Migrant (album)
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Migrant (album)
''Migrant'' is the fifth studio album by The Dear Hunter. It was released on April 2, 2013 via Equal Vision Records and Cave & Canary Goods. The album was produced by Mike Watts and Casey Crescenzo, and mixed by Mike Watts Mike Watts is an American audio engineer, mixer, and record producer, who has worked with a variety of artists including The Dillinger Escape Plan, Glassjaw, As Cities Burn, Hopesfall, As Tall As Lions, The Dear Hunter, and Gates. Watts ha .... It is the band's first non-concept album. Track listing References External links The Dear Hunter Official Website 2013 albums The Dear Hunter albums Equal Vision Records albums {{2010s-indie-rock-album-stub ...
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The Dear Hunter
The Dear Hunter is an American progressive rock band originating in Providence, Rhode Island. It began as a side project of Casey Crescenzo when he was a member of the Receiving End of Sirens, before becoming his main band in 2006. The band's sound features a wide variety of instruments and styles. Most of the band's albums, starting with their 2006 debut album '' Act I: The Lake South, the River North'', are concept albums and a part of a common storyline, planned to conclude with a sixth installment. The most recent addition is 2016's '' Act V: Hymns with the Devil in Confessional''. Additionally, they have released albums unrelated to the Acts; ''The Color Spectrum'' in 2011, '' Migrant'' in 2013, the EP ''All Is as All Should Be'' in 2017, and the most recent release being the album ''Antimai'' in 2022. History Origins The band began as a side project of Casey Crescenzo when he was a full-time member of the Receiving End of Sirens. The Dear Hunter was originally intended ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Equal Vision Records
Equal Vision Records is an independent record label based in Albany, New York. It was founded in the early 1990s by Ray Cappo, singer for the punk bands Youth of Today, Shelter, and Better Than a Thousand. The label originally existed solely to distribute Shelter and other Krishna releases. In 1992, label manager Steve Reddy bought Equal Vision from Cappo. The focus was expanded and a wider variety of bands were brought on board. According to ''Punk News'', the mid-to-late '90s saw a redoubling of the Equal Vision's hardcore efforts with such signings as One King Down and Ten Yard Fight. By the end of the '90s Equal Vision Records (EVR) had a stable of hardcore and punk bands, having added Bane, Trial, Converge and Saves the Day to its roster in the latter part of the decade. Sublabels and distribution In July 2009 EVR created a sub-label named Mantralogy. This sub-label will feature bands that "deliver edgy, Krishna-conscious music." In 2012 EVR artist Max Bemis (of ''Say Anyt ...
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Casey Crescenzo
Casey Crescenzo (born December 19, 1983) is a singer, songwriter, and multi-instrumentalist most notable for being the singer for the bands The Dear Hunter and The Receiving End of Sirens. He is also a producer who has worked with many other bands. Career The Receiving End of Sirens (2004–2006) Crescenzo's start as a musician began in high school with a band called Anomaly, then a band named Dillusion. He eventually moved into in the Boston music scene when a musical act, the notably established The Receiving End of Sirens approached him, offering him the opportunity to perform along with them in light of a recent falling out with former vocalist Ben Potrykus. After hearing Crescenzo's vocal work they offered to sign him on to the band permanently, which he accepted. The band then went to work on their self-titled E.P. and found that not only could Crescenzo sing, he could also write in a very romantic/poetic format, which gave Casey the reins to some of the writing for the f ...
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Mike Watts
Mike Watts is an American audio engineer, mixer, and record producer, who has worked with a variety of artists including The Dillinger Escape Plan, Glassjaw, As Cities Burn, Hopesfall, As Tall As Lions, The Dear Hunter, and Gates. Watts has owned and operates VuDu Studios in Long Island, New York New York most commonly refers to: * New York City, the most populous city in the United States, located in the state of New York * New York (state), a state in the northeastern United States New York may also refer to: Film and television * '' .... for past 23 years. He graduated from the Aaron Copeland School of Music, majoring in percussion and music business. Watts opened VuDu Studios in 1997 which started as a small one room facility. As his success continued, VuDu moved into a 9,000 square foot multi-room recording compound in Port Jefferson, NY. Production Credits References External links Official websiteVuDu Studios website {{DEFAULTSORT:Watts, Mike Year of birth mis ...
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The Color Spectrum
''The Color Spectrum'' is the name of both the fourth studio album by American progressive rock band The Dear Hunter, and a series of nine EPs by the band of which each reflects an individual color of the visible color spectrum (namely Black, Red, Orange, Yellow, Green, Blue, Indigo, Violet, White). This project was envisioned by frontman Casey Crescenzo as a way to interpret the colors of the spectrum via music. It is their first album that is not part of a common storyline with the rest of their work. ''The Color Spectrum'' was released on June 14, 2011, in two different versions: the "standard" edition, featuring selected songs from the project, and the "Complete Collection" edition, featuring all nine EPs. Background and recording Brendan Brown (formerly in The Receiving End of Sirens with Casey) played bass guitar on the Orange EP. Jessy Ribordy ( Falling Up) played mandolin on the Green EP. Naive Thieves helped with songs on the Yellow and Blue EPs. Andy Hull (Mancheste ...
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Rebirth In Reprise
Rebirth may refer to: Arts, entertainment, and media Film * ''Rebirth'' (2011 film), a 2011 Japanese drama film * ''Rebirth'' (2016 film), a 2016 American thriller film * ''Rebirth'', a documentary film produced by Project Rebirth * ''The Rebirth'' (film), a 2007 Japanese film directed by Masahiro Kobayashi * '' Mortal Kombat: Rebirth'', a 2010 short film Music Bands and groups * Rebirth Brass Band, a New Orleans brass band * The Rebirth (band), a Los Angeles soul band * Rebirth, a record label which The March Violets have recorded under Albums and EPs * ''Rebirth'' (Aka Moon album), 1994 * ''Rebirth'' (Angra album), 2001 * ''Rebirth'' (Billy Childs album), 2017 * ''Rebirth'' (Gackt album), 2001 * ''Rebirth'' (Jennifer Lopez album), 2005 * ''Rebirth'' (Jimmy Cliff album), 2012 * ''Rebirth'' (Keith Sweat album), 2002 * ''Rebirth'' (Lil Wayne album), 2010 * ''Rebirth'' (Masami Okui album), 2004 * ''Rebirth'' (Pain album), 1999 * ''ReBirth'' (album), a 2020 album by ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Consequence Of Sound
''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York-based online magazine featuring news, editorials, and reviews of music, movies, and television. In addition, the website also features the Festival Outlook micro-site, which serves as an online database for music festival news and rumors. In 2018, Consequence of Sound launched Consequence Podcast Network. The website took its original name from the Regina Spektor song " Consequence of Sounds". History ''Consequence of Sound'' was founded in September 2007 by Alex Young, then a student at Fordham University in The Bronx, New York. In January 2008, Michael Roffman became Editor-in-Chief. In October 2014, ''Consequence of Sound'' began covering film and became a part of the Chicago Film Critics Association. In 2016, ''Consequence of Sound'' was reorganized under the umbrella of Consequence Media, a digital media, advertising, and marketing firm. In 2018, ''Consequence of Sound'' launched the ...
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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