Melchior Broederlam
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Melchior Broederlam
Melchior Broederlam (born Ypres, perhaps 1350; died Ypres?, after 1409) was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed. He worked mostly for Philip the Bold, Duke of Burgundy, and is documented from 1381 to 1409. Although only a single large pair of panel paintings can confidently be attributed to him, no history of Western painting can neglect his contribution. Life His early career included a lengthy stay in Italy, where he adopted a sense of space and use of modelling influenced by Trecento painting. From 1381 he was court painter to Louis de Mâle, Duke of Brabant, and from Louis's death in 1384 worked for his son-in-law and successor, Philip the Bold, although he remained based in Ypres, doing much work, mostly decorative, at Philip's now vanished chateau at Hesdin, which was full of elaborate mechanical devices, of what we might today call a fairground nature, which needed painting. Like many court artists, includ ...
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Melchior Broederlam 001
Melchior is the name traditionally given to one of the biblical Magi appearing in the Gospel of Matthew. There are many notable people with this name, or close variations. As a first name * Melchior Anderegg (1828–1914), Swiss mountain guide * Melchior Berri (1801–1854), Swiss architect * Melchior Broederlam (c. 1350 – after 1409), Dutch painter * Melchior Cano (1525–1560), Spanish theologian * Melchior Cibinensis, 16th century Hungarian alchemical writer * Melchior Goldast (1576–1635), Swiss writer * Melchior d'Hondecoeter (1636–1695), Dutch animalier * Melchior de Polignac (1661–1742), French diplomat, Roman Catholic cardinal * Melchior de Vogüé (1848–1910), French diplomat, travel writer, archaeologist, philanthropist * Melchior Franck (1579–1639), German composer * Melchior Grodziecki (1584–1619), Catholic saint * Melchior Hoffman (c. 1495–1543), German-Dutch Anabaptist prophet * Melchior Inchofer (c. 1584–1648), Jesuit who took part in Galileo's tria ...
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List Of Carthusian Monasteries
This is a list of Carthusian monasteries, or charterhouses, containing both extant and dissolved Monastery, monasteries of the Carthusians (also known as the Order of Saint Bruno) for monks and nuns, arranged by location under their present countries. Also listed are the "houses of refuge" used by the communities expelled from France in the early 20th century. Since the establishment of the Carthusians in 1084 there have been more than 300 monastic foundations, and this list aims to be complete. Dates of foundation and suppression are given where known. there are 21 extant charterhouses, 16 for monks and 5 for nuns, indicated by bold type. Europe Austria * Aggsbach Charterhouse (''Kartause Aggsbach'' or ''Kartause Marienpforte'') in Aggsbach, Lower Austria (1380–1782) * Gaming Charterhouse (''Kartause Gaming'' or ''Kartause Maria Thron'') in Gaming, Austria, Gaming, Lower Austria (1330–1782) * Mauerbach Charterhouse (''Kartause Mauerbach'') in Mauerbach near Vienna, ...
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James Snyder (art Historian)
James Snyder (James E. Snyder) (1928–1990) was an American art historian, specializing in northern Renaissance art. His ''Northern Renaissance Art'' of 1985 was a standard textbook on the subject for several decades, with a posthumous revised edition in 2005, revised by Larry Silver and Henry Luttikhuizen, being somewhat replaced by Jeffrey Chipps Smith's ''The Northern Renaissance'' of 2004. Snyder taught at Bryn Mawr College from 1964 until his retirement in 1989. He died of liver disease in August 1990, aged 62. He is not to be confused with the American museum director and art historian, James S. Snyder (born 1952). Career Born in Peoria, Illinois, Snyder graduated with a B.A. from the University of Colorado in 1952, continuing to Princeton University for an M.F.A.in 1955. There he studied under Kurt Weitzmann and it was Erwin Panofsky who suggested the Early Netherlandish painter Early Netherlandish painting, traditionally known as the Flemish Primitives, refers ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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Grove Art Online
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret C ...
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Mosan Art
Mosan art is a regional style of art from the valley of the Meuse in present-day Belgium, the Netherlands, and Germany. Although in a broader sense the term applies to art from this region from all periods, it generally refers to Romanesque art, with Mosan Romanesque architecture, stone carving, metalwork, enamelling and manuscript illumination reaching a high level of development during the 11th, 12th and 13th centuries. Development of Mosan art and geographical spread The Meuse river valley lay in the heart of the Carolingian Empire and therefore the style draws largely from the heritage of the Carolingian art tradition. Thus, Mosan art contains strong classical elements, which separates it from the international Romanesque style seen elsewhere during the period, for example in France, Germanywww.musee-moyenage.fr
Engla ...
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International Gothic
International Gothic is a period of Gothic art which began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century. Artists and portable works, such as illuminated manuscripts, travelled widely around the continent, leading to a common aesthetic among the royalty and higher nobility and considerably reducing the variation in national styles among works produced for the courtly elites. The main influences were northern France, the Netherlands, the Duchy of Burgundy, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. ...
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Saint Joseph
Joseph (; el, Ἰωσήφ, translit=Ioséph) was a 1st-century Jewish man of Nazareth who, according to the canonical Gospels, was married to Mary, the mother of Jesus, and was the legal father of Jesus. The Gospels also name some brothers of Jesus who may have been: (1) the sons of Mary, the mother of Jesus, and Joseph; (2) sons of Mary, the wife of Clopas and sister of Mary the mother of Jesus; or (3) sons of Joseph by a former marriage. Joseph is venerated as Saint Joseph in the Catholic Church, Orthodox Church, Oriental Orthodox Church and Anglicanism. His feast day is observed by some Lutherans. In Catholic traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. The month of March is dedicated to Saint Joseph. Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a happy death, due to the belief that he died in the presence of Jesus and ...
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Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ...
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Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish painting. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades. Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode". ''The Burlington Magazine'', Volume 116, No. 860, Nov. 1974. 634-646 A corpus of work is attached to the unidentified "Master of Flémalle,"Fragments remain probably from som ...
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Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried oil paint film. The addition of oil or alkyd medium can also be used to modify the viscosity and drying time of oil paint. Oil paints were first used in Asia as early as the 7th century AD and can be seen in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, but oil painting did not begin to be adopted as an artistic medium there until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior ...
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Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ...
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