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Meet Betty Carter And Ray Bryant
''Meet Betty Carter and Ray Bryant'' is a 1955 jazz album by singer Betty Carter and pianist Ray Bryant both debuting here on record as leading artists. Although Carter is mentioned first, she is only featured on half of the tracks. On three of the six songs Jerome Richardson is also heard on flute.. The other half is recorded by the Ray Bryant Trio alone. The six tracks with Betty Carter were reissued under her name in 1980 on the compilation album ''Social Call'' together with previously unreleased material from a 1956 recording session with Gigi Gryce. Track listing (original LP release) #"Sneaking Around" ( Ray Bryant) – 3:16 #" Moonlight in Vermont" ( John Blackburn, Karl Suessdorf) – 3:23 #" What Is This Thing Called Love?" (Cole Porter) – 2:52 #"Thou Swell" (Lorenz Hart, Richard Rodgers) – 1:40 #" Willow Weep for Me" ( Ann Ronell) – 3:34 #" I Could Write a Book" (Hart, Rodgers) – 2:37 #"Threesome" ( Ray Bryant) – 2:44 #" Gone with the Wind" ( Herbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigi Gryce
Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 14, 1983), later Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator. While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (" Minority", "Social Call", "Nica's Tempo") and have become minor jazz standards. Gryce's compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron and Horace Silver. Gryce's playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Magidson
Herbert A. Magidson (January 7, 1906 – January 2, 1986) was an American popular lyricist. His work was used in over 23 films and four Broadway revues. He won the first Academy Award for Best Original Song in 1934. Life and career Magidson was born and raised in Braddock, Pennsylvania. He had an early interest in the art of magic and was a member of the Pittsburgh Association of Magicians in his youth. He attended the University of Pittsburgh and then worked briefly for a music publisher in New York City.Layne, Joslyn. "Herbert Magidson. Allmusic. Retrieved on August 27, 2009. Magidson then moved to Hollywood, Los Angeles, California in 1929 while under contract to Warner Bros. to write music for films. In 1934, he won the first Academy Award for Best Original Song along with Con Conrad for his lyrics to "The Continental", used in ''The Gay Divorcee'' (1934) starring Fred Astaire and Ginger Rogers. Magidson also co-wrote the lyrics to the 1937 Allie Wrubel song "Gone with the Wind" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gone With The Wind (song)
"Gone with the Wind" is a popular song. The music was written by Allie Wrubel, the lyrics by Herb Magidson. The song was published in 1937. A version recorded by Horace Heidt and his Brigadiers was a No. 1 song in 1937. Inspiration Whether the title of this song was related in any way to the 1936 Margaret Mitchell novel '' Gone with the Wind'' is difficult to determine. The timing of the song's release suggests something more than coincidence, given that the book received enormous publicity in 1937, dominating the bestseller lists and winning a Pulitzer Prize. Still, the lyrics of the song have no obvious connection to the subject matter of the novel. This song should not be confused with any of the well-known music featured in the 1939 film adaptation of the book. Recordings *Lennie Hayton & His Orchestra; Vocal Chorus by Paul Barry – Decca 1341-A (62320) (1937) * Horace Heidt & his Brigaders; Vocal Chorus by Larry Cotton – Brunswick 7913 (B 21260) (1937) *Dick Jurgens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Could Write A Book
"I Could Write a Book" is a show tune from the 1940 Rodgers and Hart musical '' Pal Joey'', where it was introduced by Gene Kelly and Leila Ernst. It is considered a standard. Critical reception An uncredited critic reviewing "New Plays in Manhattan" for ''Time'' said of ''Pal Joey'' that the musical contains "all the dancing anyone could want and at least three more great Richard Rodgers tunes: 'I Could Write a Book' (sweet), 'Love Is My Friend' (torchy), ' Bewitched, Bothered and Bewildered' (catchy)."(No author.) "New plays in Manhattan," ''Time'', 37:1, 6 January 1941. Cover versions The song has been covered by such artists as: * Anita O'Day 1960 *Frank D'Rone, *Vince Guaraldi, *Frank Sinatra, * Vic Damone 1964 *Harry Connick Jr., *Dinah Washington. *Miles Davis. In popular culture *Harry Connick Jr.'s version of "I Could Write a Book" was used in the 1989 film '' When Harry Met Sally...'', appearing on the film's soundtrack, and also appears on the soundtrack of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Ronell
Ann Ronell (née Rosenblatt; December 25, 1905 — December 25, 1993) was an American composer and lyricist. She was best known for the standards "Willow Weep for Me" (1932) and "Who's Afraid of the Big Bad Wolf" (1933). Early life Ronell was born in Omaha, Nebraska, to Morris and Mollie Rosenblatt. Ronell graduated from Omaha's Central High School in 1923. She enrolled in Wheaton College, Massachusetts, but transferred after her sophomore year to pursue a more serious music education.Benjamin Sears"Ann Ronell" ''American National Biography Online'', 2000 She graduated from Radcliffe College, where she studied music with Walter Piston. While at Radcliffe, Ronell wrote music for college plays and contributed reviews and interviews to the school's music publication. After interviewing George Gershwin, she struck up a friendship with the composer, who hired her as a rehearsal pianist for his show '' Rosalie''. It was Gershwin who suggested that she change her name from Rosenblatt to R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willow Weep For Me
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in time,Zimmers, Tighe, E. (2009). ''Tin Pan Alley Girl: A Biography of Ann Ronell''. McFarland. pp. 19-22. although occasionally adapted for waltz time. One account of the inspiration for the song is that, during her time at Radcliffe College, Ronell "had been struck by the loveliness of the willow trees on campus, and this simple observation became the subject of an intricate song." The song was rejected by publishers for several reasons. First, the song is dedicated to George Gershwin. A dedication to another writer was disapproved of at the time, so the first person presented with the song for publication, Saul Bornstein, passed it to Irving Berlin, who accepted it. Other reasons stated for its slow acceptance are that it was written by a woman and that its construction was unusually complex for a composition that was targeted at a commercial a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thou Swell
"Thou Swell" is a show tune, a popular song and a jazz standard written in 1927. History The music was written by Richard Rodgers, with words by Lorenz Hart, for the 1927 musical '' A Connecticut Yankee''. The lyric is notable, as indicated by the title, for its mix of archaic English and modern slang as the story takes place in both contemporary times and in King Arthur's court. Recordings *An early recorded version featured The Broadway Nitelites conducted by Ben Selvin with vocals by Franklyn Baur (Columbia 1928). *There are many popular and jazz vocal renditions, including those by Nat King Cole (and later Natalie Cole), Bing Crosby for his 1976 album ''At My Time of Life'', Sarah Vaughan, Frank Sinatra, Eydie Gormé, Ella Fitzgerald and Joe Williams. Bix Beiderbecke, Fats Waller, Harry James, J.J.Johnson and Billy May all recorded the song instrumentally. *In the MGM Technicolor biopic about Rodgers and Hart called '' Words and Music'' (1948), June Allyson sings a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Is This Thing Called Love?
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical '' Wake Up and Dream''. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions."What Is This Thing Called Love?" at jazzstandards.com. Retrieved 8 July 2009 Background ''Wake Up and Dream'' ran for 263 shows in London. The show was also noticed in New York, and the critics praised 's performance of the song. The show was produced on |
