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Mayer Van Den Bergh Museum
Museum Mayer van den Bergh is a museum in Antwerp, Belgium, housing the collection of the art dealer and collector Fritz Mayer van den Bergh (1858-1901). The major works are from the Gothic and Renaissance period in the Netherlands and Belgium, including paintings by Pieter Brueghel the Elder. History Fritz Mayer van den Bergh, born in 1858, collected art for most of his life, making his most expensive and important additions between 1897 and his death in 1901. He was especially interested in art from the 14th to sixteenth century, while his contemporaries considered the Gothic and Renaissance art dated. This fact enabled him to create a collection of 1.000 pieces of mostly Northern Renaissance art. After his death, his mother Henriette Mayer van den Bergh built a neo-gothic house in the banking district of Antwerp between 1901 and 1904, as a museum for the expansive art collection. Collection *Breviarium Mayer van den Bergh, a late 15th-century or early 16th-century illustrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mad Meg
Mad, mad, or MAD may refer to: Geography * Mad (village), a village in the Dunajská Streda District of Slovakia * Mád, a village in Hungary * Adolfo Suárez Madrid–Barajas Airport, by IATA airport code * Mad River (other), several rivers Music Bands * Mad (band), a rock band from Buenos Aires, Argentina * M.A.D (band), a British boyband * M.A.D. (punk band), a 1980s band, which later became Blast * Meg and Dia, an American indie rock band Albums * ''Mad'' (Raven EP), released in 1986 * ''Mad'' (Hadouken! EP), released in 2009 * ''Mad'' (GOT7 EP), released 2015 Songs * "Mad" (Ne-Yo song), 2008 * "Mad", by Dave Dudley from ''Talk of the Town'', 1964 * "Mad", from ''Secret Life of Harpers Bizarre'', 1968 * "Mad", by The Lemonheads from '' Lick'', 1989 * "Mad", from the album ''Magnetic Man'', 2010 * "Mad", by Cassie Steele, 2014 * "M・A・D" (Buck-Tick song), 1991 Organizations * MAD Studio, an architectural firm * Make A Difference, an Indian NGO * Might and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Mabuse
Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe ( Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity. From at least 1508 he was apparently continuously employed, or at least retained, by quasi-royal patrons, mostly members of the extended Habsburg family, heirs to the Valois Duchy of Burgundy. These were Philip of Burgundy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums Established In 1904
Art is a diverse range of human behavior, human activity, and resulting product, that involves creative or imagination, imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative arts, decorative or applied arts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Antwerp
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Belgium
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Claeszoon Heda
Willem Claesz. Heda (December 14, 1593/1594c. 1680/1682) was a Dutch Golden Age artist from the city of Haarlem devoted exclusively to the painting of still life. He is known for his innovation of the late breakfast genre of still life painting. Early life Heda was born in Haarlem, the son of the Haarlem city architect Claes Pietersz. His mother Anna Claesdr was a member of the Heda family. His uncle was the painter Cornelis Claesz Heda. Heda's early life is all but unknown, with no surviving pieces dated to that period. Judging from his date of birth, scholars have speculated that Heda began painting around 1615. His earliest known work was a '' Vanitas'' which fit the monochromatic and skillful texturing of his later pieces, but portrayed a subject matter distinct from the depictions of more sumptuous objects in his later years. This Vanitas, and the two other breakfast pieces by Heda in the 1620s were known for their clear deviation from earlier breakfast-pieces. The objects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis De Vos
Cornelis de Vos (1584 – 9 May 1651) was a Flemish painter, draughtsman and art dealer. He was one of the leading portrait painters in Antwerp and is best known for his sensitive portraits, in particular of children and families. He was also successful in other genres including history, religious and genre painting. He was a regular collaborator with Rubens. Life He was born in Hulst near Antwerp, now in the Dutch province of Zeeland. Little is known of his childhood. His father moved with his family to Antwerp in 1596. Cornelis and his younger brothers Paul and Jan (or Hans) studied under the little-known painter David Remeeus (1559–1626). In 1599 de Vos is mentioned as Remeeus' pupil while on 8 May 1604 he is referred to as the chief assistant of Remeeus.Cornelis de Vos at the |
Vrancke Van Der Stockt
Vrancke van der Stockt (before 1420 - 14 June 1495)C. Périer-d’Ieteren"Stockt, Vrancke van der."In Grove Art Online. Oxford Art Online, (accessed December 4, 2011; subscription required). was an early Netherlandish painter. He is most notable as a "direct heir and popularizer" of Rogier van der Weyden. Life In 1445 Vrancke van der Stockt became a master in the Brussels Guild of St. Luke and inherited the workshop of his father, Jan van der Stockt, who had recently died. He obtained considerable recognition for his work, becoming the town's official painter after the death of Rogier van der Weyden in 1464. He was also served as town councilor in 1465, 1472, and 1475 and as head of the Confraternity of St. Eloy between 1471 and 1473. With his wife Catherine de Moeyen he had two sons, Bernaert van der Stockt (before 1469 - after 1538) and Michiel van der Stockt (before 1469 - ?), who were both painters. Work Van der Stockt's work was heavily influenced by Rogier van der Weyden, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Amand Abbey
Saint-Amand Abbey (''Abbaye de Saint-Amand''), once known as Elno, Elnon or Elnone Abbey, is a former Benedictine abbey in Saint-Amand-les-Eaux, Nord, France. History The abbey was founded around 633-639 in what was once a great tract of uninhabited land in the Vicoigne Forest between the Scarpe and the brook called the , from which the monastery took its first name, Elnon or Elnone Abbey. The founder was Saint Amand of Maastricht, under the patronage of Dagobert I. The name of the saint eventually became applied both to the abbey and the village that grew up round it. The abbot from about 652 was Jonatus., s.v. "Jonatus". Apart from its considerable effect on the landscape, the abbey became a major centre of study during the Carolingian Renaissance. Notable members of the community included the 9th-century writer Milo of Saint-Amand, author of a metrical dictionary of Latin long and short syllables as well as a ''Life of Saint Amand'', and his nephew, Hucbald of Saint-Amand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangeliary
The Evangeliary or Book of the Gospels is a liturgical book containing only those portions of the four gospels which are read during Mass or in other public offices of the Church. The corresponding terms in Latin are and . The Evangeliary developed from marginal notes in manuscripts of the Gospels and from lists of gospel readings (''capitularia evangeliorum''). Generally included at the beginning or end of the book containing the whole gospels, these lists indicated the days on which the various extracts or pericopes were to be read. They developed into books in which they were accompanied by the texts to which they referred, with the passages arranged in accordance with the liturgical year rather than in their order within the gospels themselves, and omitting passages not used in the liturgy.Palazzo,Eric, ''A History of Liturgical Books from the Beginning to the Thirteenth Century'', 1998, Liturgical Press, , 9780814661673, pp. 86–91google books/ref> Terminology The name does ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pleurants
Pleurants or weepers (the English meaning of ''pleurants'') are anonymous sculpted figures representing mourners, used to decorate elaborate tomb monuments, mostly in the late Middle Ages in Western Europe. Typically they are relatively small, and a group were placed around the sides of a raised tomb monument, perhaps interspersed with armorial decoration, or carrying shields with this. They may be in relief or free-standing. In English usage the term "weepers" is sometimes extended to cover the small figures of the deceased's children often seen kneeling underneath the tomb effigy in Tudor tomb monuments. These figures represent the mourners, who pray for the deceased standing during the funeral procession.Stone, 146 Because many of the original tombs have been vandalised or destroyed, relatively few examples remain to be studied. Many figures have been detached from their original context, which is not always known. In the 16th and 17th century the practice of placing anon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
