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McCanna
''McCanna'' is an album by pianist Les McCann recorded in 1964 and released on the Pacific Jazz Records, Pacific Jazz label.Freed., RLes McCann Discographyaccessed January 12, 2016 Reception Allmusic gives the album 3 stars. Track listing ''All compositions by Les McCann except as indicated'' # "McCanna" - 4:32 # "St. James Infirmary Blues, St. James Infirmary" (Irving Mills, Joe Primrose) - 3:58 # "Meglio stasera, It Had Better Be Tonight" (Henry Mancini, Johnny Mercer) - 3:45 # "Que Rico" (Ralph Dollimore) - 2:45 # "Zulu" - 2:25 # "Basuto Baby" - 3:03 # "Falling in Love with Love" (Richard Rodgers, Lorenz Hart) - 5:55 # "Narobi Nights" - 4:46 # "Shaam-Pu II" - 3:37 Personnel *Les McCann - piano *Victor Gaskin - double bass, bass *Paul Humphrey - Drum Kit, drums *Willie Bobo, Willie Correa - bongos, congas, timbales References {{Authority control Les McCann albums 1964 albums Pacific Jazz Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacific Jazz Records
Pacific Jazz Records was a Los Angeles-based record company and label best known for cool jazz or West coast jazz. It was founded in 1952 by producer Richard Bock (1927–1988) and drummer Roy Harte (1924–2003). Harte, in 1954, also co-founded Nocturne Records with jazz bassist Harry Babasin (1921–1988). Some of the musicians who recorded for Pacific Jazz included Chet Baker, Paul Desmond, Gerry Mulligan, Joe Pass, Gerald Wilson, the Jazz Crusaders, Don Ellis, Clare Fischer, Jim Hall, Groove Holmes, Les McCann, Wes Montgomery, and Art Pepper. In 1957, Pacific Jazz Records changed its name to World Pacific Records to expand into a full-line label, with the Pacific Jazz label retained for jazz releases. In 1958 Richard Bock and World Pacific were instrumental in introducing Indian traditional music to the West via Ravi Shankar, who also recorded for World Pacific. Bock sold the label to Liberty Records in 1965, although he remained as an adviser until 1970. Liberty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les McCann
Leslie Coleman McCann (born September 23, 1935) is an American jazz pianist and vocalist.Feather, Leonard, and Ira Gitler (2007), ''The Biographical Encyclopedia of Jazz'', p. 448. Oxford University Press. Early life Les McCann was born in Lexington, Kentucky, United States. He grew up in a musical family of four, a brother and three sisters with most of McCann's family singing in church choirs. His father was a fan of jazz music and his mother was known to hum opera around the house. As a youth, he played the tuba and drums and performed in his school's marching band. As a pianist McCann, was largely self-taught. He explained he only received piano lessons for a few weeks as a six-year-old before his teacher died. Career During his service in the U.S. Navy, McCann won a singing contest which led to an appearance on ''The Ed Sullivan Show''. After leaving the Navy, McCann moved to California and played in his own trio. He declined an offer to work in Cannonball Adderley's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Gaskin
Roderick Victor Gaskin (November 23, 1934 – July 14, 2012) was an American jazz bassist. Gaskin was born in The Bronx, New York and moved to Los Angeles in 1962. He started playing with Paul Horn and Red Mitchell and went on to become one of many bass players for the Jazz Crusaders. He also recorded with Curtis Amy and Dupree Bolton, before becoming a part of the West Coast jazz scene, accompanying Buddy Collette, Shelly Manne, and Bud Shank. Between 1966 and 1970, he was a member of Cannonball Adderley's groups, and in 1970 recorded with Duke Ellington's octet, quintet, quartet and trio. He started playing with the Billy Taylor Trio in the late 1970s, continuing until 1993, as well as with Johnny Hartman and Hank Jones. Between 1994 and 2001 Victor Gaskin was in Singapore and performed regularly at The Four Seasons Hotel with Boni de Souza & Friends for the iconic Sunday Jazz Brunch. They were pioneers of the Sunday Jazz Brunch scene in Singapore, setting the trend for o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Bag Of Gold
''A Bag of Gold'' is a live album by pianist Les McCann recorded in 1960-64 and released on the Pacific Jazz label.Freed., RLes McCann Discographyaccessed January 12, 2016 Reception Allmusic gives the album 3 stars. Track listing ''All compositions by Les McCann'' # "The Shampoo" - 8:41 # "(Shades of) Spanish Onions" - 2:55 # "The Shout" - 5:35 # "Gone On and Get That Church" - 3:40 # "Fish This Week" - 2:40 # "Kathleen's Theme" - 3:31 # "The Truth" - 6:45 # "We'll See Yaw'll After While Ya Heah" - 3:48 Personnel * Les McCann - piano *Paul Chambers (tracks 5 & 6), Victor Gaskin (tracks 1-3), Herbie Lewis (tracks 4, 7 & 8) - bass *Paul Humphrey (tracks 1-3, 5 & 6), Ron Jefferson Ron Jefferson (February 13, 1926, in New York City Guillon, Roland (2005)''Anthologie du hard bop: L'éclat du jazz noir américain'' Editions L'Harmattan, pp. 49–60. At Google Books. Retrieved 30 July 2013. – May 7, 2007, in Richmond, Vi ... (tracks 4, 7 & 8) - drums References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCann/Wilson
''McCann/Wilson'' is an album by pianist Les McCann with the Gerald Wilson Orchestra recorded in 1964 and released on the Pacific Jazz label.Freed., RLes McCann Discographyaccessed January 12, 2016 Reception Allmusic gives the album 3 stars. Track listing ''All compositions by Les McCann except as indicated'' # "Could Be" - 6:06 # "Stragler" - 2:36 # "Restin' in Jail" - 3:53 # "Bailor the Wailor" - 3:05 # "Maleah" - 4:00 # "Lot of Living to Do" (Charles Strouse, Lee Adams) - 4:58 # "Kathleen's Theme" - 2:58 # "Gus Gus" - 3:14 Personnel * Les McCann - piano *Teddy Edwards - tenor saxophone *Dennis Budimir - guitar *Victor Gaskin - bass *Paul Humphrey - drums *The Gerald Wilson Orchestra arranged and conducted by Gerald Wilson Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,Biography ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the bongos and later the congas, timbales and drums. In 1947, Bobo started working as a band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after his arrival in New York and studied with him while acting as his tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Humphrey
Paul Nelson Humphrey (October 12, 1935 – January 31, 2014) was an American jazz and R&B drummer. Biography Humphrey was born in Detroit and began playing drums at age 8, taking private lessons in Detroit. In high school he played baritone horn, trombone and drums in the school band. Upon graduation he entered the U.S. Navy and studied under Kenneth J. Abendschein, touring the world and playing with many jazz figures of 1950s.Paul Humphrey Sextet liner notes After discharge from the service, he worked as a session drummer in New York for Wes Montgomery, John Coltrane, Les McCann, Kai Winding, Jimmy Smith, Charles Mingus, Joe Williams, Lee Konitz, Blue Mitchell, Gene Ammons and the Harry James Band (replacing Buddy Rich). He later moved to Los Angeles and joined the Harry "Sweets" Edison group with Tommy Flanagan and Frank Delarossa. He recorded with Larry Williams and Johnny "Guitar" Watson and toured and recorded with Marvin Gaye, The Four Tops, The Supremes, Tony Orlando ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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