Michael Francis Gibson
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Michael Francis Gibson
Michael Francis Gibson (18 July 1929 – 7 June 2017) was an American art critic, art historian, writer and independent scholar, who published regularly in the ''International Herald Tribune'', 1969–2004 and occasionally in other publications in English (the '' New York Times'', ''Art in America'', '' Art News''), and French (''L'ŒIL'', '' Connaissance des Arts''). From 1956 on, Gibson published a number of books, articles, essays and poems in both English and French. Life Michael Francis Gibson was born 18 July 1929 inside the American Embassy in Brussels, Belgium, the son of American Ambassador Hugh S. Gibson and his Belgian wife Ynès Reyntiens. After schooling in eight different establishments, six different countries and three different languages (including the Collège Jean de Brébeuf in Montreal and the University of Louvain in Belgium), he settled in Paris in 1958 where he has lived ever since. Married, four children (two of a former marriage). He translated the O ...
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Independent Scholar
A scholar is a person who pursues academic and intellectual activities, particularly academics who apply their intellectualism into expertise in an area of study. A scholar can also be an academic, who works as a professor, teacher, or researcher at a university. An academic usually holds an advanced degree or a terminal degree, such as a master's degree or a doctorate ( PhD). Independent scholars, such as philosophers and public intellectuals, work outside of the academy, yet publish in academic journals and participate in scholarly public discussion. Definitions In contemporary English usage, the term ''scholar'' sometimes is equivalent to the term ''academic'', and describes a university-educated individual who has achieved intellectual mastery of an academic discipline, as instructor and as researcher. Moreover, before the establishment of universities, the term ''scholar'' identified and described an intellectual person whose primary occupation was professional research. In 1 ...
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Julian Bream
Julian Alexander Bream (15 July 193314 August 2020) was an English classical guitarist and lutenist. Regarded as one of the most distinguished classical guitarists of the 20th century, he played a significant role in improving the public perception of the classical guitar as a respectable instrument. Over the course of a career that spanned more than half a century, Bream helped revive interest in the lute. Early years Bream was born in Battersea, London, England, to Henry and Violet Jessie (née Wright) Bream. At the age of two he moved with his family to Hampton in London, where he was brought up in a musical environment. His father was a commercial artist and an amateur jazz guitarist, who was unable to read music but had a finely attuned ear and could play a lot of popular music. His mother, a homemaker of Scottish descent, had a warm and loving personality, but no interest in music. His parents divorced when he was 14. His grandmother owned a pub in Battersea, and Bream ...
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The Procession To Calvary (Bruegel)
''The Procession to Calvary'' is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder of Christ carrying the Cross set in a large landscape, painted in 1564. It is in the Kunsthistorisches Museum in Vienna. History and description This is the second-largest known painting by Bruegel. It is one of sixteen paintings by him which are listed in the inventory of the wealthy Antwerp collector, Niclaes Jonghelinck, drawn up in 1566. It was Jonghelinck who commissioned the ''Months'' from Bruegel and he may also have commissioned this work. Jonghelinck's Bruegels passed into the possession of the city of Antwerp in the year in which the inventory was made. In 1604 it was recorded in the Prague collections of Rudolf II, Holy Roman Emperor, then transferred to Vienna, and in 1809 (until 1815) in Paris, requisitioned by Napoleon Bonaparte as part of his war booty. For Bruegel the composition is unusually traditional. Perhaps because he was treating such a solem ...
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Odilon Redon
Odilon Redon (born Bertrand Redon; ; 20 April 18406 July 1916) was a French Symbolism (arts), symbolist painter, printmaker, Drawing, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in Charcoal (art), charcoal and lithography, works referred to as ''noirs''. He started gaining recognition after his drawings were mentioned in the 1884 novel ''À rebours'' (''Against Nature'') by Joris-Karl Huysmans. During the 1890s he began working in pastel and Oil painting, oils, which quickly became his favourite medium, abandoning his previous style of ''noirs'' completely after 1900. He also developed a keen interest in Hinduism, Hindu and Buddhism, Buddhist religion and culture, which increasingly showed in his work. He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to tak ...
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Paul Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of the ...
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Symbolism (arts)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ...
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Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ...
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Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ...
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Peter Bruegel
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following peri ...
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Dolmetsch
Eugène Arnold Dolmetsch (24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music. Early life The Dolmetsch family was originally of Bohemian origin, but (Eugène) Arnold Dolmetsch, the son of Rudolph Arnold Dolmetsch and his wife Marie Zélie (née Guillouard) was born at Le Mans, France, where the family had established a piano-making business. It was in the family's workshops that Dolmetsch acquired the skills of instrument-making that would later be put to use in his early music workshops. He studied music at the Brussels Conservatoire and learnt the violin with Henri Vieuxtemps. In 1883 he travelled to London to attend the Royal College of Music, where he studied under Henry Holmes and Frederick Bridge, and was awarded a Bachelor of Music degree in 18 ...
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Fred Goldbeck
Fred Goldbeck (13 February 1902 – 3 October 1981 in Paris) was a French musicologist and conductor of Dutch origin. Biography Born in the Netherlands, Fred Goldbeck moved to France in 1924. He met the pianist Yvonne Lefébure and became her companion before the Second World War. They got married in 1947. As a conductor, he was first of all a disciple of Mengelberg and Furtwängler. Thus he wrote an important first book: ''Le parfait chef d'orchestre''. Thereafter, he defended the works of contemporary composers such as Busoni and Britten, until Boulez and Xenakis. He also promoted Dutch musicians such as Alphons Diepenbrock, Matthijs Vermeulen and Willem Pijper. Writings Monographs * * * * * , foreword by Rémy Stricker. Articles * , 24 p. * 107 p Publisher * , foreword by Henry Prunières Henry Prunières (24 May 1886, in Paris – 11 April 1942, in Nanterre) was a French musicologist, and international proponent of contemporary art in various forms, in ...
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Yvonne Lefébure
Yvonne Lefébure (29 June 1898, Ermont – 23 January 1986, Paris) was a French pianist and teacher. Born in Ermont, she studied with Alfred Cortot at the Conservatoire de Paris, taking a ''premier prix'' in piano and numerous other subjects. She performed with the Orchestre des Concerts Lamoureux and the Orchestre des Concerts Colonne and in recital. She performed at the first Prades Festival in 1950. She taught at the École Normale de Musique, Conservatoire de Paris and Conservatoire Européen, and gave masterclasses at her own festival in Saint-Germain-en-Laye. Among her pupils were Dinu Lipatti, Samson François, Imogen Cooper, Janina Fialkowska, André Laplante, Branka Musulin, Catherine Collard, Michaël Levinas, Françoise Thinat, Jean-Marc Savelli, Évelyne Crochet, István Kassai, Hélène Boschi Hélène Boschi ( ; 11 August 19179 July 1990) was a Franco-Swiss pianist, born in Lausanne. She studied with Yvonne Lefébure and Alfred Cortot at the Ecole normale ...
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