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Mikal Cronin (album)
''Mikal Cronin'' is the first solo album from Moonhearts bassist Mikal Cronin. He had previously released the 2009 album ''Reverse Shark Attack'' in conjunction with Ty Segall. ''Uncut'' placed it at number 45 on its list of the "Top 50 Albums of 2011".Uncut's Top 50 Albums Of 2011 Stereogum
''Stereogum'' is a daily Internet publication that focuses on music news, reviews, interviews, and commentary. The site was created in January 2002 by Scott Lapatine.
''Stereogum'' was one of the first MP3 blogs and has received several award ... . 29 November 2011. Retrieved 15 December 2011.
Track listing # "Is It Alright" – 3 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikal Cronin
Michael "Mikal" Patrick Cronin (born 1985) is an American musician and songwriter. He has released four solo albums and several singles. Cronin was a member of the bands Okie Dokie, Epsilons, Party Fowl and Moonhearts, and is a regular and longtime member of Ty Segall's live band, contributing bass guitar, backing vocals and saxophone; he has also released an album and a single in collaboration with Segall. Cronin earned his Bachelor of Fine Arts in music from California Institute of the Arts. Discography As a solo artist Studio albums *''Mikal Cronin'' – CD/LP (2011; Trouble in Mind) *'' MCII'' – CD/LP (2013; Merge Records) *''MCIII'' – CD/LP (2015; Merge Records) *''Seeker'' – CD/LP (2019; Merge Records) Singles/EPs *''Gone'' – 7" (2010; Goodbye Boozy Records) *''Tide'' – 7" (2011; Goner Records) *''Violitionist Acoustic Sessions'' 7" (2012: Turntable Kitchen) Collaborations With Ty Segall *''Pop Song'' – 7" (2009; Goodbye Boozy Records) *''Reverse Shark Attac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Pop
Noise pop is a subgenre of alternative and indie rock that developed in the mid-1980s in the United Kingdom and United States. It is defined by its mixture of dissonant noise or feedback with the songcraft more often found in pop music. Shoegazing, another noise-based genre that developed in the 1980s, drew from noise pop. History and characteristics Noise pop has been described by AllMusic as "the halfway point between bubblegum music, bubblegum and the avant-garde"; the combination of conventional pop music, pop songwriting with experimental music, experimental sounds of white noise, distortion (music), distorted guitars and drone (music), drones. Accordingly, the style "often has a hazy, narcotic feel, as melodies drift through the swirling guitar textures. But it can also be bright and lively, or angular and challenging." AllMusic cites the Velvet Underground as the earliest roots of the genre, with their experiments with feedback and distortion on their early albums. Ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo-fi Music
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MCII (album)
''MCII'' is the second studio album by rock musician Mikal Cronin. It was released on May 7, 2013 by Merge Records. Critical reception ''MCII'' has received acclaim from music critics. At Metacritic, which assigns a "weighted average" score out of 100 to ratings reviews from selected mainstream critics, the album has a score of 84, based on 24 reviews. In addition, AnyDecentMusic? has a rating of 8.1 out of 10 from selected mainstream critics, and that is based upon 22 reviews. At ''Spin'', David Bevan noted that Cronin "delivers a performance that's both deeply confident and convincingly vulnerable". Michael Roffman at ''Consequence of Sound'' told that in a year with excellent releases that this one "has the punch and wit to stick around with the best" because it is "a blast." At ''Uncut'', Peter Watts found that the release "hits you with the immediacy of a record that you're listening to for the first time but feel like you've already heard a thousand times and yet still aren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ty Segall
Ty (stylized as ty) is an American multinational corporation headquartered in Oak Brook, Illinois, a suburb of Chicago. It was founded by Ty Warner in 1986. It designs, develops and sells products, most notably Beanie Babies, exclusively to specialty markets worldwide. Internet First business-to-consumer Website Ty was the first business to produce a direct-to-consumer website designed to engage their market. This is a major contributing factor to the early and rapidly growing popularity of Beanie Babies. By the time the first iteration of the Ty Web site was published in late 1995, only 14% of Americans were using the Internet. In tandem with the launch of the Ty Website, all Beanie Baby hangtags had the Ty Website URL and a call to action printed underneath the poems and birthdays that commanded audiences to visit the company Web site with text that read: ''Visit our web page!!!'' As a result, consumers were visiting the Ty Web site by the thousands to gain information about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereogum
''Stereogum'' is a daily Internet publication that focuses on music news, reviews, interviews, and commentary. The site was created in January 2002 by Scott Lapatine. ''Stereogum'' was one of the first MP3 blogs and has received several awards and citations, including the PLUG Award for Music Blog of the Year, ''Blender''s Powergeek 25, and ''Entertainment Weekly''s Best Music Websites. The site was named an Official Honoree of the Webby Awards in the music category and won the OMMA Award for Web Site Excellence in the Entertainment/Music category. In 2011, ''Stereogum'' won ''The Village Voice''s Music Blog of the Year. History The site was named after a lyric from the song "Radio #1" by the French electronic duo Air. In late 2006, ''Stereogum'' received an influx of capital through Bob Pittman's private investment entity The Pilot Group. In November 2007, it was purchased by SpinMedia (formerly known as Buzz Media). April 2008 saw the launch of '' Videogum'', a sister si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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