Melbourne Cinematheque
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Melbourne Cinematheque
The Melbourne Cinémathèque is a non-profit film society screening programmes year-round, dedicated to presenting the history of world cinema on the big screen in carefully curated retrospectives. It started out as Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984. It screens at the Australian Centre for the Moving Image (ACMI). The Melbourne Cinémathèque screens archival 35mm movie film, 35mm and 16mm film prints from organisations such as the British Film Institute, Library of Congress (Washington, USA), UCLA Film & TV Archive etc. The Melbourne Cinémathèque's mission is to present films in the medium they were created, and as closely as possible to screen them the way they would have originally screened, (i.e. big screen 16 & 35mm prints, not video or DVD). Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival ...
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Australian Centre For The Moving Image
ACMI, formerly the Australian Centre for the Moving Image, is Australia's national museum of film, television, videogames, and art. ACMI was established in 2002 and is based at Federation Square in Melbourne, Victoria. During the 2014-15 financial year, 1.3 million people visited ACMI, the second-highest attendance of any gallery or museum in Australia. In May 2019, ACMI closed to the public to begin a $40 million redevelopment.https://www.acmi.net.au 'Homepage'. Retrieved 28 May 2019. It reopened in February 2021. History Beginnings in the State Film Centre of Victoria Prior to ACMI, Victoria's main film and screen organisation was the State Film Centre of Victoria, based at Treasury Theatre, which was established in 1946.ACMI
''About Us''. Retrieved 28 February 2015.

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Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential filmmakers of all time. While in his 20s, Welles directed high-profile stage productions for the Federal Theatre Project, including an adaptation of ''Macbeth'' with an entirely African-American cast and the political musical '' The Cradle Will Rock''. In 1937, he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including ''Caesar'' (1937), an adaptation of William Shakespeare's ''Julius Caesar''. In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel ''The War of the Worlds'', which caused s ...
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Film Organisations In Australia
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Culture Of Melbourne
The culture of Melbourne, the capital of the Australian state of Victoria, encompasses the city's artistic, culinary, literary, musical, political and social elements. Since its founding as a British settlement in 1835, Melbourne has been culturally influenced by European culture, particularly that of the British Isles. During the 1850s Victorian gold rush and in the decades the immediately followed, immigrants from many other parts of the world, notably China and the Americas, helped shape Melbourne's culture. Over time, Melbourne has become the birthplace of a number of unique cultural traits and institutions, and today it is one of the world's most multicultural cities. Traditionally acclaimed as Australia's "cultural capital", Melbourne topped the Economist Intelligence Unit's annual ranking of the world's most liveable cities throughout much of the 2010s, based in part on its cultural attributes. Overview Melbourne hosts and supports many cultural institutions, such as muse ...
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Barbara Stanwyck
Barbara Stanwyck (; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television. Orphaned at the age of four and partially raised in foster homes, she always worked. One of her directors, Jacques Tourneur, said of her, "She only lives for two things, and both of them are work." She made her debut on stage in the chorus as a Ziegfeld girl in 1923, at age 16, and within a few years was acting in plays. Her first lead role, which was in the hit ''Burlesque'' (1927), established her as a Broadway star. In 1929, she began acting in talking pictures. Frank Capra chose her for his romantic drama ''Ladies of Leisure'' (1930). This led to additio ...
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Manoel De Oliveira
Manoel Cândido Pinto de Oliveira (; 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. He first began making films in 1927, when he and some friends attempted to make a film about World War I. In 1931 he completed his first film '' Douro, Faina Fluvial'', a documentary about his home city Porto made in the city symphony genre. He made his feature film debut in 1942 with ''Aniki-Bóbó'' and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. In 1971, Oliveira directed his second feature narrative film, '' Past and Present'', a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. Beginning in the late 1980s he was ...
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Agnès Varda
Agnès Varda (; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style. Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on location. Her use of non-professional actors was also unconventional for 1950s French cinema. Varda's feature film debut was ''La Pointe Courte'' (1955), followed by ''Cléo from 5 to 7'' (1962), one of her most notable narrative films, ''Vagabond'' (1985), and ''Kung Fu Master'' (1988). Varda was also known for her work as a documentarian wit ...
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Marco Bellocchio
Marco Bellocchio (; born 9 November 1939) is an Italian film director, screenwriter, and actor. Life and career Born in Bobbio, near Piacenza, Marco Bellocchio had a strict Catholic upbringing – his father was a lawyer, his mother a schoolteacher. He began studying philosophy in Milan but then decided to enter film school, first at the Centro Sperimentale di Cinematografia in Rome, then at thSlade School of Fine Artin London. His first film, ''Fists in the Pocket'', (''I pugni in tasca'', winner of the Silver Sail at the 1965 Festival del film Locarno), was funded by family members and shot on family property, in 1965. Films Bellocchio's films include '' China is Near'' (1967), '' Sbatti il mostro in prima pagina'' (''Slap the Monster on Page One'') (1972), ''Nel Nome del Padre'' (''In the name of the Father'' – a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's '' If....'') (1972), '' Victory March'' (1976), ''A Leap in the Dark'' (1980), ...
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Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ...
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Max Ophüls
Maximillian Oppenheimer (; 6 May 1902 – 26 March 1957), known as Max Ophüls (; ), was a German-French film director who worked in Germany (1931–1933), France (1933–1940 and 1950–1957), and the United States (1947–1950). He made nearly 30 films, the latter ones being especially notable: ''La Ronde (1950 film), La Ronde'' (1950), ''Le Plaisir'' (1952), ''The Earrings of Madame de…'' (1953) and ''Lola Montès'' (1955). He was credited as Max Opuls on several of his American films, including ''The Reckless Moment'', ''Caught (1949 film), Caught'', ''Letter from an Unknown Woman (1948 film), Letter from an Unknown Woman'', and ''The Exile (1947 film), The Exile''. The annual Filmfestival Max Ophüls Preis in Saarbrücken is named after him. Life Youth and early career Max Ophüls was born in Saarbrücken, Germany, the son of Leopold Oppenheimer, a Jewish textile manufacturer and owner of several textile shops in Germany, and his wife Helene Oppenheimer (née Bamber ...
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Michael Haneke
Michael Haneke (; born 23 March 1942) is an Austrian film director and screenwriter. His work often examines social issues and depicts the feelings of estrangement experienced by individuals in modern society. Haneke has made films in French, German, and English and has worked in television and theatre, as well as cinema. He also teaches film direction at the Film Academy Vienna. His directorial debut, '' The Seventh Continent'', won the Bronze Leopard at the Locarno International Film Festival in 1989. He later won the Grand Prix at the 2001 Cannes Film Festival for '' The Piano Teacher'' and the Best Director Award for '' Caché'' at the 2005 Cannes Film Festival. He subsequently directed the 2007 remake of his controversial 1997 film ''Funny Games''. At the 2009 Cannes Film Festival, his film ''The White Ribbon'' won the Palme d'Or, and at the 67th Golden Globe Awards the film won the Golden Globe Award for Best Foreign Language Film. In 2012, his film '' Amour'' premie ...
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35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. ...
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