Meet The Raisins!
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Meet The Raisins!
''Meet the Raisins!'' is a 1988 claymation television special directed by Barry Bruce, featuring the advertising characters The California Raisins. The show was broadcast November 4, 1988, on the U.S. television network CBS during primetime. It was the Raisins' second appearance in a primetime special and their first dedicated feature. ''Meet the Raisins!'' was followed by a sequel in 1990, ''Raisins: Sold Out!'' This special premiered after one of the ''This Is America, Charlie Brown'' specials. For the first time, the California Raisins were given individual names and characterizations: A.C. Arborman (vocals), his younger brother Beebop Arborman (drums), their cousin Red Raisin (guitar/piano), and their friend Stamford "Stretch" Thompson (bass). The 24-minute special shortly followed its similarly titled soundtrack album released on August 8, 1988 on Atlantic Records. Aired during the characters' peak in popularity, ''Meet the Raisins!'' is presented in a mockumentary style de ...
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California Raisin Advisory Board
The California Raisin Advisory Board (or CALRAB) was a California state marketing commission based in Fresno, California that was created in the mid-1900s to coordinate the regulation and promotion of the state's raisin crop. The group became most noted from 1986 to 1994 for developing an international advertising campaign using The California Raisins claymation characters. The California Raisin campaign was funded by an initial grant of US$3 million from the United States Department of Agriculture The United States Department of Agriculture (USDA) is the federal executive department responsible for developing and executing federal laws related to farming, forestry, rural economic development, and food. It aims to meet the needs of comme .... Although popular with the public, the California Raisin campaign eventually failed because its production cost the raisin growers almost twice their earnings. CALRAB was closed on July 31, 1994, due to disagreements with raisin producers ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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Get A Job (song)
"Get a Job" is a song by the Silhouettes released in November 1957. It reached the number one spot on the '' Billboard'' pop and R&B singles charts in February 1958, and was later included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981). The song celebrates the virtues of securing gainful employment. Background "When I was in the service in the early 1950s and didn't come home and go to work, my mother said 'get a job' and basically that's where the song came from," said tenor Richard Lewis, who wrote the lyrics. The four members of the group shared the credit, jointly creating the "sha na na" and "dip dip dip dip" hooks later imitated by other doo-wop groups. It was recorded at Robinson Recording Laboratories in Philadelphia in October 1957. Rollee McGill played the saxophone break, and the arranger was Howard Biggs. Intended as the B-side to "I Am Lonely", "Get a Jo ...
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At The Hop
"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included a number 3 placing on the UK charts. The song returned to prominence after it was performed by rock and roll revival act Sha Na Na at the 1969 Woodstock Festival and featured in the 1973 coming-of-age teen comedy ''American Graffiti''. Musically, it is notable for combining several of the most popular formulas in 1950s rock'n'roll, the twelve-bar blues, boogie-woogie piano, and the 50s progression. The original version by Danny & the Juniors was included in Robert Christgau's "Basic Record Library" o ...
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Ain't Too Proud To Beg
"Ain't Too Proud to Beg" is a 1966 song and hit single by The Temptations for Motown Records' Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks. The song's success, in the wake of the relative underperformance of the previous Temptations single, " Get Ready", resulted in Norman Whitfield replacing Smokey Robinson, producer of "Get Ready", as The Temptations' main producer. In 2004 it finished #94 in AFI's 100 Years...100 Songs poll thanks to its inclusion in ''The Big Chill'' soundtrack. Background Motown had a policy that the producer who had the biggest hits on a particular artist was assigned as the main producer for that artist, and was given preference when singles were selected for release by Motown's Quality Control department. By 1966, Motown artist, songwriter, and producer Smokey Robins ...
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Green Onions
"Green Onions" is an instrumental composition recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever" and as one of "the most popular R&B instrumentals of its era", the tune is a twelve-bar blues with a rippling Hammond M3 organ line by Booker T. Jones that he wrote when he was 17, although the actual recording was largely improvised in the studio. The track was originally issued in May 1962 on the Volt label (a subsidiary of Stax Records) as the B-side of "Behave Yourself" on Volt 102; it was quickly reissued in August 1962 as the A-side of Stax 127, and it also appeared on the album ''Green Onions'' that same year. The organ sound of the song became a feature of the "Memphis soul sound". Background Booker T. Jones was the keyboard player for the house band of Stax Records with Al Jackson on drums, Lewie Steinberg on bass, and Steve Cropper on guitar. They started jamming in the studio one Sunday when a record ...
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Shotgun (Junior Walker & The All Stars Song)
__NOTOC__ "Shotgun" is a song written by Junior Walker and recorded with his group the All Stars. Called a "dance tune", it was produced by Berry Gordy Jr. and Lawrence Horn. Gordy's Soul Records, a Motown Records subsidiary, issued it as a single in 1965. It reached number 1 on the U.S. R&B Singles chart for four non-consecutive weeks and peaked at number 4 on the ''Billboard'' Hot 100. In Canada, the song reached number 26. Recording "Shotgun" was Walker's debut as a vocalistwhen the singer who was hired to perform at the recording session did not show up, Walker stood in. Rather than re-record the vocal at a later date, producer Gordy decided to keep Walker's take, much to the latter's surprise. The song opens with the sound of a shotgun blast and a drum roll, with the verses alternating between Walker's vocals and tenor saxophone fills. It does not employ the typical progression, but remains on one chord throughout. Personnel * Junior Walker – tenor saxophone, lead vo ...
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Signed, Sealed, Delivered I'm Yours
"Signed, Sealed, Delivered (I'm Yours)" is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album '' Signed, Sealed & Delivered''. The song was arranged by Paul Riser and features an electric sitar played by Eddie "Chank" Willis. In the lyrics, the singer has left his girlfriend but realizes it was a mistake. "I've done a lot of foolish things that I really didn't mean." Now he has returned, making the commitment that he's back, similar to a special delivery package from the post office, "signed, sealed, delivered, I'm yours." The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tuck ...
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Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was "Poor Little Fool" by Ricky Ne ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-of ...
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Motown
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the Detroit Riots of 1967, and the loss of key songwriting/production team Holland–Dozier†...
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Rock & Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Britannica'', published online 17 June 2008 and also in ...
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