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Michel Dens
Michel Dens (22 June 1911 in Roubaix – 19 December 2000 in Paris) was a French baritone, particularly associated with the French repertory, both opera and operetta. Born Maurice Marcel, the son of a journalist, he studied at the Academy of Music in Roubaix. He made his debut at the Opéra de Lille, as Wagner in Gounod's ''Faust (opera), Faust'', in 1934, and remained there as a member until 1936. Thereafter he sang at the Opera Houses of Bordeaux, Grenoble, Toulouse and Marseille. In 1943, he was heard at the Monte Carlo Opera as Carmen, Escamillo, Faust (opera), Valentin, and the Count in ''Le nozze di Figaro''. After the Second World War, he began a very successful career at the Opéra-Comique and the Palais Garnier in Paris. His roles at the Opéra-Comique included; Il barbiere di Siviglia, Figaro, Manon, Lescaut, Les pêcheurs de perles, Zurga, Lakmé, Frédéric, Mireille, Ourrias, Les contes d'Hoffmann, Dapertutto, Cavalleria rusticana, Alfio, La boheme, Marcello, Tosc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roubaix
Roubaix ( or ; nl, Robaais; vls, Roboais) is a city in northern France, located in the Lille metropolitan area on the Belgian border. It is a historically mono-industrial commune in the Nord department, which grew rapidly in the 19th century from its textile industries, with most of the same characteristic features as those of English and American boom towns. This former new town has faced many challenges linked to deindustrialisation such as urban decay, with their related economic and social implications, since its major industries fell into decline by the middle of the 1970s. Located to the northeast of Lille, adjacent to Tourcoing, Roubaix is the chef-lieu of two cantons and the third largest city in the French region of Hauts-de-France ranked by population with nearly 99,000 inhabitants. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thais (opera)
Thais can be the plural of ''Thai'' and refer to: * The Thai people, the main ethnic group of Thailand * The Thai peoples or Tai peoples, the ethnic groups of southern China and Southeast Asia In the singular, Thais may refer to: People Ancient world * Thaïs, a celebrated hetaira during the era of Alexander (356-323BCE) * Thaïs (saint), 4th century repentant courtesan and saint of Roman Egypt Modern world * Thaís (footballer, born 1987), Brazilian footballer * Thaís (footballer, born 1996), Brazilian footballer * Thaisinha (born 1993), Brazilian footballer * Thaís Picarte (born 1982), Brazilian football goalkeeper * Thaís Fidélis (born 2001), Brazilian artistic gymnast * Thais Weiller, Brazilian game designer and producer * Thais Russomano (born 1963), Brazilian doctor and researcher * Thais Souza Wiggers (born 1985), Brazilian television presenter and model * Thaís de Campos (born 1956), Brazilian actress * Thaís Melchior (born 1990), Brazilian actress * Tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hérodiade
''Hérodiade'' is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella ''Hérodias'' (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881. The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's '' Salome'', which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play." Performance history The opera reached Paris at the Théâtre des Nations on 1 February 1884, and the final performance of the run on 13 March featured the three De Reszkes; Jean (Jean), Édouard (Phanuel), and Josephine (Salomé). It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Bovary (opera)
''Madame Bovary'' is an opera by Emmanuel Bondeville premiered at the Opéra-Comique on 1 June 1951 in a production by Louis Musy, conducted by Albert Wolff, with Jacqueline Brumaire in the title roleWolff S. ''Un demi-siècle d'Opéra-Comique (1900–1950).'' André Bonne, Paris, 1953. The opera is based upon the novel ''Madame Bovary'' by Gustave Flaubert Gustave Flaubert ( , , ; 12 December 1821 – 8 May 1880) was a French novelist. Highly influential, he has been considered the leading exponent of literary realism in his country. According to the literary theorist Kornelije Kvas, "in Flauber .... Recordings *Andree Esposito, Julien Haas, Yves Bisson, Nadine Denize, Orchestre de la Radio Lyrique de Paris, Pierre-Michel Le Conte 1962 References External linksOpera chicJohn Adams on ''Madame Bovary'' Operas based on works by Gustave Flaubert Operas Operas based on novels French-language operas Opera world premieres at the Opéra-Comique 1951 operas {{ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Bondeville
Emmanuel Bondeville was a French composer and music administrator, born 29 October 1898 in Rouen, and died 26 November 1987 in Paris. He was a member of the Académie des Beaux-Arts. Biography As a young man he was organist at the church of Saint-Nicaise in Rouen and Notre-Dame in Caen. Bondeville lost both his parents when he was 16, and took on various jobs – organist, bank clerk, translator - to get by.Landormy P. ''La Musique Française après Debussy.'' Gallimard, Paris, 1943. He made his beginnings in music around 1923 writing works for piano, symphonic poems, opéras-comiques and opéras. During this time he also travelled around Europe and worked as an assistant in a music shop. He eventually had lessons in harmony and counterpoint from Jean Déré. In 1935 he became musical director of the radio stations Radio Tour Eiffel, Radio Paris, Radiodiffusion française then artistic director of Radio Monte-Carlo. From 1949 to 1951 Bondeville was director of the Opéra-Comique, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Boheme
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Contes D'Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012449.jpg "Click for more on -> Lucia Di Lammermoor")
