|
Metope (architecture)
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric order, Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in heigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Parthenon Sculptures, British Museum (14063376069) (2) (cropped)
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paestum
Paestum ( , , ) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 550 to 450 BC, which are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Solinus wrote that it was established by Dorians. After its foundation by Greek colonists under the name of Poseidonia ( grc, Ποσειδωνία), it was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name. As Pesto or Paestum, the town became a bishopric (now only titular), but it was abandoned in the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Sculpture
The study of Roman sculpture is complicated by its relation to Sculpture of Ancient Greece, Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Empire, Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin literature, Latin and some ancient Greek literatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Architectural Elements
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Architecture
Ancient Greek architecture came from the Greek-speaking people (''Hellenic'' people) whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture is best known from its temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece. The second important type of building that survives all over the Hellenic world is the open-air theatre, with the earliest dating from around 525–480 BC. Other architectural forms that are still in evidence are the processional gateway (''propylon''), the public square ('' agora'') surrounded by storied colonnade ('' stoa''), the town council building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Order
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the mode or key of classical music; the grammar or rhetoric of a written composition. It is established by certain ''modules'' like the intervals of music, and it raises certain expectations in an audience attuned to its languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metopes Of The Parthenon
The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC. or at the latest 438 BC, with 442 BC as the probable date of completion. Most of them are very damaged. Typically, they represent two characters per metope either in action or repose. The interpretations of these metopes are only conjectures, starting from mere silhouettes of figures, sometimes barely discernible, and comparing them to other contemporary representations (mainly vases). There is one theme per side of the building, representing a fight each time: Amazonomachy in the west, fall of Troy in the north, Gigantomachy in the east and fight of Centaurs and Lapiths in the south. The metopes have a purely warlike theme, like the decoration of the chryse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucranium
Bucranium (plural ''bucrania''; Latin, from Greek ''βουκράνιον'', referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture. The name is generally considered to originate with the practice of displaying garlanded, sacrificial oxen, whose heads were displayed on the walls of temples, a practice dating back to the sophisticated Neolithic site of Çatalhöyük in eastern Anatolia, where cattle skulls were overlaid with white plaster. Etymology and sphere of application The word "bucranium" (latin ''bucranium'') comes from Ancient Greek: βουκράνιον - being composed of βοῦς (''ox'') and κρανίον (''skull'') - and literally means "ox skull". Analogic, the Greek word αἰγικράνιον (''latin'' aegicranium) means a "goat skull", also used as a decorative element in architecture. The technical term "bucranium" was originally used in the description of classical architecture. Its application to the fie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Beauvais
The Hôtel de Beauvais is a hôtel particulier, a kind of large townhouse of France, at 68 rue Francois-Miron, 4th arrondissement, Paris. Until 1865 rue Francois-Miron formed part of the historic rue Saint Antoine and as such was part of the ceremonial route into Paris from the east. The hotel was built by the royal architect Antoine Le Pautre for Catherine Beauvais in 1657. It is an example of eclectic French baroque architecture. History Catherine Beauvais was the first lady to Anne of Austria, and was rumored to have provided Louis XIV with his first heterosexual experience. Favoured by the Queen regent, Catherine Beauvais was given gifts of money and later expensive building materials that had been destined to be used in the extension of the Cour Carrée of the Louvre Palace. The Hôtel Beauvais was built partly over land that had belonged to Cistercian monks during the 13th century. All that is left of their town house is the vaulted cellar that has been preserved in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Mansart
François Mansart (; 23 January 1598 – 23 September 1666) was a French architect credited with introducing classicism into Baroque architecture of France. The ''Encyclopædia Britannica'' cites him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance". Mansart, as he is generally known, popularized the mansard roof, a four-sided, double slope gambrel roof punctuated with windows on the steeper lower slope which created additional habitable space in the garrets. Career François Mansart was born to a master carpenter in Paris. He was not trained as an architect; his relatives helped train him in as a stonemason and a sculptor. He is thought to have learned the skills of architect in the studio of Salomon de Brosse, the most popular architect of Henry IV's reign. Mansart was highly recognized from the 1620s onward for his style and skill as an architect, but he was viewed as a stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Baroque Architecture
French Baroque architecture, sometimes called French classicism, was a style of architecture during the reigns of Louis XIII (1610–43), Louis XIV (1643–1715) and Louis XV (1715–74). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of facades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The Parthenon Sculptures, British Museum (14063376069) (2) (cropped)")
