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Michael Garschall
Michael Garschall (born 1967) is an Austrian artistic director, cultural manager and theatre director. Career Garschall was born in Amstetten, Lower Austria andAufgewachsen in Blindenmarkt where he followed theatre studies and at the University of Vienna und sammelt erste Erfahrungen bei Festspielen, unter anderem als Regieassistent von Elfriede Ott and . From 1994 until 1998, zeichnete er als Pressereferent der Anton Bruckner Private University in Linz für die Organisation von Veranstaltungen verantwortlich. 2001 bis 2004 war er bei Steinway & Sons, Steinway in Austria in Wien im Bereich Marketing und Organisation tätig. Autumn Days Blindenmarkt In 1990, while still a student, Garschall founded the operetta festival in his home municipality. Since its inception, more than 270,000 guests have attended this Mostviertel festival. Thanks to Garschall's commitment, the long-standing heart project of a modern venue for the Herbsttage Blindenmarkt could be realised with the ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Garschall
Michael Garschall (born 1967) is an Austrian artistic director, cultural manager and theatre director. Career Garschall was born in Amstetten, Lower Austria andAufgewachsen in Blindenmarkt where he followed theatre studies and at the University of Vienna und sammelt erste Erfahrungen bei Festspielen, unter anderem als Regieassistent von Elfriede Ott and . From 1994 until 1998, zeichnete er als Pressereferent der Anton Bruckner Private University in Linz für die Organisation von Veranstaltungen verantwortlich. 2001 bis 2004 war er bei Steinway & Sons, Steinway in Austria in Wien im Bereich Marketing und Organisation tätig. Autumn Days Blindenmarkt In 1990, while still a student, Garschall founded the operetta festival in his home municipality. Since its inception, more than 270,000 guests have attended this Mostviertel festival. Thanks to Garschall's commitment, the long-standing heart project of a modern venue for the Herbsttage Blindenmarkt could be realised with the ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavol Breslik
Pavol is a masculine Slovak given name, equivalent to Paul. Notable people with the name include: *Pavol Adami (1739–1795), Slovak scientist and scholar, one of the first veterinarians *Pavol Baláž (born 1984), Slovak footballer *Pavol Biroš (born 1953), former Slovak football player *Pavol Blažek (born 1958), race walker who represented Czechoslovakia and later Slovakia in the Olympic Games * Pavol Demitra (1974–2011), Slovak professional ice hockey player *Pavol Ďurica (born 1983), Slovak footballer *Pavol Farkas (born 1985), Slovak footballer *Pavol Hamžík (born 1954), former Foreign Minister of Slovakia from 1996 to 1997 * Pavol Hnilica (1921–2006), Slovak Roman Catholic bishop and Jesuit * Pavol Hochschorner (born 1979), Slovak slalom canoeist *Pavol Hrivnák (1931–1995), Prime minister of Slovakia * Pavol Hrušovský (born 1952), the Speaker of the National Council of the Slovak Republic * Pavol Hudák (born 1959), Slovak poet *Pavol Jablonicky, IFBB professiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurier
''Kurier'' is a German-language daily newspaper based in Vienna, Austria. History and profile ''Kurier'' was founded as ''Wiener Kurier'' by the United States Forces in Austria (USFA) in 1945, during the Allied occupation after World War II. In 1954 the paper was acquired and re-established by Ludwig Polsterer as ''Neuer Kurier'' (New Kurier). Funke Mediengruppe holds 49% of the paper. The company also partly owns ''Kronen Zeitung''. The publisher of ''Kurier'' is Kurier-Zeitungsverlag und Druckerei GmbH. ''Kurier'' is based in Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST .... Circulation ''Kurier'' was the eighteenth largest newspaper worldwide with a circulation of 443,000 copies in the late 1980s. It was the third best-selling Austrian newspaper in 1993 with a circ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decoration Of Honour For Services To The Republic Of Austria
The Decoration of Honour for Services to the Republic of Austria (german: Ehrenzeichen für Verdienste um die Republik Österreich) is a state decoration of the Republic of Austria. It is divided into 15 classes and is the highest award in the Austrian national honours system. History The Decoration of Honour for Services to the Republic of Austria was first established by federal law on 4 November 1922. It initially had ten grades; later, it was expanded to sixteen grades. It was replaced in 1934 by the Austrian Order of Merit (''Österreichischer Verdienstorden''). The modern iteration of the Decoration of Honour for Services to the Republic of Austria was established by the National Council in 1952. It is conferred by the Republic of Austria to honour people (from Austria and abroad) who have rendered meritorious services to the country. Recipients are selected by the government. The awards are made by the President in accordance with the respective laws. The State Presiden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Serva Padrona
''La serva padrona'', or ''The Maid Turned Mistress'', is a 1733 intermezzo by Giovanni Battista Pergolesi (1710–1736) to a libretto by Gennaro Federico, after the play by Jacopo Angello Nelli. It is some 40 minutes long, in two parts without overture, and was written as light-hearted staged entertainment between the acts of Pergolesi's serious opera ''Il prigionier superbo''. More specifically each of the two parts, set in the same dressing room, played during an intermission of the three-act opera to amuse people who remained in their seats. Federico's libretto was also set by Giovanni Paisiello, in 1781. Performance history ''La serva padrona'' and the opera seria it punctuates were premiered at the Teatro San Bartolomeo on 5 September 1733, the first performances there after an earthquake the previous year in Naples had closed all theatres. Both were written for the birthday of Holy Roman Empress Elisabeth Christine of Brunswick-Wolfenbüttel a few days earlier. ''Il prig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florian Leopold Gassmann
Florian Leopold Gassmann (3 May 1729 – 21 January 1774) was a German-speaking Bohemian opera composer of the transitional period between the baroque and classical eras. He was one of the principal composers of ''dramma giocoso'' immediately before Mozart. He was one of Antonio Salieri’s teachers. Life and career Gassmann was born in Brüx, Bohemia, and was most likely trained by Johann Woborschil, the local chorus master. His father was a goldsmith who may well have opposed his son's choice of a musical career. From 1757 until 1762, he wrote an opera every year for the carnival season in Venice, and was also appointed choirmaster in the girls’ conservatory in Venice in 1757. Many of the librettos he set were by the renowned Venetian playwright Carlo Goldoni. In 1763 he was called to Vienna as court ballet composer, and was held in great affection by Emperor Joseph II. In 1764 he was appointed chamber composer to the Emperor, and in 1772 court conductor. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Elisir D'Amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Académie Royale de Musique, Opéra rather than for the Opéra-Comique, Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restraine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
