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Mere Roșii
''Red Apples'' ( ro, Mere roșii) is a 1975 Romanian drama film directed by Alexandru Tatos. Cast * Ion Cojar - Mitroi * Mircea Diaconu Mircea Diaconu (; born 24 December 1949) is a Romanian actor, writer, and politician. First appearing on stage in 1970, and on screen two years later, Diaconu pursued a lengthy career in both formats, working with a series of prominent directors ... - Mitică Irod * Carmen Galin - Psychologist * Angela Stoenescu - Nurse References External links * 1975 drama films 1975 films Romanian drama films 1970s Romanian-language films {{Romania-film-stub ...
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Alexandru Tatos
Alexandru is the Romanian form of the name Alexander. Common diminutives are Alecu, Alex, and Sandu. Origin Etymologically, the name is derived from the Greek "Αλέξανδρος" (Aléxandros), meaning "defending men" or "protector of men", a compound of the verb "ἀλέξω" (alexō), "to ward off, to avert, to defend" and the noun "ἀνδρός" (andros), genitive of "ἀνήρ" (anēr), "man". It is an example of the widespread motif of Greek (or Indo-European more generally) names expressing "battle-prowess", in this case the ability to withstand or push back an enemy battle line. The earliest attested form of the name is the Mycenaean Greek feminine noun ''a-re-ka-sa-da-ra'', (transliterated as ''Alexandra''), written in Linear B syllabic script. The name was one of the titles ("epithets") given to the Greek goddess Hera and as such is usually taken to mean "one who comes to save warriors". In the Iliad, the character Paris is known also as Alexander.
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Ion Cojar
Ion Cojar (January 9, 1931 - October 18, 2009) was a Romanian acting teacher, researcher and theatre director. He is the founder of a unique method that revolutionised the Romanian school of acting. Ion Cojar as acting teacher Ion Cojar changed the old way of understanding acting in Romania, when the actor was taught how to play theatre, to act, to fake, imitate or mimic life, emotions or characters, with a new one that demands actors, directors and teachers to create the circumstances in which the truth of life can occur, and the actor to go onstage or during filming through authentic psychologically-realistic processes that cannot be anticipated or consciously controlled, at the end of which they would be actually changed as a person, so that the audiences may be able to follow the lifelike processes, to understand and believe what they see and hear, to empathise with the actors.http://revistateatrul.cimec.ro/listaAutor.asp?IndexS=C&NumeS=Cojar0Ion Ion Cojar argued that in orde ...
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Mircea Diaconu
Mircea Diaconu (; born 24 December 1949) is a Romanian actor, writer, and politician. First appearing on stage in 1970, and on screen two years later, Diaconu pursued a lengthy career in both formats, working with a series of prominent directors. He acted in some sixty films through the 2000s, and continued to act in theatre during the ensuing decade. He took part in the Romanian Revolution of 1989. In 2008, he entered electoral politics, becoming a senator, and subsequently serving a term as a Member of the European Parliament. In 2019, he ran for president, placing fourth. Biography Acting, writing, Revolution Born in Vlădești, Argeș County, he graduated high school in Câmpulung in 1967 and Bucharest's I.L. Caragiale Institute of Theatre and Film Arts in 1971. He was obliged to join the Romanian Communist Party during his second year of university, due to the high grades he had achieved.
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Carmen Galin
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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