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Memorial To Ippolito Merenda
The ''Memorial to Ippolito Merenda'' is a funerary monument designed by the Italian artist Gian Lorenzo Bernini between 1636 and 1638. Along with the similar monument for Alessandro Valtrini, this artwork was a startling new approach to funerary monuments, incorporating dynamic, flowing inscriptions being dragged by a moving figure of death. It is in the church of San Giacomo alla Lungara San Giacomo alla Lungara is a church in Rome (Italy), in the Rione Trastevere, facing on Via della Lungara. It is also called ''San Giacomo in Settimiano'' or ''in Settignano'', due to its vicinity to Porta Settimiana, built by Septimius Severus ... in Rome. Merenda was from Cesena in Emilia Romagna. He left a bequest to San Giacomo della Lungara (of 20,000 Roman scudi) on his death in 1636. One of the nephews of the then pope Urban VIII, Cardinal Francesco Barberini, then commissioned the monument from Bernini in recognition of Merenda's contribution. See also * List of works by Gian Loren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giacomo Alla Lungara
San Giacomo alla Lungara is a church in Rome (Italy), in the Rione Trastevere, facing on Via della Lungara. It is also called ''San Giacomo in Settimiano'' or ''in Settignano'', due to its vicinity to Porta Settimiana, built by Septimius Severus and included by Aurelianus within the city walls. The church has medieval origins: it probably dates back to the papacy of Leo IV in 9th century. However, the former documents attesting its existence are papal bulls promulgated in 1198 and 1228, when the church was declared a branch of St. Peter's Basilica by Pope Innocent III. In 12th century Pope Innocent IV allowed it to the Sylvestrine Congregation; in 1620 the Vatican Chapter entrusted the church to the Franciscans and then to the Penitent Nuns, which, in 1644, charged Luigi Arrigucci (1575–1644) with the restoration of the building: because of these restorations, the church lost its basilican layout with three naves and became a single nave church with coffering on the ceiling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memorial To Alessandro Valtrini
The ''Memorial to Alessandro Valtrini'' is a funerary monument designed by the Italian artist Gian Lorenzo Bernini in 1639, and executed by his workshop in the same year. It is situated in the church of the San Lorenzo in Damaso in Rome. It has strong affinities with the ''Memorial to Ippolito Merenda''; both were undertaken by Bernini's workshop and commissioned by Cardinal Francesco Barberini to commend the ecclesiastical work done by Valtrini and Merenda respectively. In aesthetic terms, both broke new ground in figuring Death as a moving skeleton carrying a flowing inscriptions and, in the case of Alessandro Valrtrini monument, a medallion-shaped portrait of Valtrini himself. Valtrini had been a wealthy donor during his lifetime. Three churches he had supported erected monuments to him, Il Gesù (where his body remained), Santa Maria sopra Minerva and the Bernini version in San Lorenzo in Damaso. He died in 1633. Francesco Barberini organised the Bernini commission in the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memorial To Maria Raggi
''Memorial to Maria Raggi'' is a sculptural monument designed and executed by the Italian artist Gian Lorenzo Bernini, started in 1647 and finished in 1653. The monument is attached to a pillar in a nave of the church of Santa Maria sopra Minerva in Rome. Maria Raggi Maria Raggi (1552–1600) was a nun from the island of Chios. Forced to marry at an early age, she was widowed when her husband was captured by Turkish forces in 1570. She became a nun in 1571, and departed for Rome in 1584, where she was resident at the Palazzo of the de Marini family, near Santa Maria sopra Minerva. An extremely pious woman, she spent much of her day in prayer, and reportedly continually performed miracles. After dying in 1600, there was some possibility of her being canonised, but the general antipathy of Pope Urban VIII to such events meant the opportunity passed. Patronage Three descendants of Maria were responsible for commissioning Bernini to create the work, Ottaviano Raggi, Ottaviano, Tomma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Gian Lorenzo Bernini
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his .... The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in ''Gian Lorenzo Bernini: The Sculptor of the Roman Baroque''. Works Notes References * * * * * * * * Further reading * * * * External links Web Gallery of ArtMap Showing the Location of Bernini's Works in Rome {{DEFAULTSORT:List Of Works By Gian Lorenzo Bernini Bernini Bernini Works by Gian Lorenzo Bernini Lists of sculptures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monuments And Memorials In Rome
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures By Gian Lorenzo Bernini
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1640s Sculptures
Year 164 ( CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 '' Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoist (d. 244) * Yu Fan, Chinese scholar and official (d. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
