Maxim's Art Nouveau
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Maxim's Art Nouveau
Maxim's is a restaurant in Paris, France, located at No. 3 rue Royale in the 8th . It is known for its Art Nouveau interior decor. In the mid 20th century Maxim's was regarded as the most famous restaurant in the world. History Early history Maxim's was founded as a bistro in 1893 by Maxime Gaillard, formerly a waiter, at 3 Rue Royale in Paris.https://www.maxims-shop.com/en/content/The-Maxims-Restaurant.html access date 8 June 2021 The location had previously been an ice-cream parlor. In 1899, it was given the decor it became known for, in preparation for the 1900 Paris Exposition. Ceilings were done in stained-glass, and there are murals of nymphs.https://www.smh.com.au/business/companies/from-the-archives-1987-maxim-s-icon-of-la-belle-epoque-20201230-p56qsy.html access date 8 June 2021 In that era, it became known as a "place to take ladies but never one's wife," as said in Franz Lehar's music about the location. At the end of the 19th century, in la belle époque, Maxim ...
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La Dame De Chez Maxim (play)
''La Dame de chez Maxim'' (English:''The Lady from Maxim's'', ''The Girl from Maxim's'') is a three-act farce by Georges Feydeau, first produced in Paris in 1899. It depicts the complications ensuing when a respectable citizen becomes mixed up with a Moulin Rouge dancer after drinking too much champagne at Maxim's restaurant. In the central role, Feydeau cast a newcomer, Armande Cassive, who became his preferred leading lady, with new roles written with her in mind. The original run of the play, 579 performances, was the longest first run for any of Feydeau's plays. The piece was twice revived in his lifetime and many times since. Background and premiere By the late-1890s Georges Feydeau had established himself as the leading writer of ''vaudeville'' – known in English-speaking countries as French farce. At a time when a run of 100 performances was regarded in Parisian theatres as a success, Feydeau had enjoyed runs of 434 for ''Champignol malgré lui'' (1892) and 371 for ''L'Hà ...
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