Mighty Love
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Mighty Love
''Mighty Love'' is the fourth studio album recorded by American R&B group The Spinners, released in March 1974 on the Atlantic label. It was the Spinners' second album for Atlantic and, like their breakthrough Atlantic debut '' Spinners'', was produced by Thom Bell at Sigma Sound Studios in Philadelphia. History The album topped the R&B albums chart, their second consecutive overall to do so. It also reached number 16 on the ''Billboard'' 200. The single edit of the title track became the group's fourth R&B chart-topper, while " I'm Coming Home" peaked at number 3—both singles also reached the top 20 on the ''Billboard'' Hot 100, as did an edited version of the seven-minute slow jam "Love Don't Love Nobody", which has become a quiet storm radio classic. Track listing Personnel * Billy Henderson, Bobby Smith, Philippé Wynne, Henry Fambrough, Pervis Jackson – vocals * Linda Creed, Barbara Ingram, Carla Benson, Evette Benton – backing vocals *MFSB M ...
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The Spinners (American R&B Group)
The Spinners are an American rhythm and blues vocal group that formed in Ferndale, Michigan, United States, in 1954. They enjoyed a string of hit singles and albums during the 1960s and 1970s, particularly with producer Thom Bell. The group continues to tour, with Henry Fambrough as the only original member. The group is also listed as the Detroit Spinners and the Motown Spinners, due to their 1960s recordings with the Motown label. These other names were used in the UK to avoid confusion with a British folk group also called The Spinners. On June 30, 1976, they received a star on the Hollywood Walk of Fame. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. History In 1954, Billy Henderson, Henry Fambrough, Pervis Jackson, C. P. Spencer, and James Edwards formed The Domingoes in Ferndale, Michigan, a northern suburb of Detroit. The friends resided in Detroit's Herman Gardens public housing project and came together to make music. James Edwards ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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MFSB
MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up Harold Melvin & the Blue Notes, The O'Jays, The Stylistics, the Spinners, Wilson Pickett, and Billy Paul. In 1972, MFSB began recording as a named act for the Philadelphia International label. "TSOP (The Sound of Philadelphia)", also known as the ''Soul Train'' theme, was their second and most successful single. Released in March 1974, it peaked at number one on the US ''Billboard'' pop and R&B charts. "TSOP" was influential in establishing the disco sound. The track sold over one million copies, and was awarded a gold disc by the RIAA in April 1974. Overview MFSB formed in 1971 and disbanded in 1985, three years after Teddy Pendergrass's car accident, which left him paralyzed. Assembled by record producers Kenneth Ga ...
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Barbara Ingram
Barbara Jane Ingram (February 9, 1947 – October 20, 1994) was an American R&B singer and songwriter who was active throughout the early 1970s until the mid-late 1980s, enjoying modest success as a backup singer for almost two decades. Career In 1972, Ingram formed a vocal trio with her cousin Carla Benson and Benson's close friend, Evette Benton, alternating with group names such as: "The Sweethearts of Sigma", "The Philadelphia Angels", "The Sweeties" and "The Sweethearts". The trio can be heard on many Contemporary R&B/Disco albums recorded in Philadelphia. In 1971, she sang background vocals, alongside songwriter Linda Creed, on The Stylistics eponymous album, reappearing on their 1973 successor album, '' Rockin' Roll Baby''. In 1973 and 1974, Ingram appeared on Hawaiian based soul singer Dick Jensen’s eponymous debut album, followed by R&B/Soul band Ecstasy, Passion & Pain's eponymous debut album. Through the decade of the 1970s, Ingram, Benson and Benton comp ...
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Pervis Jackson
Pervis Jackson (May 17, 1938 – August 18, 2008) was an American R&B singer, noted as the bass singer for The Spinners, and was one of the group's original members as well as their spokesman. His deep timbered voice and calm swagger garnered him a reputation around town and the industry. Jackson was born in New Orleans, Louisiana, but moved with his family at a very young age to the city of Detroit. Jackson was perhaps best known for his line of "12:45" from the group's Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ... charting Top 10 hit " Games People Play", released in 1975. Jackson was still a part of The Spinners up to his death from brain and liver cancer at the age of 70, in Detroit, Michigan, on August 18, 2008. References External linksThe Spinners offic ...
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Henry Fambrough
Henry Lee Fambrough (born May 10, 1938) is an original vocalist and current member of the R&B quintet The Spinners (aka The Detroit Spinners and also The Motown Spinners). He is the last surviving original member of the Spinners. The group formed in 1954 as the Domingoes before changing their name to the Spinners. Fambrough was drafted into the army in 1961, and on his return two years later, the Spinners signed up under Motown Records. They didn't have any big hits for the next six years, and Fambrough ended up working as a chauffeur for the label boss’ mother. During the group's heyday from the early to mid-1970s, Henry served as one of the group's three lead singers (along with Philippé Wynne and Bobby Smith) and his rich baritone provided lead vocals for the Spinners classic "I Don't Want To Lose You," as well as co-lead vocals with Wynne on "Living A Little, Laughing A Little". On the group's classic single "Ghetto Child," he shared leads with Wynne and Smith. He ...
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Philippé Wynne
Philippé Wynne (''aka'' Philippe Escalante Wynn; ''né'' Walker; April 3, 1941 – July 14, 1984) was an American singer, best known for his role as a lead vocalist of The Spinners (a role he shared with fellow group members Bobby Smith and Henry Fambrough). Wynne scored notable hits such as "How Could I Let You Get Away", "The Rubberband Man", and " One of a Kind (Love Affair)". After leaving The Spinners, Wynne never regained the same success, although he was featured in hits by other artists such as " (Not Just) Knee Deep" by Funkadelic. Wynne died of a heart attack while performing at a nightclub. Life and career Born in Cincinnati, Ohio, and raised in the New Orphanage Asylum for Colored Children in Cincinnati, Ohio, Wynne went to Detroit in the early 1960s and began his musical career with his brother Michael Walker as a gospel singer. He soon switched to R&B and attained some measure of success, singing with Bootsy Collins's Pacemakers in 1968 and with James Brown's J. ...
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Bobby Smith (rhythm And Blues Singer)
Robert Steel Smith (April 10, 1936 – March 16, 2013), professionally known as Bobby Smith, also spelled Bobbie, was an American R&B singer notable as the principal lead singer of the classic Motown/Philly group, The Spinners (also known as the Detroit Spinners or the Motown Spinners), throughout its history. The group was formed circa 1954 at Ferndale High School in Ferndale, Michigan, just north of the Detroit border. The group had their first record deal when they signed with Tri-Phi Records in early 1961. Smith had been the group's lead singer since its inception, having sung lead vocals on The Spinners first hit record in 1961, "That's What Girls Are Made For" (which has been inaccurately credited to the group's mentor and former Moonglows lead singer, the late Harvey Fuqua). Smith also sang lead on most of their Motown material during the 1960s, such as the charting singles like " Truly Yours" (1966) and " I'll Always Love You" (1965); almost all of the group's ...
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Billy Henderson (American Singer)
William Henderson (August 9, 1939 – February 2, 2007) was an American singer, best known for being an original member and founder of The Spinners, a soul vocal group. Biography William Henderson was born on August 9, 1939, in Indianapolis, and grew up in Royal Oak Charter Township, Michigan. He and four friends at Ferndale High School in 1954 formed a group originally called The Domingos and later renamed The Spinners."Billy Henderson"
'''', February 7, 2007.
They had several hits, especially in the 1970s, including " I'll Be ...
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Linda Creed
Linda Diane Creed (December 6, 1948 – April 10, 1986), also known by her married name Linda Epstein, was an American songwriter and lyricist who teamed up with Thom Bell to produce some of the most successful Philadelphia soul groups of the 1970s. Career Born in the Mount Airy section of Philadelphia in December 1948, Creed was active in music at Germantown High School. After graduation, Creed decided against college and devoted her energies to writing and producing music. Her career was launched in 1970 when singer Dusty Springfield recorded her song "Free Girl". That same year, Creed teamed with Bell, a staff writer, producer, and arranger at Kenny Gamble and Leon Huff's record label Philadelphia International Records. Their first songwriting collaboration, "Stop, Look, Listen (To Your Heart)", became a Top 40 pop hit for the Stylistics, beginning an extended collaboration that also yielded the group's most successful recordings, including "You Are Everything", "Betcha by ...
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Quiet Storm
Quiet storm is a radio format and genre of R&B, performed in a smooth, romantic, jazz-influenced style. It was named after the title song on Smokey Robinson's 1975 album ''A Quiet Storm''. The radio format was pioneered in 1976 by Melvin Lindsey, while he was an intern at the Washington, D.C. radio station WHUR-FM. It eventually became regarded as an identifiable subgenre of R&B. Quiet storm was marketed to upscale mature African-American audiences during the 1980s, while falling out of favor with young listeners in the age of hip hop. History Origins Melvin Lindsey, a student at Howard University, with his classmate Jack Shuler, began as disc jockeys for WHUR in June 1976, performing as stand-ins for an absentee employee. Lindsey's on-air voice was silky smooth, and the music selections were initially old, slow romantic songs from black artists of the 1950s, 1960s, and 1970s, a form of easy listening which Lindsey called "beautiful black music" for African Americans. The ...
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