|
Michael O'Connell (artist)
Michael O'Connell (7 August 1898 – 9 December 1976) was an English Modernism, Modernist artist who worked in Australia between World War I and World War II and then in England. He is best known as a Textile arts, textile artist, with significant works held in the UK in the Victoria and Albert Museum in London, the Museum of English Rural Life in Reading, and the collection of National Museums Scotland, and in Australia in the National Gallery of Australia in Canberra and in the National Gallery of Victoria in Melbourne. Early life Michael William O'Connell was the eldest son of Patrick O'Connell and his wife Mary Cecilia, and was born in 1898 in Dalton-in-Furness, Lancashire (Cumbria). After the death of his father from typhoid fever in 1900 he was brought up solely by his mother in Newcastle upon Tyne, and was educated as a lay boy at Ushaw College, a Roman Catholic seminary in County Durham. In World War I he was sent to the front in 1917 as a junior officer in an Irish r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbizon School
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cynthia Reed Nolan
Violet Cynthia Reed Nolan (1908–1976) was an Australian writer and gallerist who promoted modern art and design in Australia during the early to mid 1930s. She was a key member of the Heide Circle around Sunday and John Reed. Later she was based in London, but travelled widely. Although she and sister in law Sunday Reed had a bitter split after Cynthia Reed and Sidney Nolan married in 1948, John Reed described her on her death in 1976 as “Sunday's best friend” In the later 20th century, Reed Nolan was mostly remembered as the cause of the high-profile public feud between her husband and Australian author Patrick White. Early life Born into a wealthy, landed family at Mount Pleasant, outside of Launceston, Tasmania, Cynthia Reed's childhood and adolescence was materially secure, but she found the evangelical Christianity and patriarchal sternness of her family life highly disturbing. Themes of childhood alienation are threaded through her fiction, informed by her experienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist
Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of realism and made use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody. Modernism also rejected t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Charles Ward
Frederick Charles Ward (1900–1990) was a furniture and interior designer in Australia. Ward worked with native wood in his long career. His designs were installed in the creation of the Australian National University campus, in his capacity as first head of the design unit. Ward was commissioned to design furniture for prominent public buildings, including the National Library, and the Australian pavilion at Expo '67, Montreal, Quebec. He acted as a design consultant to the Reserve Bank in Sydney. He was consulted by the Australian Department of Aircraft Production in production of timber-framed aircraft during WWII; this type of construction was used for the Beaufighter and the Mosquito Bomber The de Havilland DH.98 Mosquito is a British twin-engined, shoulder-winged, multirole combat aircraft, introduced during the World War II, Second World War. Unusual in that its frame was constructed mostly of wood, it was nicknamed the "Wooden .... The Beaufighter was assemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ola Cohn
Ola Cohn (born Carola Cohn; 25 April 1892 – 23 December 1964) was an Australian artist, author and philanthropist best known for her work in sculpture in a modernist style and famous for her ''Fairies Tree'' in the Fitzroy Gardens, Melbourne.Deborah Edwards, Dictionary of Australian Artists online, Ola Cohn', Accessed 29 June 2009Australian Women's Register - ' Accessed 29 June 2009Ken Scarlett, ''Australian Dictionary of Biography' Early life Cohn was born in Bendigo, Victoria. She went to school at Girton College in Bendigo and then studied drawing and sculpture at the Bendigo School of Mines. She continued her studies in Melbourne at Swinburne Technical College and then at the Royal College of Art in London. On her return to Melbourne in 1930 she established a studio at Grosvenor Chambers (9 Collins Street, Melbourne, subsequently occupied by Georges and Mirka Mora), later moving to Gipps Street, East Melbourne. Works Cohn's works in bronze, stone and wood are held in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siren (mythology)
In Greek mythology, the sirens (Ancient Greek: singular: ; plural: ) were humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. Nomenclature The etymology of the name is contested. Robert S. P. Beekes has suggested a Pre-Greek origin. Others connect the name to σειρά (''seirá'', "rope, cord") and εἴρω (''eírō'', "to tie, join, fasten"), resulting in the meaning "binder, entangler", i.e. one who binds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linocut
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Technique Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally diced, much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Dutton
Orlando Henry Dutton (1 April 1894, Walsall – 7 August 1962, Melbourne) was an English-born Australian monumental, figurative and architectural sculptor. Early life Orlando Dutton (sometimes styled H. Orlando Dutton, and known as Harry) was born in Upper Rushall Street, Walsall, Staffordshire on 1 April 1894, the first son of Eliza Priscilla (née Leayton) and Henry, a baker, confectioner and proprietor of the Silver Grill in Park Street. Orlando was the third of five siblings Lillian, Dorothy, Sydney, and Montague, and was a chorister in the town's St Matthew's Church, Walsall, St. Matthews Church. Training Dutton began his education at the Bluecoat school, Blue Coat school in St. Paul's Street, and then attended the School of Art at 22 Goodall Street, Walsall (now Luvane Fine Art gallery) and in 1909 was apprenticed to Robert Bridgeman's Lichfield firm of ecclesiastical sculptors. As a stone carver, he was employed on buildings in the Midlands, such as, in 1910, the girl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castlemaine Art Museum
Castlemaine Art Museum is an Australian art gallery and museum in Castlemaine, Victoria in the Shire of Mount Alexander. It was founded in 1913. It is housed in a 1931 Art Deco neo-classical building constructed for the purpose, heritage-listed by the National Trust. Its collection concentrates on Australian art and the museum houses historical artefacts and displays drawn from the district. The Museum is governed by private trustees and managed by a board elected by subscribers and provided with state and local government funding and support from benefactors, local families, artists and patrons. It oversees the management of Buda, a heritage-listed villa and garden 1.3 km across Castlemaine in Hunter Street, which houses its own collection of art and artefacts associated with the Leviny family, and is also open to the public for exhibitions, events displays and garden tours. Collection The Collections may be searched onlin Museum collection The museum, housed in the basem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edna Walling
Edna Margaret Walling (4 December 1896 – 8 August 1973) was one of Australia's most influential landscape designers. Early years and migration Walling was born in Yorkshire and grew up in the village of Bickleigh in Devon, England, second daughter of William Walling, a furniture dealer's clerk, and Harriet Margaret, née Goff. Her father encouraged her exploration and love of the English countryside and taught her woodworking. Edna was schooled at the Convent of Notre Dame, Plymouth, Devon. When she was fourteen years old the family emigrated to New Zealand and in 1914 moved with her family to Melbourne, Victoria, Australia where her father had gone in advance in 1911. Training With the encouragement of her mother, Walling was awarded her government certificate in horticulture at Burnley College in December 1917, and after some years as a jobbing gardener she commenced her own landscape design practice in the 1920s. Garden construction rather than horticulture interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truth (Sydney Newspaper)
''Truth'' was a newspaper published in Sydney, Australia. It was founded in August 1890 by William Nicholas Willis and its first editor was Adolphus Taylor. In 1891 it claimed to be "The organ of radical democracy and Australian National Independence" and advocated "a republican Commonwealth created by the will of the whole people", but from its early days it was mainly a scandal sheet. Subsequent owners included Adolphus Taylor, Paddy Crick and John Norton. Norton established several subsidiaries, including the ''Sportsman'' (1900), the ''Brisbane Truth'' (1900), the Melbourne ''Truth'' (1902) and the Perth ''Truth'' (1903 to 1931), and an Adelaide ''Truth'' (1916-1964)''.'' Ezra Norton Although John Norton disinherited his estranged wife, Ada Norton and his son Ezra Norton at his death in 1916 (with the bulk of his estate going to his daughter, Joan), Mrs Norton persuaded the New South Wales Parliament to backdate the new ''Testator's Family Maintenance Act'' to take eff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
