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Midnight Songs Poetry
Midnight Songs poetry (), also Tzu-yeh Songs, refers both to a genre of poetry as well as to specifically collected poems under the same name, during the fourth century CE. This is of major significance within the Classical Chinese poetry tradition, finding such practitioners of the genre as Li Bai (also known as Li Bo or Li Po); as well as importantly influencing world poetry through translations, such as by David Hinton. The Midnight Songs have been much used as inspiration for later poetry. Poet(s) Although, traditionally the original set of poems was considered to be composed by an eponymously named woman ("Lady Midnight") living during the Jin Dynasty, in modern Jiangnan, it is more likely that the Midnight Songs are actually a collection of poems by various poets, and/or from the folk tradition. Poems The poems are arranged into four sections for the four seasons: spring, summer, winter, and autumn. Thematically, they thus represent four views of the seasons. According to o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Hinton
David Hinton is an American poet, and translator who specializes in Chinese literature and poetry. Life He studied Chinese at Cornell University, and in Taiwan. He lives in East Calais, Vermont. Awards * 1997 Academy of American Poets Harold Morton Landon Translation Award * fellowship from the Witter Bynner Foundation * fellowship from the Ingram Merrill Foundation * fellowship National Endowment for the Arts * fellowship National Endowment for the Humanities. * 2003 Guggenheim Fellowship * 2007 PEN Award for Poetry in Translation The PEN Award for Poetry in Translation is given by PEN America (formerly PEN American Center) to honor a poetry translation published in the preceding year. The award should not be confused with the PEN Translation Prize. The award is one of many ... * 2014 American Academy of Arts and Letters, Thorton Wilder Award for Translation Works Translations * * * * * * * * * * * * * Forms of Distance by Bei Dao (1994) * * * * * Author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jin Dynasty (265–420)
Jin is a toneless pinyin romanization of various Chinese names and words. These have also been romanized as Kin and Chin (Wade–Giles). "Jin" also occurs in Japanese and Korean. It may refer to: States Jìn 晉 * Jin (Chinese state) (晉國), major state of the Zhou dynasty, existing from the 11th century BC to 376 BC * Jin dynasty (266–420) (晉朝), also known as Liang Jin and Sima Jin * Jin (Later Tang precursor) (晉國; 907–923), Five Dynasties and Ten Kingdoms period * Later Jin (Five Dynasties) (後晉; 936–947), Five Dynasties and Ten Kingdoms period Jīn 金 * Jin dynasty (1115–1234) (金朝), also known as the Jurchen Jin * Later Jin (1616–1636) (後金; 1616–1636), precursor of the Qing dynasty Others * Jin (Korean state) (辰國), precursor of the Jinhan Confederation * Balhae (698–713), originally known as Jin (震) Places * Jin Prefecture (Shanxi) (晉州), a former Chinese prefecture centered on present-day Linfen, Shanxi * Jin Prefecture (Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiangnan
Jiangnan or Jiang Nan (; formerly romanized Kiang-nan, literally "South of the River" meaning "South of the Yangtze") is a geographic area in China referring to lands immediately to the south of the lower reaches of the Yangtze River, including the southern part of its delta. The region encompasses the city of Shanghai, the southern part of Jiangsu Province, the southeastern part of Anhui Province, the northern part of Jiangxi Province and the northern part of Zhejiang Province. The most important cities in the area include Anqing, Changzhou, Hangzhou, Nanjing, Ningbo, Shaoxing, Suzhou, Wuxi, Wenzhou, and Zhenjiang. Jiangnan has long been regarded as one of the most prosperous regions in China due to its wealth in trade and very high human development. Most people of the region speak Wu Chinese dialects as their native languages. Etymology The word Jiangnan is based on the Chinese name for the Yangtze, ''Cháng Jiāng'', and ''nán'' meaning "south." In the 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuefu
''Yuefu'' are Chinese poems composed in a folk song style. The term originally literally meant "Music Bureau", a reference to the imperial Chinese governmental organization(s) originally charged with collecting or writing the lyrics, later the term ''yuefu'' was applied to later literary imitations or adaptations of the Music Bureau's poems. The use of ''fu'' in ''yuefu'' is different from the other Chinese term ''fu'' that refers to a type of poetry or literature: although homonyms in English, the other '' fu'' () is a rhapsodic poetry/prose form of literature. The term ''yuefu'' covers original folk songs, court imitations and versions by known poets (such as those of Li Bai). As opposed to what appears to be more of an authentic anonymous folk verse which was collected by the Music Bureau, verse written deliberately in this style, often by known authors, is often referred to as "literary ''yuefu''". The lines of the ''yuefu'' can be of uneven length, reflecting its origins as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrains
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplets
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Dynasties Poetry
Six Dynasties poetry refers to those types or styles of poetry particularly associated with the Six Dynasties era of China (220 CE – 589 CE). This poetry reflects one of the poetry world's more important flowerings, as well as being a unique period in Classical Chinese poetry, which, over this time period, developed a poetry with special emphasis on romantic love, gender roles, and human relationships. The Six Dynasties era is sometimes known as the "Age of Fragmentation", because China as a whole through this period lacked unification as a state, at least for any extended period of time; and, instead, many states rose and fell, often overlapping in existence with other states. Which of the various states and dynasties constituted the "6" dynasties of the Six Dynasties period varies somewhat according to which of the traditional selection criteria are chosen. The Six Dynasties era covers several somewhat overlapping main periods including all of the following: the Three K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Genres
Classical Chinese poetry genres are those genres which typify the traditional Chinese poems written in Classical Chinese. Some of these genres are attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE, in what is now China, but at that time was composed of various independent states. The term "genres" refers to various aspects, such as to topic, theme, and subject matter, what similes or metaphors were considered appropriate or how they would be interpreted, and other considerations such as vocabulary and style. These genres were generally, but not always independent of the Classical Chinese poetry forms. Many or most of these forms and genres were developed by the Tang Dynasty, and the use and development of Classical Chinese poetry genres actively continued up until the May Fourth Movement, in 1919, and still continues even today in the 21st century. Landscape style poetry genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or '' se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the '' guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the ''yangqin'' hammered dulcimer, the ''huqin'' family of bowed string instruments, and the Western piano (''gangqin'' (钢琴) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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