made by film critics and 37th by film directors. His other well-known films include ''Michael'' (1924), ''Vampyr'' (1932), ''Day of Wrath'' (1943), ''Ordet'' (''The Word'') (1955), and '' Gertrud'' (1964). Life Dreyer was born illegitimate in Copenhagen, Denmark. His birth mother was an unmarried Sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Bang
Herman Joachim Bang (20 April 1857 – 29 January 1912) was a Danish journalist and author, one of the men of the Modern Breakthrough. Biography Bang was born in Asserballe, on the small Danish island of Als, the son of a South Jutlandic vicar (a relative of N. F. S. Grundtvig). His family history was marked by insanity and disease. When he was twenty he published two volumes of critical essays on the realistic movement. In 1880 he published his novel ''Haabløse Slægter'' (''Families Without Hope''), which aroused immediate attention. The main character was a young man who had a relationship with an older woman. The book was considered obscene at the time and was banned. After some time spent in travel and a successful lecture tour of Norway and Sweden, he settled in Copenhagen and produced a series of novels and collections of short stories which placed him in the front rank of Scandinavian novelists. Among his more famous stories are "Fædra" (1883) and "Tine" ("Tina", 188 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nora Gregor
Nora Gregor (3 February 1901 – 20 January 1949) was an Austrian stage and film actress. Biography She was born Eleonora Hermina Gregor in Görz, a town which then belonged to Austria-Hungary, but is now part of Italy, to Austrian-Jewish parents. Her first husband was Mitja Nikisch, a pianist and son of celebrated orchestral conductor Arthur Nikisch. They divorced circa 1934. In the mid-1930s, Gregor became the mistress of the married vice chancellor of Austria, the Austro-fascist, nationalist politician Prince Ernst Ruediger von Starhemberg, with whom she had a son, Heinrich (1934–1997). On 2 December 1937, five days after the prince's marriage to his first wife (the former Countess Marie-Elisabeth von Salm-Reifferscheidt-Raitz) was annulled, he and Gregor wed in Vienna. In 1938, the Starhembergs emigrated to France through Switzerland, and her husband joined the Free French forces; cut off from their money and 80 family estates, they were supported for a period by Starh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blackguard
''The Blackguard'' (german: Die Prinzessin und der Geiger) (1925) is a British-German drama film directed by Graham Cutts and starring Jane Novak, Walter Rilla, and Frank Stanmore. Plot Against the backdrop of the Russian Revolution, a violinist (Rilla) saves a princess (Novak) from execution. Cast Production The film was a co-production between Gainsborough Studios and UFA initiating a decade-long series of co-productions which ended with the rise of the Nazi Party in the 1930s. The film was based on the 1923 novel ''The Blackguard'' by Raymond Paton, and shot at Studio Babelsberg, in Potsdam near Berlin, the first time a Gainsborough film was shot abroad. The film was one of a number of films made in this genre during the 1920s, the most successful of which was the American film ''The Student Prince in Old Heidelberg'' (1927).Cook p. 36 While working on the film, Alfred Hitchcock was able to study several films being made nearby, including '' The Last Laugh'' (1924) by F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology '' Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith in Hove, who used medium close-ups in films as early as 1898 and by 1900 was incorporating extreme close-ups in films such as ''As Seen Through a Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auteur Theory
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film ''The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, howeve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mordaunt Hall
Mordaunt Hall (1 November 1878 – 2 July 1973) was the first regularly assigned motion picture critic for ''The New York Times'', working from October 1924 to September 1934.Mordaunt Hall, Wrote of Screen , ''New York Times'', July 4, 1973, p. 18. His writing style was described in his ''Times'' obituary as "chatty, irreverent, and not particularly analytical. €¦The interest of other critics in analyzing cinematographic techniques was not for him." Biography Born Frederick William Mordaunt Hall in[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grete Mosheim
Margarete Emma Dorothea "Grete" Mosheim (8 January 1905 – 29 December 1986) was a German film, theatre, and television actress. Early life Mosheim was born in Berlin, Germany on 8 January 1905, the daughter of a Jewish man, Markus Mosheim (1868–1956) and his non-Jewish wife, Clara Mosheim née Hilger (1875–1970). Her sister was actress Lore Mosheim, who appeared in at least nine movies. Theatre Mosheim started her acting career at the age of 17 and was a member of Deutsches Theater, Berlin from 1922 to 1931. She began studying at Max Reinhardt's School of Drama under Berthold Held in early 1922, alongside Marlene Dietrich. Mosheim became established under Max Reinhardt, and in 1925 he gave her the chance to substitute in the play ''Der sprechende Affe'' by René Fauchois when the female lead became ill. Mosheim learned the difficult role from Albert Bassermann in just 24 hours and became a superstar almost overnight. Until 1933, when she went to London to escape Adol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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