Michael W. Smith 2
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Michael W. Smith 2
Contemporary Christian music ''Michael W. Smith 2'' is the second album by Christian recording artist Michael W. Smith. Released in February 1984, "I Am Sure" and "Hosanna" were released to Christian radio. Among the musicians who contributed to the recording, Dann Huff and Mike Brignardello went on to form the band Giant. Huff was also a founding member of the CCM band White Heart. The album would win him his first Grammy Award for Best Gospel Performance, Male in 1985. Track listing Personnel Adapted from AllMusic credits: * Michael W. Smith – lead vocals, synthesizers, electric piano (1, 7, 8), backing vocals (2-5, 7, 8), vocoder (3, 4, 7, 9), acoustic piano (4) * Shane Keister – additional synthesizers (5, 8, 9) * Dann Huff – guitars (1-4, 6-10) * Leland Sklar – bass (1, 6) * Mike Brignardello – bass (2, 3, 4, 7-10), Minimoog (7) * Mark Hammond – Roland TR-909 drum machine (1), Simmons drums (1, 6) * Paul Leim – drums (2, 3, 4, 7-10), LinnDrum (2, 7, 9) * Len ...
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Contemporary Christian Music
Contemporary Christian music, also known as CCM, Christian pop, and occasionally inspirational music is a genre of modern popular music, and an aspect of Christian media, which is lyrically focused on matters related to the Christian faith and stylistically rooted in Christian music. It was formed by those affected by the 1960s Jesus movement revival who began to express themselves in other styles of popular music, beyond the church music of hymns, gospel and Southern gospel music that was prevalent in the church at the time. Initially referred to as Jesus music, today, the term is typically used to refer to pop, but also includes rock, alternative rock, hip hop, metal, contemporary worship, punk, hardcore punk, latin, EDM, R&B-influenced gospel and country styles. It has representation on several music charts including '' Billboard''s Christian Albums, Christian Songs, Hot Christian AC (Adult Contemporary), Christian CHR, Soft AC/Inspirational and Christian Digital Songs as ...
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Leland Sklar
Leland Bruce Sklar (born May 28, 1947) is an American bassist and session musician. Sklar rose to prominence as a member of James Taylor's backing band, which coaleced into a group in its own right, The Section. This group of musicians so frequently supported many of the artists on Asylum Records, both on stage and in the studio, that they became known as Asylum's ''de facto'' house band. Those artists would become the standard bearers of the singer-songwriter era in the 1970s. Since then, Sklar has recorded and toured with artists such as James Taylor, Jackson Browne, Carole King, Linda Ronstadt, Phil Collins, Toto, Lyle Lovett and many, many more. As a group member, session player, or touring musician, Sklar has lent his talents to well over 2,000 albums. In addition, he has contributed to many motion picture and television show soundtracks. Sklar is currently the bass player for the group The Immediate Family. Early life Leland Bruce Sklar was born May 28, 1947 in Milwa ...
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Doug Sax
Doug Lionel Sax (April 26, 1936 – April 2, 2015) was an American mastering engineer from Los Angeles, California. He mastered three of The Doors' albums, including their 1967 debut; six of Pink Floyd's albums, including ''The Wall''; Ray Charles' multiple-Grammy winner ''Genius Loves Company'' in 2004, and Bob Dylan's 36th studio album '' Shadows in the Night'' in 2015. Early life Sax was born in Los Angeles on April 26, 1936, to Mildred and Remy Sax. While attending Fairfax High School in West Los Angeles, Sax played the trumpet alongside trumpeter Herb Alpert. Upon graduation, Sax attended University of California, Los Angeles and then was drafted into the Army where he played trumpet in the Seventh Army Symphony Orchestra from 1959 to 1961. Career From an early age, Sax was interested in recorded sound, and although he had established a career as a symphonic trumpeter, on December 27, 1967, along with Lincoln Mayorga, a friend from junior high who had become a music arrange ...
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Dave's Room
Dave's Room, previously known as Mama Jo's Recording Studio, is a recording studio in North Hollywood, California. History Dave's Room was built in the late 1960s by producer, and engineer Freddie Piro. Originally called Mama Jo's, the studio was the first independent recording studio in North Hollywood, California. Albums by artists such as Richie Furay, Keith Green, Billy Joel, Pat Benatar, Amy Grant, Sam Phillips, Ambrosia, Ziggy Marley, George Michael, Love Song, Michael W. Smith, Margaret Becker, BeBe and CeCe Winans, Andraé Crouch and the Disciples, Blink 182, Chuck Girard, The Way, Smokey Robinson, Randy Stonehill, Sweet Comfort Band and Daniel Amos were recorded there. Producers and engineers including Alan Parsons, Jack Joseph Puig, Jonathan David Brown, Al Perkins, T Bone Burnett, Andy Johns, Brown Bannister, Burt Bacharach and Larry Norman were clients during this period. After falling into disrepair in the mid-2000s, in 2006 it was completely refurbished by David ...
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The Bennett House
The Bennett House is a recording studio located on 4th Avenue North in Franklin, Tennessee. Built in 1875, the two-story building has served as a residence, a clothing store and, starting in 1980, a recording studio used by many popular music artists when recording in Tennessee. Artists that have frequently recorded at the studio include 1970's rock and roll producer Norbert Putnam ( Kris Kristofferson, Dan Fogelberg, Jimmy Buffett, Dusty Springfield), country music producer Bob Montgomery ( Joe Diffie, Waylon Jennings), producer Keith Thomas ( Amy Grant, Vanessa Williams, Selena, 98 Degrees). Thomas would even have one of the two studios in the building named after him when "Studio A" became known as "The Thomas Room." Other artists to use the studio include Phil Keaggy, Randy Stonehill and Chagall Guevara. In the early 1990s, Montgomery produced acts such as Joe Diffie, Doug Stone, Jo-El Sonnier, George Jones, Tammy Wynette, Willie Nelson, Vince Gill and many, many othe ...
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Jack Joseph Puig
Jack Joseph Puig is an American audio engineer, A&R executive, and record producer. He has worked with Tonic, Hole, Jellyfish, The Black Crowes, John Mayer, Weezer, Fiona Apple, Roger Hodgson, Taxiride, Green Day, Counting Crows, No Doubt, Klaxons, Rancid, Panic! at the Disco, Stone Temple Pilots, U2, and many others. Puig has shared Grammy Awards with The Goo Goo Dolls, Sheryl Crow, Vanessa Carlton, John Mayer, Fergie (The Black Eyed Peas), U2, and No Doubt. In 2006, Jack Joseph Puig became an executive vice president at Interscope-Geffen-A&M Records. He has signed Klaxons and Charlotte Sometimes. As an A&R man he works with Shirley Manson, Ashlee Simpson, Klaxons, Charlotte Sometimes, Counting Crows, Puddle of Mudd, and The Like.Droney, Maureen. "Jack Joseph Puig" Mix Magazine. October 1, 2000. http://mixonline.com/mag/audio_jack_joseph_puig/ , accessdate=23 March 2011 Prior to his mainstream music production successes, Puig rose to prominence as an engineer in t ...
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Brown Bannister
Elliott Brown Bannister III (born August 15, 1951) is an contemporary Christian music (CCM) producer and songwriter. Bannister released one album of his own, ''Talk to One Another'', in 1981 on NewPax Records. It was reissued on the Reunion Records label five years later, featuring a newer recording of the album's final cut, "Create in Me a Clean Heart". The original NewPax version featured Ed DeGarmo on the Hammond B3 organ; the 1986 version featured Amy Grant and her then husband Gary Chapman on vocals. The 1986 version was released as a radio single and gained moderate airplay in some markets. Bannister is best known for his work in the audio engineering, recording, and production industry. He formed his own independent label, Vireo Records, in 1991. Bannister has won 25 Dove Awards and 14 Grammy awards. He also was inducted into the Gospel Music Hall of Fame. He has written many songs, notably for Amy Grant. Bannister also taught Grant in his Sunday School class at Belmont C ...
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Lenny Castro
Lenny or Lennie may refer to: People and fictional characters * Lenny (given name), a list of people and fictional characters * Lennie (surname), a list of people * Lenny (singer) (born 1993), Czech songwriter Arts and entertainment Music * ''Lenny'' (album), by Lenny Kravitz * "Lenny" (instrumental), by Stevie Ray Vaughan * "Lenny" (Buggles song), a 1982 song by The Buggles * "Lenny" (Supergrass song), a 1995 song by Supergrass * Lenny, a guitar owned by Stevie Ray Vaughan * Leonard Bernstein, American conductor, pianist and composer Other arts and entertainment * Lenny (bot), an anti-telemarketing chatbot * ''Lenny'' (film), a 1974 biography of Lenny Bruce * "Lenny" (short story), a 1958 short story by author Isaac Asimov * ''Lenny'' (TV series), a 1990–1991 situation comedy starring Lenny Clarke * Lenny face (Internet emoticon), used to express sexual innuendo, or mischief Other uses * Hurricane Lenny, a 1999 hurricane in the Atlantic Ocean * Lenny's Sub Shop, a san ...
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LinnDrum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's " Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's " Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are curre ...
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Paul Leim
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity * Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals * Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people * Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, By ...
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Simmons (electronic Drum Company)
Simmons is an electronic drum brand, which originally was a pioneering British manufacturer of electronic drums. Founded in 1978 by Dave Simmons, it supplied electronic kits from 1980 to 1994. The drums' distinctive, electronic sound can be found on countless albums from the 1980s. The company closed in 1999 and the Simmons name is currently owned by Guitar Center. The SDS 5 (or SDSV; notated as SDS-5) was developed in conjunction with Richard James Burgess of Landscape and released in 1981. The first recordings of the instrument were made by Burgess, on '' From the Tea-rooms of Mars ....'', " Chant No. 1" by Spandau Ballet, and "Angel Face" by Shock. After Landscape and Spandau Ballet appeared on ''Top of the Pops'' with the instrument, many other musicians began to use the new technology, including A Flock of Seagulls, Howard Jones, Jez Strode of Kajagoogoo, John Keeble of Spandau Ballet, Roger Taylor of Duran Duran, Darren Costin of Wang Chung, Steve Negus of Saga, Bob ...
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Roland TR-909
The Roland TR-909 Rhythm Composer is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices. Though it was a commercial failure, the 909 became influential in the development of electronic dance music genres such as techno, house and acid. Design The 909 was designed by Tadao Kikumoto, who also designed the Roland TB-303 synthesizer. Chief Roland engineer Makoto Muroi credited the design of the analog and pulse-code modulation voice circuits to "Mr Ou" and its software to "Mr Hoshiai". Whereas its predecessor, the TR-808, is known for its "boomy" bass, the 909 sounds aggressive and "punchy". It was the first Roland drum machine to use samples (prerecorded sounds), for its crash, ride and hi-hat sounds; other sounds are generated with analog synthesis. As the clap and snare are generated via ...
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