Medal Examinations (dance)
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Medal Examinations (dance)
In many forms of dance (ballet, ballroom dance, concert dance) medal examinations are held. They are organised by leading dance teaching organisations, such as the Imperial Society of Teachers of Dancing (ISTD), the International Dance Teachers Association (IDTA), and other organisations. The examinations are a way for a young dancer to mark their progress in the art of dance. They have been extremely popular since their introduction in the early 1930s. They are not a form of professional qualification. Professional qualifications are also offered by the same organisations, and they are much more extensive and demanding. During a medal test, a dancer will either dance alone (ballet) or be partnered by their teacher (ballroom). An examiner, appointed by the examining body, will observe the performance, and mark it. It is usual for dance teacher organisations to print guidelines for the figures or routines to be tested. Figures, given a name, such as 'whisk' or 'spin turn', are ...
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Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/ liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional ath ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Ballroom Dance
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. * The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance CouncilWDC and the World DanceSport FederationWDSF, is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, International Slow ...
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Concert Dance
Concert dance (also known as performance dance or theatre dance in the United Kingdom) is dance performed for an audience. It is frequently performed in a theatre setting, though this is not a requirement, and it is usually choreographed and performed to set music. By contrast, social dance and participation dance may be performed without an audience and, typically, these dance forms are neither choreographed nor danced to set music, though there are exceptions. For example, some ceremonial dances and baroque dances blend concert dance with participation dance by having participants assume the role of performer or audience at different moments. Forms Many dance styles are principally performed in a concert dance context, including these: *Ballet originated as courtroom dance in Italy, then flourished in France and Russia before spreading across Europe and abroad. Over time, it became an academic discipline taught in schools and institutions. Amateur and professional troupes fo ...
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Imperial Society Of Teachers Of Dancing
The Imperial Society of Teachers of Dancing (ISTD) is an international dance teaching and examination board based in London, England. The registered educational charity, which was established on 25 July 1904 as the ''Imperial Society of Dance Teachers'', provides training and examinations in a range of dance styles and certified dance teacher courses. The ISTD is recognised by the Qualifications and Curriculum Authority and the Council for Dance Education and Training and is also a member of the British Dance Council. It hosts various competitions in many different formats including Modern Ballroom, Latin American, Classical Ballet and Tap Dance as well as contemporary styles like Disco Freestyle. The ISTD is organised into two main faculty boards. Dancesport coordinates dance techniques that are normally performed in a ballroom or dance hall. Theatre is concerned with stage and film performance. The Cecchetti Society is also part of the ISTD. It exists to preserve the Cecch ...
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International Dance Teachers Association
The International Dance Teachers Association (IDTA) is a dance teaching and examination board based in Brighton, England. Operating internationally, the IDTA currently has over 7,000 members in 55 countries. The IDTA is recognised by the national qualifications regulators in England and Wales, Ofqual and the Council for Dance Education and Training, and is also affiliated to the British Dance Council, the Central Council of Physical Recreation and the Theatre Dance Council International. The IDTA works in partnership with the Royal Academy of Dance. The IDTA publishes a print and online magazine for members titled ''Dance International'' four times a year. History The International Dance Teachers Association was formed in 1967 as the result of a merger between the Dance Teachers' Association (DTA), and the International Dancing Masters Association (IDMA). Both of these organisations were formed from the merging of older dance teaching associations, with the earliest being estab ...
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Natural Turn
A natural turn is a dance step in which the partners turn around each other clockwise. Its near-mirror counterpart is the reverse turn, which is turning to the counter-clockwise. This terminology is used mainly in the "International Standard" group of ballroom dances. "Natural turn" and "reverse turn" are names of syllabus figures in waltz, Viennese waltz, foxtrot, quickstep. In addition, the words "natural" and "reverse" are used in some other figures that amount to turning to the right or left, respectively, e.g. natural twist turn in tango and foxtrot. The name "natural" has two explanations. In a standard ballroom closed dance position Dance position is a position of a dancer or a mutual position of a dance couple assumed during a dance. Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be furt ... the partners are somewhat shifted to the left with respect to each other, which makes the ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Ballroom Glossary
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology. See also: * Glossary of ballet terms * Glossary of dance moves Abbreviations *3T – Three Ts *CBL – Cross-body lead *CBM – Contra body movement *CBMP – Contra body movement position *COG – Center of gravity *CPB – Center point of balance *CPP – Counter promenade position *DC – Diagonally to center *DW – Diagonally to wall *IDSF – International DanceSport Federation *IDTA – International Dance Teachers Association *ISTD – Imperial Society of Teachers of Dancing *J&J – Jack and Jill *LOD – Line of dance *MPM – Measures per minute *NFR – No foot rise ...
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Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopate ...
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Samba (ballroom Dance)
The international ballroom version of samba is a lively, rhythmical dance with elements from Brazilian samba. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique As a ballroom dance, the samba is a partner dance. Ballroom samba, even more than other ballroom dances, is very disconnected from the origins and evolution of the music and dance that gives it its name. Most steps are danced with a slight downward bouncing or dropping action. This action is created through the bending and straightening of the knees, with bending occurring on the beats of 1 and 2, and the straightening occurring between. However, unlike the bouncing of, e.g., Polka, there is no considerable bobbing. Also, Samba has a specific hip action, different from that in other ballroom Latin dances (Rumba and Cha-Cha-Cha). The ballroom samba is danced to music in or time. It uses several diff ...
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Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song " El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The s ...
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