Mephistopheles
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Mephistopheles
Mephistopheles (, ), also known as Mephisto, is a demon featured in German folklore. He originally appeared in literature as the demon in the Faust legend, and he has since appeared in other works as a stock character (see: Mephistopheles in the arts and popular culture). Etymology and name meaning The name ''Mephistopheles'' is a corrupted Greek compound. The Greek particle of negation (μη, ''mē'') and the Greek word for love or loving (φίλος, ''philos'') are the first and last terms of the compound but the middle term is more doubtful. For the middle term, three meanings have been noticed and three different complete etymologies have been established: *not loving light (φως το, ''phōs to''; the old form of the word being ''Mephostopheles'') *not loving Faust *allied to '' mephitic,'' a term which designates the poisonous vapors arising from the earth in certain places—pools, caverns, springs—destructive of human life. It is likely that the name was invent ...
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Mephistopheles In The Arts And Popular Culture
This article lists cultural references to Mephistopheles, the fictional devil from ''Faust'' and '' Doctor Faustus'' who has been used in other pieces of literature, film, comics and music. Art * The 19th century ''Mephistopheles and Margaretta'' is based on the 1808-32 play Goethe's ''Faust''. Drama * 1604 – Christopher Marlowe's ''The Tragical History of Doctor Faustus'' * 1808 – Johann Wolfgang von Goethe's ''Faust, Part One'' * 1832 – Johann Wolfgang von Goethe's ''Faust, Part Two'' * 1996 - Richard O’Brien starred as the swanky Mephistopheles Smith in his musical comedy ''Disgracefully Yours.'' Opera * 1816 – Ludwig Spohr's ''Faust'' (based on plays and poems by Klinger and von Kleist, derived from the Faust folk tales) * 1846 – Hector Berlioz's "''Légende dramatique''" ''La Damnation de Faust'' (based on Goethe's ''Faust, Part One'', but includes a tragic ending without redemption for Faust, following the Faust folk tales) * 1859 – Charles Gounod's ''Faust' ...
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Mephistophiles Passau 1527
Mephistopheles (, ), also known as Mephisto, is a demon featured in German folklore. He originally appeared in literature as the demon in the Faust legend, and he has since appeared in other works as a stock character (see: Mephistopheles in the arts and popular culture). Etymology and name meaning The name ''Mephistopheles'' is a corrupted Greek compound. The Greek particle of negation (μη, ''mē'') and the Greek word for love or loving (φίλος, ''philos'') are the first and last terms of the compound but the middle term is more doubtful. For the middle term, three meanings have been noticed and three different complete etymologies have been established: *not loving light (φως το, ''phōs to''; the old form of the word being ''Mephostopheles'') *not loving Faust *allied to '' mephitic,'' a term which designates the poisonous vapors arising from the earth in certain places—pools, caverns, springs—destructive of human life. It is likely that the name was invent ...
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Mephistopheles2
Mephistopheles (, ), also known as Mephisto, is a demon featured in German folklore. He originally appeared in literature as the demon in the Faust legend, and he has since appeared in other works as a stock character (see: Mephistopheles in the arts and popular culture). Etymology and name meaning The name ''Mephistopheles'' is a corrupted Greek compound. The Greek particle of negation (μη, ''mē'') and the Greek word for love or loving (φίλος, ''philos'') are the first and last terms of the compound but the middle term is more doubtful. For the middle term, three meanings have been noticed and three different complete etymologies have been established: *not loving light (φως το, ''phōs to''; the old form of the word being ''Mephostopheles'') *not loving Faust *allied to '' mephitic,'' a term which designates the poisonous vapors arising from the earth in certain places—pools, caverns, springs—destructive of human life. It is likely that the name was invent ...
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Faust
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain. The Faust of early books—as well as the ballads, dramas, movies, and puppet-plays which grew out of them—is irrevocably damned because he prefers human knowledge over divine knowledge: "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout ...
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Mephisto Waltzes
The ''Mephisto Waltzes'' (german: Mephisto-Walzer, link=no) are four waltzes composed by Franz Liszt from 1859 to 1862, from 1880 to 1881, and in 1883 and 1885. Nos. 1 and 2 were composed for orchestra, and later arranged for piano, piano duet and two pianos, whereas nos. 3 and 4 were written for piano only. Of the four, the first is the most popular and has been frequently performed in concert and recorded. Associated with the ''Mephisto Waltzes'' is the Mephisto Polka, which follows the same program as the other ''Mephisto'' works. The Waltzes No. 1, S.514 The most popular of the series and, along with the third ''Waltz'', most praised musically, the ''Der Tanz in der Dorfschenke: Erster Mephisto-Walzer'' ("The Dance in the Village Inn: First Mephisto-Waltz"), or the First Mephisto Waltz, is the second of two short works he wrote for orchestra under the title ''Zwei Episoden aus Lenaus Faust''. While the work preceding it, ''Midnight Procession'' (''Der nächtliche Zug''), ...
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Devil
A devil is the personification of evil as it is conceived in various cultures and religious traditions. It is seen as the objectification of a hostile and destructive force. Jeffrey Burton Russell states that the different conceptions of the devil can be summed up as 1) a principle of evil independent from God, 2) an aspect of God, 3) a created being turning evil (a ''fallen angel''), and 4) a symbol of human evil. Each tradition, culture, and religion with a devil in its mythos offers a different lens on manifestations of evil.Jeffrey Burton Russell, ''The Devil: Perceptions of Evil from Antiquity to Primitive Christianity'', Cornell University Press 1987 , pp. 41–75 The history of these perspectives intertwines with theology, mythology, psychiatry, art, and literature developing independently within each of the traditions. It occurs historically in many contexts and cultures, and is given many different names— Satan, Lucifer, Beelzebub, Mephistopheles, Iblis—and at ...
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Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In ma ...
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Christopher Marlowe
Christopher Marlowe, also known as Kit Marlowe (; baptised 26 February 156430 May 1593), was an English playwright, poet and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "many imitations" of his play ''Tamburlaine,'' modern scholars consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the pre-eminent Elizabethan playwright. Marlowe was the first to achieve critical reputation for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his caterin ...
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Deal With The Devil
A deal with the Devil (also called a Faustian bargain or Mephistophelian bargain) is a cultural motif exemplified by the legend of Faust and the figure of Mephistopheles, as well as being elemental to many Christian traditions. According to traditional Christian belief about witchcraft, the pact is between a person and the Devil or another demon, trading a soul for diabolical favours, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power. It was also believed that some people made this type of pact just as a sign of recognising the minion as their master, in exchange for nothing. The bargain is a dangerous one, as the price of the Fiend's service is the wagerer's soul. The tale may have a moralising end, with eternal damnation for the foolhardy venturer. Conversely, it may have a comic twist, in which a wily peasant outwits the devil, characteristically on a technical point. The person making the pact sometimes tries to outwit the devil, but l ...
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Mefistofele
''Mefistofele'' () is an opera in a prologue and five acts, later reduced to four acts and an epilogue, the only completed opera with music by the Italian composer-librettist Arrigo Boito (there are several completed operas for which he was librettist only). The opera was given its premiere on 5 March 1868 at La Scala, Milan, under the baton of the composer, despite his lack of experience and skill as a conductor. However, it was not a success and was immediately withdrawn after only two performances. Revisions in 1875 resulted in success in Bologna and, with further adjustments in 1876 for Venice, the opera was performed elsewhere. Composition history Boito began consideration of an opera on the Faustian theme after completing his studies at the Milan Conservatory in 1861. ''Mefistofele'' is one of many pieces of classical music based on the Faust legend and, like many other composers, Boito used Goethe's version as his starting point. He was an admirer of Richard Wagner and, li ...
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Johann Georg Faust
Johann Georg Faust (; c. 1480 or 1466 – c. 1541), also known in English as John Faustus , was a German itinerant alchemist, astrologer, and magician of the German Renaissance. ''Doctor Faust'' became the subject of folk legend in the decades after his death, transmitted in chapbooks beginning in the 1580s, and was notably adapted by Christopher Marlowe in his play '' The Tragical History of the Life and Death of Doctor Faustus'' (1604). The ''Faustbuch'' tradition survived throughout the early modern period, and the legend was again adapted in Johann Wolfgang von Goethe's closet drama ''Faust'' (1808), Hector Berlioz's musical composition ''La damnation de Faust'' (premiered 1846), and Franz Liszt's ''Faust Symphony'' of 1857. Historical Faust Because of his early treatment as a figure in legend and literature, it is difficult to establish historical facts about his life with any certainty. In the 17th century, it was even doubted that there ever had been a historical ...
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Meyer Lutz
Wilhelm Meyer Lutz (19 May 1829 – 31 January 1903) was a German-born British composer and conductor who is best known for light music, musical theatre and burlesques of well-known works. Emigrating to the UK at the age of 19, Lutz started as an organist and soon became a theatrical conductor in London. After serving from 1850 to 1855 as music director of the Surrey Theatre, Lutz conducted touring opera companies and composed some serious music and music for the Christy Minstrels. In 1869, he was engaged as the music director of the Gaiety Theatre, London, arranging and later composing a series of popular burlesques over the next 25 years. Lutz continued to compose songs into the 20th century. Life and career Lutz was born in Münnerstadt, Bavaria, Germany. His parents were Joseph Lutz (1801–1879), a music professor, and Magdalena (1809–1862). His older brother, Baron Johann Lutz, became the prime minister of Bavaria under King Ludwig II of Bavaria. Lutz studied music ...
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