Mercury (mythology)
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Mercury (mythology)
Mercury (; la, Mercurius ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. In Roman mythology, he was considered to be either the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter, or of Caelus and Dies. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words ' ("merchandise"; cf. ''merchant'', ''commerce'', etc ...
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Dii Consentes
The ''Dii Consentes'', also known as ''Di'' or ''Dei Consentes'' (once ''Dii Complices''), is an ancient list of twelve major deities, six gods and six goddesses, in the pantheon of Ancient Rome. Their gilt statues stood in the Roman Forum, and later apparently in the Porticus Deorum Consentium. The gods were listed by the poet Ennius in the late 3rd century BCE in a paraphrase of an unknown Greek poet: :Juno, Vesta, Minerva, Ceres, Diana, Venus :Mars, Mercurius, Iovis, Neptunus, Vulcanus, Apollo Livy arranges them in six male-female pairs: Jupiter-Juno, Neptune-Minerva, Mars-Venus, Apollo-Diana, Vulcan-Vesta and Mercury-Ceres. Three of the ''Dii Consentes'' formed the Capitoline Triad: Jupiter, Juno and Minerva. Precursor lists The grouping of twelve deities has origins older than the Greek or Roman sources. Hittite The Greek grouping may have Hittite origins via Lycia, in Anatolia. A group of twelve Hittite gods is known both from cuneiform texts and from a ...
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Fresco Of Mercury-Hermes, Pompeii
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Magic Wand
A wand is a thin, light-weight rod that is held with one hand, and is traditionally made of wood, but may also be made of other materials, such as metal or plastic. Long versions of wands are often styled in forms of staves or sceptres, which could have large ornamentation on the top. In modern times, wands are usually associated with stage magic or supernatural magic, but there have been other uses, all stemming from the original meaning as a synonym of rod and virge. A stick that is used for reaching, pointing, drawing in the dirt, and directing other people, is one of the earliest and simplest of tools. History It is possible that wands were used by pre-historic peoples. It is mentioned that 'rods' (as well as rings) were found with Red Lady of Paviland in Britain. It is mentioned by the author in ''Gower - A Guide to Ancient and Historic Monuments on the Gower Peninsula'' that these might have been wands and are depicted as such in a reconstruction drawing of the burial o ...
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Interpretatio Graeca
''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by means of Greek odels is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. ''Interpretatio graeca'' may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods. ''Interpretatio romana'' is comparative discourse in reference to ancient Roman religion and myth, as in the form ...
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Caduceus
The caduceus (☤; ; la, cādūceus, from grc-gre, κηρύκειον "herald's wand, or staff") is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was also borne by heralds in general, for example by Iris, the messenger of Hera. It is a short staff entwined by two serpents, sometimes surmounted by wings. In Roman iconography, it was often depicted being carried in the left hand of Mercury, the messenger of the gods. Some accounts suggest that the oldest known imagery of the caduceus has its roots in Mesopotamia with the Sumerian god Ningishzida; his symbol, a staff with two snakes intertwined around it, dates back to 4000 BC to 3000 BC. As a symbolic object, it represents Hermes (or the Roman Mercury), and by extension trades, occupations, or undertakings associated with the god. In later Antiquity, the caduceus provided the basis for the astrological symbol representing th ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Etruscan Mythology
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters ...
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Atlas (mythology)
In Greek mythology, Atlas (; grc-gre, Ἄτλας, ''Átlas'') is a Titan condemned to hold up the heavens or sky for eternity after the Titanomachy. Atlas also plays a role in the myths of two of the greatest Greek heroes: Heracles (Hercules in Roman mythology) and Perseus. According to the ancient Greek poet Hesiod, Atlas stood at the ends of the earth in extreme west. Later, he became commonly identified with the Atlas Mountains in northwest Africa and was said to be the first King of Mauretania. Atlas was said to have been skilled in philosophy, mathematics, and astronomy. In antiquity, he was credited with inventing the first celestial sphere. In some texts, he is even credited with the invention of astronomy itself. Atlas was the son of the Titan Iapetus and the Oceanid Asia or Clymene. He was a brother of Epimetheus and Prometheus. He had many children, mostly daughters, the Hesperides, the Hyades, the Pleiades, and the nymph Calypso who lived on the island Ogyg ...
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Titans
In Greek mythology, the Titans ( grc, οἱ Τῑτᾶνες, ''hoi Tītânes'', , ''ho Tītân'') were the pre-Olympian gods. According to the ''Theogony'' of Hesiod, they were the twelve children of the primordial parents Uranus (Sky) and Gaia (Earth), with six male Titans— Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus—and six female Titans, called the Titanides or "Titanesses" (, ''hai Tītānídes'')—Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys. Cronus mated with his older sister Rhea, who then bore the first generation of Olympians: the six siblings Zeus, Hades, Poseidon, Hestia, Demeter, and Hera. Certain descendants of the Titans, such as Prometheus, Helios, and Leto, are sometimes also called Titans. The Titans were the former gods: the generation of gods preceding the Olympians. They were overthrown as part of the Greek succession myth, which tells how Cronus seized power from his father Uranus and ruled the cosmos with his fellow Titans bef ...
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Pleiades (Greek Mythology)
The Pleiades (; grc-gre, Πλειάδες, Ancient Greek pronunciation: ), were the seven sister-nymph, nymphs, companions of Artemis, the goddess of the hunt. Together with their seven sisters, the Hyades (mythology), Hyades, they were called the Atlantides, Dodonides, or Nysiads, Nysiades, nursemaids and teachers of the infant Dionysus. The Pleiades were thought to have been translated to the night sky as a cluster of stars, the Pleiades, and were associated with rain. Etymology The name Pleiades ostensibly derived from the name of their mother, Pleione, effectively meaning "daughters of Pleione". However, the name of the star-cluster likely came first, and Pleione was invented to explain it. According to another suggestion ''Pleiades'' derived from πλεῖν (''plein'' , "to sail") because of the cluster's importance in delimiting the sailing season in the Mediterranean Sea: "the season of navigation began with their heliacal rising". Family The Pleiades' parents were ...
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Maia
Maia (; Ancient Greek: Μαῖα; also spelled Maie, ; la, Maia), in ancient Greek religion and mythology, is one of the Pleiades and the mother of Hermes, one of the major Greek gods, by Zeus, the king of Olympus. Family Maia is the daughter of Atlas and Pleione the Oceanid,Hesiod, ''Theogony'' 938 and is the oldest of the seven Pleiades.Apollodorus3.10.1/ref> They were born on Mount Cyllene in Arcadia, and are sometimes called mountain nymphs, ''oreads''; Simonides of Ceos sang of "mountain Maia" ''(Maiados oureias)'' "of the lovely black eyes." Because they were daughters of Atlas, they were also called the Atlantides. Mythology Birth of Hermes According to the Homeric ''Hymn to Hermes'', Zeus, in the dead of night, secretly made love to Maia, who avoided the company of the gods, in a cave of Cyllene. She became pregnant with Hermes. After giving birth to the baby, Maia wrapped him in blankets and went to sleep. The rapidly maturing infant Hermes crawled away ...
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Divination
Divination (from Latin ''divinare'', 'to foresee, to foretell, to predict, to prophesy') is the attempt to gain insight into a question or situation by way of an occultic, standardized process or ritual. Used in various forms throughout history, diviners ascertain their interpretations of how a querent should proceed by reading signs, events, or omens, or through alleged contact or interaction with a supernatural agency. Divination can be seen as a systematic method with which to organize what appears to be disjointed, random facets of existence such that they provide insight into a problem at hand. If a distinction is to be made between divination and fortune-telling, divination has a more formal or ritualistic element and often contains a more social character, usually in a religious context, as seen in traditional African medicine. Fortune-telling, on the other hand, is a more everyday practice for personal purposes. Particular divination methods vary by culture and reli ...
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