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Miharu-goma
(alt. Miharu-goma) are angular, brightly coloured, wooden toy horses produced as folk art in Miharu, Fukushima, Japan. Overview Such toys have their origins in a legend concerning Sakanoue no Tamuramaro. According to the legend, he either received aid from a magical wooden horse or was able to win a battle due to the timely appearance of a herd of wild horses. Due to the original toys being carved from offcuts of Buddhist images, ''Miharu-koma'' have always had superstitions attached to them. Although commonly made of painted wood, they are sometimes constructed from straw or even paper. They are said to be able to carry messages to the gods A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater ... on behalf of petitioners. ''Miharu-koma'' have existed in Japan for around 1500 years. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miharu, Fukushima
is a Towns of Japan, town located in Fukushima Prefecture, Japan. , the town had an estimated population of 17,471 in 6348 households, and a population density of 240 persons per km2. The total area of the town was . Geography Miharu is located in Tamura District, Fukushima, Tamura District in north-central Fukushima prefecture. The town is located in an hilly region of the Abukuma Mountains, with peaks of 300–500 meters. *Lakes: Miharu Dam Neighboring municipalities * Fukushima Prefecture ** Kōriyama, Fukushima, Kōriyama **Tamura, Fukushima, Tamura ** Nihonmatsu, Fukushima, Nihonmatsu ** Motomiya, Fukushima, Motomiya Demographics Per Japanese census data, the population of Miharu has declined modestly from 1960 levels. Climate Miharu has a Humid subtropical climate, humid continental climate (Köppen ''Cfa'') characterized by mild summers and cold winters with heavy snowfall. The average annual temperature in Miharu is 11.3 °C. The average annual rainfall is 1282& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with naive art, 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." For a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakanoue No Tamuramaro
was a court noble, general and ''shōgun'' of the early Heian period of Japan. He served as Dainagon, Minister of War and ''Ukon'e no Taisho'' (Major Captain of the Right Division of Inner Palace Guards). He held the ''kabane'' of Ōsukune and the court rank of Junior Second Rank and was awarded the Order of Second Class. He was the son of Sakanoue no Karitamaro. Military career Serving Emperor Kanmu, Tamuramaro was appointed ''shōgun'' and given the task of conquering the Emishi (蝦夷征伐 ''Emishi Seibatsu''), a people native to the north of Honshū, which he subjugated. Recent evidence suggests that a migration of Emishi from northern Honshū to Hokkaidō took place sometime between the seventh and eighth centuries, perhaps as a direct result of this policy that pre-dated Tamuramaro's appointment. However, many Emishi remained in the Tōhoku region as subjects of the expanding Japanese Empire and later established independent Fushu domains. After Emperor Kanmu's deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and inhabit a complementary existence that mirrors our own: . To be in harmony with the awe-inspiring aspects of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture In Fukushima Prefecture
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Folk Art
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Dolls
are one of the traditional Japanese crafts. There are various types of traditional dolls, some representing children and babies, some the imperial court, warriors and heroes, fairy-tale characters, gods and (rarely) demons, and also people of the daily life of Japanese cities. Many have a long tradition and are still made today for household shrines, formal gift-giving, or for festival celebrations such as , the doll festival, or , Children's Day. Some are manufactured as a local craft, to be purchased by pilgrims as a souvenir of a temple visit or some other trip. History There may be a continuity in the making of the , humanoid figures, by the ancient Jōmon culture in Japan (8000–200 BC), which were associated with fertility or shamanistic rites, at a time when dolls were thought to have souls. Dolls also have continuity from the funerary figures of the subsequent Kofun culture (around 300–600 AD). Expert Alan Pate notes that temple records refer to the making of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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