Mei Yaochen
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Mei Yaochen
Mei Yaochen () (1002–1060) was a Chinese poet of the Song dynasty. He was one of the pioneers of the "new subjective" style of poetry which characterized Song poetry.Cihai: Page 1306. Mei Yaochen was born in Xuancheng in present-day Anhui Province. His style name was 'Sheng Yu' (). He passed the jinshi exam in 1051 and had a career in the civil service, but was unsuccessful. He was a prolific poet, with around 3000 works extant; he was popularized as a poet by the younger Ouyang Xiu. Most of his works are in the ''shi'' form, but they are much freer in content than those of the Tang dynasty. His response to the impossibility of surpassing the Tang poets was to make a virtue of his lack of ambition; his ideal was 平淡 (pingdan), or the pedestrian. His early verses are often socio-critical, advocating reform along Neo-Confucian lines; later he turned to celebrations of ordinary life and verses mourning the deaths of his first wife and several of his children. An exampl ...
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Kanō Tsunenobu
(1636–1713) was a Japanese painter of the Kanō school. He first studied under his father, Kanō Naonobu, and then his uncle, Kanō Tan'yū was a Japanese painter of the Kanō school. One of the foremost Kanō painters, many of the best known Kanō works today are by Tan'yū. Biography His original given name was Morinobu; he was the eldest son of Kanō Takanobu and grandson ..., after his father's death. He became a master painter and succeed his uncle Tan'yū as head of the Kanō school in 1674. It is believed many works attributed to Tan'yū might actually be Tsunenobu, but it is difficult to know since they often worked on larger pieces together. References External linksBridge of dreams: the Mary Griggs Burke collection of Japanese art a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on this artist (see index) Kanō school 1636 births 1713 deaths 17th-century Japanese people 18th-cent ...
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Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ...
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People From Xuancheng
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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11th-century Chinese Poets
The 11th century is the period from 1001 ( MI) through 1100 ( MC) in accordance with the Julian calendar, and the 1st century of the 2nd millennium. In the history of Europe, this period is considered the early part of the High Middle Ages. There was, after a brief ascendancy, a sudden decline of Byzantine power and a rise of Norman domination over much of Europe, along with the prominent role in Europe of notably influential popes. Christendom experienced a formal schism in this century which had been developing over previous centuries between the Latin West and Byzantine East, causing a split in its two largest denominations to this day: Roman Catholicism and Eastern Orthodoxy. In Song dynasty China and the classical Islamic world, this century marked the high point for both classical Chinese civilization, science and technology, and classical Islamic science, philosophy, technology and literature. Rival political factions at the Song dynasty court created strife amongst th ...
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1060 Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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1002 Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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Culture Of The Song Dynasty
The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts. Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. People in urban areas enjoyed theatrical drama on stage, restaurants that catered to a variety of regional cooking, lavish clothing and apparel sold in the markets, while both urban and rural people ...
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Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ...
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Song Poetry
Song poetry refers to Classical Chinese poetry of or typical of the Song dynasty of China (960–1279). The dynasty was established by the Zhao family in China in 960 and lasted until 1279. Many of the best known Classical Chinese poems, popular also in translation, are from the Song dynasty poets, such as Su Shi (Dongpo), Ouyang Xiu, Lu You and Yang Wanli. This was also a time of great achievement in painting and literature, and many artists were accomplished in more than one of these, as well as often being government officials. Historical background The Song dynasty (960–1279) was the first time that China was unified into one state since the Tang dynasty, the two dynasties were separated from each other by the Tang-Song transition period, known as the Five Dynasties and Ten Kingdoms period, a period of disunity. The Song period is divided into two parts, the first being the Northern Song (960–1127) which consisted of the China as reunified by the dynastic founder Emper ...
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Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, ''Classical Chinese poetry'' and ''Modern Chinese poetry''. Poetry has consistently been held in extremely high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literation. In Chinese culture, poetry has provided a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions as well. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ' ...
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Kenneth Rexroth
Kenneth Charles Marion Rexroth (1905–1982) was an American poet, translator, and critical essayist. He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. Although he did not consider himself to be a Beat poet, and disliked the association, he was dubbed the "Father of the Beats" by ''Time'' magazine. Largely self-educated, Rexroth learned several languages and translated poems from Chinese, French, Spanish, and Japanese. Early life Rexroth was born Kenneth Charles Marion Rexroth in South Bend, Indiana, the son of Charles Rexroth, a pharmaceuticals salesman, and Delia Reed. His childhood was troubled by his father's alcoholism and his mother's chronic illness. His mother died in 1916 and his father in 1919, after which he went to live with his aunt in Chicago and enrolled in the Art Institute of Chicago. At age nineteen, he hitchhiked across the country, taking odd jobs and working a stint as a Forest Service trail cr ...
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