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Merry Mount (opera)
''Merry Mount'' is an opera in three acts by American composer Howard Hanson; its libretto, by Richard Stokes, is loosely based on Nathaniel Hawthorne's short story "The May-Pole of Merry Mount", taken from his '' Twice Told Tales''. Hanson's only opera, it was commissioned by the Metropolitan Opera in New York City. The opera received its world premiere in concert at the fortieth annual May Festival of the University Musical Society in Ann Arbor, Michigan (at Hill Auditorium), on May 20, 1933, with the composer conducting the Chicago Symphony Orchestra. The cast included Leonora Corona, Rose Bampton, Frederick Jagel, Chase Baromeo, John Charles Thomas, and George Galvani. Its world stage premiere by the Metropolitan Opera was given on February 10, 1934. As that performance took place at a Saturday matinée, it was broadcast nationally as part of the company's weekly radio series, with Milton Cross serving as announcer. The premiere featured Lawrence Tibbett in the centra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Hanson
Howard Harold Hanson (October 28, 1896 – February 26, 1981)''The New York Times'' – Obituaries. Harold C. Schonberg. February 28, 1981 p. 1011/ref> was an American composer, conductor, educator, music theorist, and champion of American classical music. As director for 40 years of the Eastman School of Music, he built a high-quality school and provided opportunities for commissioning and performing American music. In 1944, he won a Pulitzer Prize for his Symphony No. 4, and received numerous other awards including the George Foster Peabody Award for Outstanding Entertainment in Music in 1946.''Howard Hanson in Theory and Practice'' Allen Laurence Cohen, Praeger Publishers, CT., 2004 p.17Howard Hanson, Peabody Award, "Milestones in American Music", "Milestones in the History of Music" on books.google.com/ref> Early life and education Hanson was born in Wahoo, Nebraska, to Swedish immigrant parents, Hans and Hilma (née Eckstrom) Hanson. In his youth he studied music with his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera Radio Broadcasts
The Metropolitan Opera radio broadcasts are a regular series of weekly broadcasts on network radio of full-length opera performances. They are transmitted live from the stage of the Metropolitan Opera in New York City. The Metropolitan Opera International Radio Network airs the live performances on Saturday afternoons while the Met is in season, typically beginning the first Saturday in December, and totaling just over 20 weekly performances through early May. The Met broadcasts are the longest-running continuous classical music program in radio history, and the series has won several Peabody Awards for excellence in broadcasting. The series is currently broadcast on over 300 stations in the United States, and stations in 40 countries on 5 continents. These countries include Canada, Mexico, 27 European countries, Australia, New Zealand, Argentina, Brazil, Ecuador, Mexico, Peru, Uruguay, China, and Japan. The broadcasts are also listenable online via streaming audio; and select b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scarlet Letter
''The Scarlet Letter: A Romance'' is a work of historical fiction Historical fiction is a literary genre in which the plot takes place in a setting related to the past events, but is fictional. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other ty ... by American author Nathaniel Hawthorne, published in 1850. Set in the Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter with a man to whom she is not married and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of Legalism (theology), legalism, sin and Guilt (emotion), guilt. ''The Scarlet Letter'' was one of the first mass-produced books in the United States. It was popular when first published and is considered a classic work of American literature. The novel has inspired numerous film, te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demonology
Demonology is the study of demons within religious belief and myth. Depending on context, it can refer to studies within theology, religious doctrine, or pseudoscience. In many faiths, it concerns the study of a hierarchy of demons. Demons may be nonhuman, separable souls, or discarnate spirits which have never inhabited a body. A sharp distinction is often drawn between these two classes, notably by the Melanesians, several African groups, and others. The Islamic jinn, for example, are not reducible to modified human souls. At the same time these classes are frequently conceived as producing identical results, e.g. diseases.van der Toorn, Becking, van der Horst (1999), ''Dictionary of Deities and Demons in The Bible'', Second Extensively Revised Edition, Entry: Demon, pp. 235-240, William B. Eerdmans Publishing Company, Prevalence of demons According to some societies, all the affairs of the universe are supposed to be under the control of spirits, each ruling a certain " e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Serafin
Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th-century ''bel canto'' operas by Bellini, Rossini and Donizetti to become staples of 20th-century repertoire. He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents. Born in Rottanova (Cavarzere), near Venice, and trained in Milan, he played viola in the Orchestra of La Scala, Milan under Arturo Toscanini, later being appointed Assistant Conductor. He took over as Music Director at La Scala when Toscanini left to go to New York, and served 1909–1914, 1917–1918, and returned briefly after the Second World War, 1946 -1947. He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalier
The term Cavalier () was first used by Roundheads as a term of abuse for the wealthier royalist supporters of King Charles I and his son Charles II of England during the English Civil War, the Interregnum, and the Restoration (1642 – ). It was later adopted by the Royalists themselves. Although it referred originally to political and social attitudes and behaviour, of which clothing was a very small part, it has subsequently become strongly identified with the fashionable clothing of the court at the time. Prince Rupert, commander of much of Charles I's cavalry, is often considered to be an archetypal Cavalier. Etymology Cavalier derives from the same Latin root as the Italian word and the French word (as well as the Spanish word ), the Vulgar Latin word '' caballarius'', meaning 'horseman'. Shakespeare used the word ''cavaleros'' to describe an overbearing swashbuckler or swaggering gallant in Henry IV, Part 2 (c. 1596–1599), in which Robert Shallow says "I'll drink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Johnson (opera Singer)
Edward Patrick Johnson, CBE (22 August 187820 April 1959) was a Canadian operatic tenor who was billed outside North America as Edoardo Di Giovanni. He became general manager of the Metropolitan Opera in Manhattan, New York City from 1935 to 1950. Early life Born in Guelph, Ontario, Canada, Johnson was the son of James Johnson and the former Margaret Jane Brown. The young tenor sang in his local church choir and at events in the Guelph area. At a concert in Stratford, Ontario in 1897, contralto Edith Miller encouraged him to move to New York and pursue a singing career. He sang as a soloist with several church choirs in the New York area. After this period he did much concert work, touring through the Mid-West with the Chicago Symphony Orchestra and singing in many Music Festivals throughout the country.Harriette Brower (1917) ''Vocal Mastery: Talks with Master Singers and Teachers'/ref> After a peripatetic existence for some years, working in a variety of venues and training ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Göta Ljungberg
Göta Ljungberg (4 October 1893 – 28 June 1955) was a major Swedish Wagnerian soprano of the 1920s who sang throughout American and Europe and left an important recorded legacy. Biography Born in Sundsvall, she studied at the Stockholm Opera School The Times, Jul 4, 1955, p11 with the physician and vocal coach Gillis Bratt. She undertook further studies with Mme Charles Cahier in Stockholm and also in Milan and Berlin. She also studied with Estelle Liebling, the teacher of Beverly Sills, in New York City during her time at the Met. She debuted as Gutrune in Wagner's ''Götterdämmerung'' with the Stockholm Opera in 1917. She remained one of the leading singers there until 1926 when began her international career. She went on to sing at most of the principal opera houses in Europe and America and "was acclaimed not only for her singing, but also for her acting and dramatic intensity" At the Berlin State Opera, she often appeared in Wagner but also as Tosca, Santuzza (''Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Gladys Swarthout
Gladys Swarthout (December 25, 1900 in Deepwater, Missouri – July 7, 1969 in Florence, Italy) was an American mezzo-soprano opera singer and actress. Career While studying at the Bush Conservatory of Music in Chicago, a group of friends arranged an audition for her with the Chicago Civic Opera Company. Much to her surprise, she ended up with a contract, though at the time she didn't know a single operatic role. When she debuted a few months later, she had memorized 23 parts and participated in over half of the season's operas. She sang for the Ravinia Opera Company of Chicago for three seasons. She sang Carmen in April 1928 in Chicago with the American Opera Company, of which her future husband, Frank M. Chapman Jr., later became a member. In 1929, she made her debut with the New York Metropolitan Opera Company, where she sang in over 270 performances until her Gala Farewell on April 16, 1966. Swarthout's role as Carmen was well respected. She regularly worked eight hours a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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