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McKinney's Cotton Pickers
McKinney's Cotton Pickers were an American jazz band, founded in Detroit, Michigan, United States in 1926, and led by William McKinney, who expanded his Synco Septet to ten players. Cuba Austin took over for McKinney on drums, with the latter becoming the band's manager. Between 1927 and 1931, they were one of the most popular African American bands. Many of their records for Victor were bestsellers. In 1927, Fletcher Henderson's arranger and saxophone player Don Redman was invited to become the Cotton Pickers' musical director and he assembled a band. John Nesbitt helped Redman with arrangements and rehearsals. The band in 1928 included Cuba Austin (drums and vocals), Langston Curl (trumpet), Ralph Escudero (tuba), Claude Jones, Redman (clarinet, alto saxophone, baritone saxophone, vocals), Todd Rhodes (piano, celeste), Prince Robinson (clarinet, tenor saxophone), Milton Senior (trombone), George Thomas (clarinet, alto saxophone, tenor saxophone, vocals) and Dave Wilborn (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Depression In The United States
In the History of the United States, United States, the Great Depression began with the Wall Street Crash of 1929, Wall Street Crash of October 1929 and then spread worldwide. The nadir came in 1931–1933, and recovery came in 1940. The stock market crash marked the beginning of a decade of high unemployment, poverty, low profits, deflation, plunging farm incomes, and lost opportunities for economic growth as well as for personal advancement. Altogether, there was a general loss of confidence in the economic future. The usual explanations include numerous factors, especially high consumer debt, ill-regulated markets that permitted overoptimistic loans by banks and investors, and the lack of high-growth new industries. These all interacted to create a downward economic spiral of reduced spending, falling confidence and lowered production. Industries that suffered the most included construction, shipping, mining, logging, and agriculture. Also hard hit was the manufacturing of dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiser Marshall
Joseph "Kaiser" Marshall (June 11, 1902 in Savannah, Georgia – January 2, 1948 in New York City) was an American jazz drummer. Marshall was raised in Boston, where he studied under George L. Stone. He played with Charlie Dixon before moving to New York City early in the 1920s. After playing with violinist Shrimp Jones, he joined Fletcher Henderson's band at the Club Alabam, and remained in Henderson's retinue from 1922 until 1929. He played with many noted jazz artists in the 1930s and 1940s, including Duke Ellington, Cab Calloway, Art Hodes, Wild Bill Davison, Sidney Bechet, Bunk Johnson, and Mezz Mezzrow. He also recorded with Louis Armstrong in the late 1920s, being the drummer on Armstrong's recording of "Knockin' a Jug" from March 5, 1929. In 1928-1930, he recorded with Benny Carter, Fats Waller and Coleman Hawkins in McKinney's Cotton Pickers. And shortly afterrecorded with the Four Bales of Hay, featuring Wingy Manone, Dickie Wells, Artie Shaw, Bud Freeman, Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe "Fox" Smith
Joe "Fox" Smith ''(né'' Joseph Emory Smith; June 28, 1902 – December 2, 1937) was an American jazz trumpeter. Career Known throughout his childhood as "Toots", Smith originally started as a drummer but was convinced by Ethel Waters that he was far better as a trumpet player. It has been said that when he reached New York in 1920 he already had a fully formed style, which achieved "the vocalized sound, the blues spirit and the swing which makes for convincing jazz performance". In 1921, Smith joined the Black Swan Jazz Masters in Chicago, Illinois, directed at the time by Fletcher Henderson who described Smith as "the most soulful trumpet I ever had". He also worked with the Jazz Hounds, the Broadway Syncopators, and finally with McKinney's Cotton Pickers throughout the 1920s. He became famous from his work accompanying Bessie Smith, recording over 30 records. She stated that Smith was her preferred cornetist when recording, due to his reserved additions to her voice. Some of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney De Paris
Sidney De Paris (May 30, 1905 – September 13, 1967) was an American jazz trumpeter. His brother was Wilbur de Paris. He was a member of Charlie Johnson's Paradise Ten (1926–1931), worked with Don Redman (1932–1936 and 1939), followed by periods with Zutty Singleton (1939–1941), Benny Carter (1940–41), and Art Hodes (1941). De Paris recorded with Jelly Roll Morton (1939) and Sidney Bechet (1940), and was part of the Panassie sessions in 1938. From 1947, and throughout the 1950s, he performed almost exclusively with his brother, Wilbur. He suffered from ill health in the latter years of his life, before he died in September 1967, at the age of 62. Partial discography * "I've Found A New Baby" b/w "Black And Blue" - Commodore Records 78 rpm 552 (1940s) - as De Paris Brothers Orchestra featuring Wilbur de Paris, with Edmond Hall, Clyde Hart, Billy Taylor and Specs Powell * ''Deparis Dixie'' (Blue Note, 1944) * ''Jamming in Jazz'' (Blue Note, 1944) * ''Sidney Deparis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Davis (musician)
Leonard "Ham" Davis (July 4, 1905 in St. Louis, Missouri – 1957) was an American jazz trumpeter. Davis began his career in St. Louis, playing with the Odd Fellows Boys' Band as a teenager and landing a spot in Charlie Creath's band. Late in the 1920s, he relocated to New York City, where he played in the bands of Edgar Hayes and Arthur Gibbs. He recorded for the first time with Eddie Condon's ensemble in 1929, and sat in with McKinney's Cotton Pickers that same year. In the 1930s he played with Benny Carter, Don Redman Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, arranger, bandleader, and composer. Biography Redman was born in Piedmont, Mineral County, West Virginia, United States. His father was a music teacher ..., and Elmer Snowden, and did a two-year stint in Louis Armstrong's orchestra starting in 1935. Toward the end of the decade he toured Europe with Edgar Hayes and played in the Blackbirds of 1928, Blackbirds rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rex Stewart
Rex William Stewart Jr. (February 22, 1907 – September 7, 1967) was an American jazz cornetist who was a member of the Duke Ellington orchestra. Career As a boy he studied piano and violin; most of his career was spent on cornet. Stewart dropped out of high school to become a member of the Ragtime Clowns led by Ollie Blackwell. He was with the Musical Spillers led by Willie Lewis in the early 1920s, then with Elmer Snowden, Horace Henderson, Fletcher Henderson, Fess Williams, and McKinney's Cotton Pickers. In 1933 he led a big band at the Empire Ballroom in New York City. Beginning in 1934, he spent eleven years with the Duke Ellington band. Stewart co-wrote "Boy Meets Horn" and "Morning Glory" and supervised recording sessions by members of the Ellington band. He left Ellington to lead "little swing bands that were a perfect setting for his solo playing." He toured in Europe and Australia with Jazz at the Philharmonic from 1947 to 1951. Beginning in the early 1950s, he wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore McCord
Theodore McCord (born May 17, 1907, Birmingham, Alabama; date of death unknown) was an American jazz reedist, principally active in the 1920s and 1930s. McCord was the twin brother of Castor McCord, also a reedist; while both brothers played tenor saxophone and clarinet, Ted played alto saxophone in addition. He was a student at Wilberforce University in the 1920s, where he played in a student group led by Horace Henderson. He also played in Edgar Hayes's group, the Blue Grass Buddies, as well as McKinney's Cotton Pickers and the Mills Blue Rhythm Band, including for their sessions with Louis Armstrong. Other credits include recordings with King Carter and the singer Ollie Shepard.Marcel Joly, "Ted McCord". ''The New Grove Dictionary of Jazz'', ed. Barry Kernfeld Barry Dean Kernfeld (born August 11, 1950) is an American musicologist and jazz saxophonist who has researched and published extensively about the history of jazz and the biographies of its musicians. Education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James P
James is a common English language surname and given name: *James (name), the typically masculine first name James * James (surname), various people with the last name James James or James City may also refer to: People * King James (other), various kings named James * Saint James (other) * James (musician) * James, brother of Jesus Places Canada * James Bay, a large body of water * James, Ontario United Kingdom * James College, a college of the University of York United States * James, Georgia, an unincorporated community * James, Iowa, an unincorporated community * James City, North Carolina * James City County, Virginia ** James City (Virginia Company) ** James City Shire * James City, Pennsylvania * St. James City, Florida Arts, entertainment, and media * ''James'' (2005 film), a Bollywood film * ''James'' (2008 film), an Irish short film * ''James'' (2022 film), an Indian Kannada-language film * James the Red Engine, a character in ''Thomas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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