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Menthu
Montu was a falcon-god of war in ancient Egyptian religion, an embodiment of the conquering vitality of the pharaoh.Hart, George, ''A Dictionary of Egyptian Gods and Goddesses'', Routledge, 1986, . p. 126. He was particularly worshipped in Upper Egypt and in the district of Thebes.Rachet, Guy (1994). ''Dizionario della civiltà egizia''. Rome: Gremese Editore. . p. 208. Name Montu's name, shown in Egyptian hieroglyphs to the right, is technically transcribed as ''mntw'' (meaning "Nomad"). Because of the difficulty in transcribing Egyptian vowels, it is often realized as Mont, Monthu, Montju, Ment or Menthu. Role and characteristics A very ancient god, Montu was originally a manifestation of the scorching effect of Ra, the sun – and as such often appeared under the epithet Montu-Ra. The destructiveness of this characteristic led to him gaining characteristics of a warrior, and eventually becoming a widely revered war-god. The Egyptians thought that Montu would attack th ...
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Mentuhotep II
Mentuhotep II ( egy, Mn- ṯw-ḥtp, meaning " Mentu is satisfied"), also known under his prenomen Nebhepetre ( egy, Nb- ḥpt- Rˁ, meaning "The Lord of the rudder is Ra"), was an ancient Egyptian pharaoh, the sixth ruler of the Eleventh Dynasty. He is credited with reuniting Egypt, thus ending the turbulent First Intermediate Period and becoming the first pharaoh of the Middle Kingdom. He reigned for 51 years, according to the Turin King List. Mentuhotep II succeeded his father Intef III on the throne and was in turn succeeded by his son Mentuhotep III. Mentuhotep II ascended Egypt’s throne in the Upper Egyptian city of Thebes during the First Intermediate Period. Egypt was not unified during this time, and the Tenth Dynasty, rival to Mentuhotep’s Eleventh, ruled Lower Egypt from Herakleopolis. After the Herakleopoitan kings desecrated the sacred ancient royal necropolis of Abydos in Upper Egypt in the fourteenth year of Mentuhotep’s reign, Pharaoh Mentuhotep II ...
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Egyptian Hieroglyph
Egyptian hieroglyphs (, ) were the formal writing system used in Ancient Egypt, used for writing the Egyptian language. Hieroglyphs combined logographic, syllabic and alphabetic elements, with some 1,000 distinct characters.There were about 1,000 graphemes in the Old Kingdom period, reduced to around 750 to 850 in the classical language of the Middle Kingdom, but inflated to the order of some 5,000 signs in the Ptolemaic period. Antonio Loprieno, ''Ancient Egyptian: A Linguistic Introduction'' (Cambridge: Cambridge UP, 1995), p. 12. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Through the Phoenician alphabet's major child systems (the Greek and Aramaic scripts), the Egyptian hieroglyphic script is ancestral to the majority of scripts in modern use, most prominently the Latin and Cyr ...
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Armant, Egypt
Armant ( ar, أرْمَنْت; egy, jwn.w-n-mnṯ.w or ''jwn.w-šmꜥ.w''; Bohairic: ; Sahidic: ), also known as Hermonthis ( grc, Ἕρμωνθις), is a town located about south of Thebes. It was an important Middle Kingdom town, which was enlarged during the Eighteenth Dynasty. It is located today in the Luxor Governorate on the west bank of the Nile. The ruined Temple of Hermonthis (sometimes Temple of Monthu) sits in the middle of the modern town. History The Ancient Egyptian name for the city meant "the Heliopolis of Montu", an Egyptian god whose root of name means "nomad". Montu was associated with raging bulls, strength and war. He was also said to manifest himself in a white bull with a black face, which was referred to as the Bakha. Egypt's greatest general-kings called themselves Mighty Bulls, the sons of Montu. In the famous narrative of the Battle of Kadesh, Ramesses II was said to have seen the enemy and "raged at them like Montu, Lord of Thebes". A tem ...
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Atum
Atum (, Egyptian: ''jtm(w)'' or ''tm(w)'', ''reconstructed'' ; Coptic ''Atoum''), sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Name Atum's name is thought to be derived from the verb ''tm'' which means 'to complete' or 'to finish'. Thus, he has been interpreted as being the "complete one" and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator, he was seen as the progenitor of the world, the deities and universe having received his vital force or ka. Origins Atum is one of the most important and frequently mentioned deities from earliest times, as evidenced by his prominence in the Pyramid Texts, where he is portrayed as both a creator and father to the king. Several writings contradict how Atum was brought into existence. Some state Atum was created by himself by saying his name, while others argue he came out from a blue lotus flower or an egg. Role In the Heliopolitan creation myt ...
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Mentuhotep III
Sankhkare Mentuhotep III (also Montuhotep III) of the Eleventh Dynasty was Pharaoh of Egypt during the Middle Kingdom. He was assigned a reign of 12 years in the Turin Canon. Reign Mentuhotep III succeeded his father Mentuhotep II to the throne. It is believed that, following his father's long 51 years of reign, Mentuhotep III was relatively old when he acceded to the throne and reigned for 12 years. Despite its short duration, Mentuhotep's reign is known for his expedition to Punt and architectural innovations. Name Mentuhotep III's titulary is very similar to the third and final one of his father. Mentuhotep III is known to have had at least two praenomen: the well known ''Sankhkare'' and also Expedition to Punt Mentuhotep III sent an expedition to the Land of Punt during the 8th year of his reign, something that had not been done since the Old Kingdom. An inscription in the Wadi Hammamat describes the expedition as being 3000 men strong and under the command of ...
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Mentuhotep I
Mentuhotep (also Montuhotep) is an ancient Egyptian name meaning "''Montu is satisfied''" and may refer to: Kings * Mentuhotep I, nomarch at Thebes during the First Intermediate Period and first king of the 11th Dynasty * Mentuhotep II, reunified Egypt at the end of the first intermediate period, thereby starting the Middle Kingdom of Egypt * Mentuhotep III, successor of Mentuhotep II * Mentuhotep IV, successor of Mentuhotep III, possibly overthrown by Amenemhat I, founder of the Twelfth Dynasty of Egypt * Mentuhotep V, a ruler of the late 13th Dynasty during the Second Intermediate Period * Mentuhotepi, ruler of the 16th Dynasty in Upper Egypt during the Second Intermediate Period * Mentuhotep VI, a ruler of the late 16th Dynasty. Others *Mentuhotep (treasurer) *Mentuhotep (queen) *Mentuhotep (god's father) Mentuhotep was the non-royal father of the ancient Egyptian king Sobekhotep III, who ruled for about three years in the Thirteenth Dynasty In music or music t ...
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11th Dynasty
The Eleventh Dynasty of ancient Egypt (notated Dynasty XI) is a well-attested group of rulers. Its earlier members before Pharaoh Mentuhotep II are grouped with the four preceding dynasties to form the First Intermediate Period, whereas the later members are considered part of the Middle Kingdom. They all ruled from Thebes in Upper Egypt. Characteristics The relative chronology of the 11th Dynasty is well established by contemporary attestations and, except for count Intef and Mentuhotep IV, by the Turin canon.mirror Manetho's statement that Dynasty XI consisted of 16 kings, who reigned for 43 years is contradicted by contemporary inscriptions and the evidence of the Turin King List, whose combined testimony establishes that this kingdom consisted of seven kings who ruled for a total of 143 years. However, his testimony that this dynasty was based at Thebes is verified by the contemporary evidence. It was during this dynasty that all of ancient Egypt was united under the Mi ...
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New Kingdom Of Egypt
The New Kingdom, also referred to as the Egyptian Empire, is the period in ancient Egyptian history between the sixteenth century BC and the eleventh century BC, covering the Eighteenth, Nineteenth, and Twentieth dynasties of Egypt. Radiocarbon dating places the beginning of the New Kingdom between 1570 BC and 1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period. It was Egypt's most prosperous time and marked the peak of its power. The concept of a "New Kingdom" as one of three "golden ages" was coined in 1845 by German Egyptologist Baron von Bunsen, and its definition would evolve significantly throughout the nineteenth and twentieth centuries. The later part of this period, under the Nineteenth and Twentieth dynasties (1292–1069 BC), is also known as the ''Ramesside period''. It is named after the eleven pharaohs who took the name Ramesses, after Ramesses I, the founder of the Nineteenth Dynasty. Possibly ...
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Khopesh
The ''khopesh'' ('; also vocalized khepesh) is an Egyptian sickle-shaped sword that evolved from battle axes. Description A typical ''khopesh'' is 50–60 cm (20–24 inches) in length, though smaller examples also exist. The inside curve of the weapon could be used to trap an opponent's arm, or to pull an opponent's shield out of the way. These weapons changed from bronze to iron in the New Kingdom period. The earliest known depiction of a ''khopesh'' is from the Stele of the Vultures, depicting King Eannatum of Lagash wielding the weapon; this would date the ''khopesh'' to at least 2500 BC. The blade is only sharpened on the outside portion of the curved end. The ''khopesh'' evolved from the epsilon or similar crescent-shaped axes that were used in warfare. History The ''khopesh'' fell out of use around 1300 BC. However, on the 196 BC Rosetta Stone, it is referenced as the "sword" determinative in a hieroglyph block, with the spelled letters of k ...
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Art Of Ancient Egypt
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs. The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order (Ma'at). Art of Pre-Dynastic Egypt (6 ...
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Late Period Of Ancient Egypt
The Late Period of ancient Egypt refers to the last flowering of native Egyptian rulers after the Third Intermediate Period in the 26th Saite Dynasty founded by Psamtik I, but includes the time of Achaemenid Persian rule over Egypt after the conquest by Cambyses II in 525 BC as well. The Late Period existed from 664 BC until 332 BC, following a period of foreign rule by the Nubian 25th Dynasty and beginning with a short period of Neo-Assyrian suzerainty, with Psamtik I initially ruling as their vassal. The period ended with the conquests of the Persian Empire by Alexander the Great and establishment of the Ptolemaic dynasty by his general Ptolemy I Soter, one of the Hellenistic diadochi from Macedon in northern Greece. With the Macedonian Greek conquest in the latter half of the 4th century BC, the age of Hellenistic Egypt began. History 26th Dynasty The Twenty-Sixth Dynasty, also known as the Saite Dynasty after its seat of power the city of Sais, reigned from 672 to 5 ...
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