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Metalcore Musical Groups From Arkansas
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British hardcore pun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Hardcore
New York hardcore (also known as NYHC) is both the hardcore punk music created in New York City and the subculture and lifestyle (sociology), lifestyle associated with that music. New York hardcore grew out of the hardcore scene established in Washington, D.C., by bands such as Bad Brains and Minor Threat. Initially a local phenomenon of the 1980s and 1990s, New York hardcore eventually grew to establish an international reputation with little to moderate mainstream popularity but with a dedicated and enthusiastic underground music, underground following, primarily in Europe and the United States. With a history spanning over more than four decades, many of the early New York hardcore bands are still in activity to this day. Some of them (including the Cro-Mags, Sick of It All, Agnostic Front and Murphy's Law (band), Murphy's Law) have been continuously or almost continuously active since their formation as well as having reunion shows. Music Origins The origins of New York's pun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scream (music)
Screaming is an extended vocal technique that is popular in "aggressive" music genres such as heavy metal, punk rock, and noise music and others. It is common in the more extreme subgenres of heavy metal, such as death and black metal as well as many other subgenres. Genres Classical and experimental music Although screams are often suggested in stories performed in the grand opera tradition, they were never performed literally, always being sung. The first significant example of an actual scream in an opera is in Alban Berg's ''Wozzeck'' (1922), where the eponymous character screams "Murder! Murder!" in the fourth scene of Act III. Even more strikingly, Berg's unfinished ''Lulu'', written mainly in 1934, features a blood-curdling scream as the heroine is murdered by Jack the Ripper in the closing moments of the final scene. In Mascagni's 1890 ''Cavalleria rusticana'' the final line "They've murdered Turiddu!" is spoken, not sung, and often accompanied by a scream. Other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass Drumming
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast Beat
A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal,Adam MacGregor, ''PCP Torpedo'' by Agoraphobic Nosebleed review, ''Dusted'', 11 June 2006 Access date: 2 October 2008. "There is one uniformly present attribute in all examples of 'grindcore', that being the so-called 'blast-beat.'" and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by ''PopMatters'' contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence". Napalm Death is said to have coined the term,Strub, Whitney"Behind the Key Club: An Interview with Mark 'Barney' Greenway of Napalm Death" ''PopMatters'', 11 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MetalSucks
MetalSucks is a heavy metal music-themed news website. The site features reviews, interviews, information on latest metal releases and blog-like posts from the writers, most notably Vince Neilstein and Axl Rosenberg. History The site was founded in December 2006 by authors Ben Umanov and Matthew Goldenberg who use the pen names Vince Neilstein and Axl Rosenberg. In April 2009, MetalSucks was awarded Metal Hammer's Web of Death Award for "Best Reviews" for its "honest, insightful, unpretentious – and fun – reviews." On October 4, 2009, one of the writers for MetalSucks was accused of leaking the album ''Axe to Fall'' by Converge onto the internet prior to its official release. The site formally apologized for the leak. On April 12, 2011, F.Y.E. released the MetalSucks Fan Pack, a CD compilation that included 20 bands and a T-shirt. The item was exclusive only to F.Y.E. stores. On August 15, 2011, MetalSucks announced The Metal Suckfest, a two-day music festival to take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moshing
Moshing (also known as slam dancing or simply slamming) is an extreme style of dancing in which participants push or slam into each other, typically performed to "aggressive" live music such as heavy metal and punk rock. Moshing usually happens in the center of the crowd, generally closer to the stage, in an area called the "mosh pit". It is intended to be energetic and full of body contact. The dance style originated in the hardcore punk scenes of California and Washington, D.C. around 1980. Through the 1980s it spread to other branches of punk rock as well as grunge and thrash metal, which exposed it to the mainstream. Since then, moshing has occasionally been performed to energetic music within a wide variety of genres, including alternative rock, EDM and hip hop, while remaining a staple in heavy metal shows. Variations of moshing exist, including "pogoing", "circle pits", and "wall of death". Dancing can be done alone as well as in groups. While moshing is seen as a fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakdown (music)
In music, a breakdown is part of a song in which various instruments have solo parts (breaks). This may take the form of all instruments playing the verse together, and then several or all instruments individually repeating the verse as solo parts. A breakdown is a popular musical style particularly in bluegrass, notable examples being Earl Scruggs' "Foggy Mountain Breakdown" and Bill Monroe's "Bluegrass Breakdown". Disco and later dance music Disco producer, mixer, and remixer Tom Moulton invented the "disco break" or breakdown section in the early 1970s. Moulton had been remixing a record (”Dreamworld” by Don Downing) which "immaculated" (modulated to a higher key) towards the end, and he wanted to cut parts together that were in different keys. To do this, he separated two sections with non-tonal information.Discoguy"Tom Moulton Tribute" ''Disco-Disco''. He edited in a section of drums, and the aesthetic effect was pleasing to dancers at the club. The placement was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seconds i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crust Punk
Crust punk (also known as crust or stenchcore) is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 ''Ripper Crust'' demo.Glasper 2009, 185 Crust is partly defined by its " bassy" and "dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually raspy screams, but can also be grunted/growled. Crust punk takes cues from the anarcho-punk of Crass and Discharge and the heavy metal of bands like Venom, Trouble, Hellhammer, Celtic Frost, Black Sabbath and Motörhead. While the term was first associated with Hellbastard, Amebix have been described as the originators of the style, along with Discharge and Antisect. Characteristics Instrumentation Crust punk is a derivative form of anarcho-punk, mixed with metal riffs. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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